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Vous avez sélectionné:
I Know You
avancé
Orchestre d'harmonie
Partitions à imprimer
21 partitions trouvées
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1
I Know Where I'VE Been
I Know Where I'VE Been
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Queen Latifah
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Jeffrey Bowen
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I Know Where I'VE Been
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Music Arrangement Services Inc.
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1396309 By Queen Latifah. By Marc Shaiman and Scott Wittman. Arranged by Jeffrey Bowen. Broadway,Film/TV,Musical/Show. ...
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Concert Band - Level 4 - SKU: A0.1396309 By Queen Latifah. By Marc Shaiman and Scott Wittman. Arranged by Jeffrey Bowen. Broadway,Film/TV,Musical/Show. 41 pages. Music Arrangement Services Inc. #979685. Published by Music Arrangement Services Inc. (A0.1396309). Performed by Queen Latifah in the film version of the musical “Hairsprayâ€.  This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about looking forward to a better future but struggling with racial injustice.  The song refers to knowing where you’ve been, light in the darkness, being black, cry in the distance, voice from within, dream in the future, pride in your heart, traveling, a price to pay.  This arrangement is designed for high school or college show choir, concert choir or community choir.  SSA/Piano Score also available.  Performance time is approximately 4:10.
$49.99 ≈
£38.84
Waltzing Through the Mid-West, Little Known, Official State Waltzes for Band
Waltzing Through the Mid-West, Little Known, Official State Waltzes for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
L
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Michael Maschmeier (ASCAP)
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Waltzing Through the Mid-West,
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Warrior Musician LLC
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1358962 Composed by L.A. Rescala, R. Stewart, Pee Wee King, R.A. King. Arranged by Michael Maschmeier (ASCAP). 20th Cen...
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Concert Band - Level 4 - SKU: A0.1358962 Composed by L.A. Rescala, R. Stewart, Pee Wee King, R.A. King. Arranged by Michael Maschmeier (ASCAP). 20th Century,Classical,Contemporary,Instructional,Traditional. 99 pages. Warrior Musician LLC #943380. Published by Warrior Musician LLC (A0.1358962). Waltzing Throught the Mid-west is Grade 2.5-3.0. This waltz uses three official state songs for source material, Hush-a-bye Ma Baby (Missouri Waltz), Beautiful Ohio (Ohio Waltz) and the Tennessee Waltz. It has one foot in traditional entertainment aspects from Wind Band's history, and the other foot in modern choices in tempo, time signature changes (including two juxtaposed feels that will challenge even your best students), along with chordal changes that keep it from sounding 'dated.' I feature several low instruments, giving them the limelight at times and with three mallet instruments written into the score, your melodic percussion have plenty to do. This piece lays well in more than one part of your lconcert line-up, including as the feature piece.
$69.99 ≈
£54.38
The Love of 3 Oranges
The Love of 3 Oranges
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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KyleMac Music
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Kyle L
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The Love of 3 Oranges
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KyleMac Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1174956 By KyleMac Music. By Sergei Prokofiev. Arranged by Kyle L. McKinzey. Classical,Contest,Festival,March,Romantic ...
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Concert Band - Level 4 - SKU: A0.1174956 By KyleMac Music. By Sergei Prokofiev. Arranged by Kyle L. McKinzey. Classical,Contest,Festival,March,Romantic Period. Score and Parts. 85 pages. KyleMac Music #775089. Published by KyleMac Music (A0.1174956). One of the strangest titles and I'm not going to tell you I know what it means! This is the march from Sergei Prokofiev's opera of the same name. Arranged for concert band, it has very quirky melodies and harmonies. It's listed as a grade 3 due to the short length. The ranges and rhythms are very playable for most groups. It's the intervals, harmonies, and tunings that make it more difficult for younger groups to play.
$40.00 ≈
£31.08
Tears Of Hercules
Tears Of Hercules
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Celtic Thunder
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Derick Kane
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Tears Of Hercules
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Derick Kane
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008550 By Celtic Thunder. By Marc Jordan and Stephan Moccio. Arranged by Derick Kane. Folk. Score and parts. 31 pages....
