Partitions Numériques de If I Had A Heart pour Orchestre d'harmonie

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If I Had A Heart
Non classifié 14

Piano & claviers
Piano, Voix et Guitare 23
Piano seul 18
Piano, Voix 9
Piano Facile 7
Instruments en Do 2

Accompagnement Piano 1
Orgue 1
1 Piano, 4 mains 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 4 instrumentations

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Guitares
Ukulele 4
Basse electrique 2
3 Guitares (trio) 1
Guitare notes et tablatures 1

Voix
Chorale SATB 5
Chorale 2 parties 1
Chorale 3 parties 1
Chorale TTBB 1
Voix Tenor 1

Vents
Flûte à bec Tenor 1
Clarinette et Piano 1
Flûte et Guitare 1
Quatuor de Saxophones: 4 saxophones 1

Cuivres
Euphonium, Tuba (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

Cordes
Violon et Piano 2
Alto, Piano 1
Violon (partie séparée) 1
Violoncelle (partie séparée) 1
Violoncelle, Piano 1

Violon 1

+ 1 instrumentations

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Percussions & orchestre
Orchestre à Cordes 5
Orchestre d'harmonie 3

Orchestre de chambre 2
Jazz combo 1
Orchestre 1

Ensemble de cuivres 1

+ 1 instrumentations

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If I Had A Heart

Orchestre d'harmonie

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3 partitions trouvées