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Concert Band - Level 4 - SKU: A0.1008550 By Celtic Thunder. By Marc Jordan and Stephan Moccio. Arranged by Derick Kane. Folk. Score and parts. 31 pages. Derick Kane #4897891. Published by Derick Kane (A0.1008550). A wind band arrangement for concert use of the song 'Tears of Hercules' from Celtic Thunder.Celtic Thunder is an Irish singing group and stage show known for its eclectic, theatrical style show.It is approx. 4 minutes in duration and uses the range of brass and wind instruments.Some of the associated lyrics are:You say love wrecks everything and none of us survive But I got over you last night and I am still alive 'Til I saw your face across the street Through the tears of Hercules
$19.99 ≈
£15.53
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00 ≈
£7.77
The Palatka Port March
The Palatka Port March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart...
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Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00 ≈
£38.85
Never Enough
Never Enough
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Boyce Avenue
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Jason Howard
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Never Enough
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Jason Howard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Sc...
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Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99 ≈
£38.84
Monody
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99 ≈
£46.61
"Flight Of The Bumble Bee"-Background Track for Piano-Jazz/Pop Version-Video
"Flight Of The Bumble Bee"-Background Track for Piano-Jazz/Pop Version-Video
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Fishel Pustilnik
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"Flight Of The Bumble Bee
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F & N Enterprise
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.633401 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and...
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Concert Band - Level 4 - SKU: A0.633401 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 7 pages. F & N Enterprise #3395675. Published by F & N Enterprise (A0.633401). Background Track for famous Flight Of The Bumble Bee by Nikolai Rimsy-Korsakov for Piano (Jazz/Pop Version). Plus Version at SMP: SO 292873https://www.youtube.com/watch?v=GluziM0y9x8The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic
$2.99 ≈
£2.32
The Fog Meets the Storm for small wind band and percussion
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00 ≈
£38.85
The Last Full Measure of Devotion for Concert Band
The Last Full Measure of Devotion for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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The Last Full Measure of Devot
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Zack Richards
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #531966...
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Concert Band - Level 4 - SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #5319661. Published by Zack Richards (A0.894398). I originally wrote a Brass Band version of this work to be performed by the Freedom Brass Band of Northeast Ohio in the summer of 2011 knowing that I wanted it to be connected to a well-known patriotic text. It quickly became my most popular work and I decided to arrange it for Concert Band in 2018. Because it was adapted from a Brass Band setting, some of the instrument ranges are more advanced, but can still work for an advanced high school or college band.From a young age I found inspiration in Abraham Lincoln's Gettysburg Address. As a Boy Scout, I had read it at an annual service on Memorial Day. I had also studied it in school and even heard it spoken by a Lincoln impersonator. The words from this address speak to the ideals of human equality and freedom, and honor those who gave the ultimate sacrifice to protect those ideals. Lincoln refers to this sacrifice as the last full measure of devotion and it is to those men and women who so bravely sacrificed that I dedicate this work. The Score is formatted 11x17All parts are 8 1/2x11Instrumentation:PiccoloFlutes with divisiOboeBassoon1st, 2nd, and 3rd Bb Clarinets with divisiBass ClarinetAlto SaxophoneTenor SaxophoneBaritone Saxophone1st, 2nd, and 3rd Bb Trumpets with divisi4 French Horns in F2 TrombonesEuphonium (Treble and bass clef provided)TubaTimpani (4)Crash CymbalsSnare DrumBass DrumAdvanced IntermediateApprox. 7:00Visit zackrichards.com for more from this composer.
$49.99 ≈
£38.84
Atmospheric Rise
Atmospheric Rise
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Greska
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Atmospheric Rise
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John J. Greska
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1029152 Composed by John Greska. 20th Century,Contemporary. Score and parts. 75 pages. John J. Greska #4718095. Publish...
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Concert Band - Level 4 - SKU: A0.1029152 Composed by John Greska. 20th Century,Contemporary. Score and parts. 75 pages. John J. Greska #4718095. Published by John J. Greska (A0.1029152). A quick tempo piece emulating the feel of flying through the sky into space. Full set of parts with score in single pdf. Composed for standard concert band instrumentation.You are free to perform and record as you wish. Let me know if you record your finished product so I can hear how great you sound!
$25.00 ≈
£19.42
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble) - Score Only
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Publi...
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Concert Band - Level 4 - SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Published by Motch Music (A0.1339375). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00 ≈
£38.85
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble)
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Publi...
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Concert Band - Level 4 - SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Published by Motch Music (A0.1339368). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$200.00 ≈
£155.39
Rhapsody for Concert Band
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
£15.54
Umbrellas Of Cherbourg
Umbrellas Of Cherbourg
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Bud Shank
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John Ivor Holland
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Umbrellas Of Cherbourg
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1228293 By Bud Shank. By Jacques Louis Raymond Marcel Demy and Michel Legrand. Arranged by John Ivor Holland. 20th Cent...
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Concert Band - Level 4 - SKU: A0.1228293 By Bud Shank. By Jacques Louis Raymond Marcel Demy and Michel Legrand. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and Parts. 36 pages. John Ivor Holland #824410. Published by John Ivor Holland (A0.1228293). The Umbrellas of Cherbourg ('Les Parapluies de Cherbourg') is a 1964 French romantic-drama-musical film written and directed by Jacques Demy, with music and lyrics by Michel Legrand, winning the Palme d'Or at the 1964 Cannes Film Festival and nominated for several Oscars; it was also adapted into an English-language stage musical. This enigmatic main title theme is otherwise known as the song (with English lyrics) I Will Wait For You and opens with a quartet of flute, horn, alto saxophone and bass clarinet, moving chromatically through several keys to its sultry conclusion. A wonderful slice of French song-writing that will provide a contrasting slower moment in any concert and highlight your star players.
$49.99 ≈
£38.84
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
£38.84
Homage for Wind Band - Score only
Homage for Wind Band - Score only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ken'ichi Masakado
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Homage for Wind Band - Score o
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in-Just-music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1218361 Composed by Ken'ichi Masakado. Contemporary,Contest,Festival,Multicultural,World. 36 pages. In-Just-music #8146...
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Concert Band - Level 4 - SKU: A0.1218361 Composed by Ken'ichi Masakado. Contemporary,Contest,Festival,Multicultural,World. 36 pages. In-Just-music #814676. Published by in-Just-music (A0.1218361). Homage for Wind Band (Score only)Composed by Ken'ichi MasakadoGrade : 4Duration : ca.8'30I composed at the ene of 2013 and premiered in the spring of 2014.It is a work inspired by the climate, history, and people's activities of Sasaguri Town in Fukuoka Prefecture.Sasaguri is known as the pilgrimage town. And since it is located in the suburbs of Fukuoka, a big city, it has shown remarkable development in recent years... (from Program Note by the composer)If you need parts, please contact the composer.
$25.99 ≈
£20.19
Easter Songs
Easter Songs
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Multiple and Traditional
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John K
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Easter Songs
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John K. Evans
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1171177 Composed by Multiple and Traditional. Arranged by John K. Evans. Christian,Easter,Praise & Worship,Religious,Sp...
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Concert Band - Level 4 - SKU: A0.1171177 Composed by Multiple and Traditional. Arranged by John K. Evans. Christian,Easter,Praise & Worship,Religious,Spiritual. 172 pages. John K. Evans #771516. Published by John K. Evans (A0.1171177). Easter Songs is a medley of 6 well known hymns traditionally sung at Easter church services and community events. Arrangement contains I Love to Tell the Story (Hankey/Fischer), And Can It Be (Wesley/Campbell), At the Cross (Watts/Hudson), The Old Rugged Cross (Bennard), Were You There (Traditional), and Christ Arose (Lowry). Download includes 1 Score, 1 Timpani, 1 Chime, 6 Flutes, 4 Alto Sax, 4 Tenor Sax, 3 Tuba and 2 of all other parts. Baritone TC included. Duration is 7:35. Grade 3.
$85.00 ≈
£66.04
Yemanya (for Symphonic Band)
Yemanya (for Symphonic Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Becca Schack
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Yemanya
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. P...
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Concert Band - Level 4 - SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
$60.00 ≈
£46.62
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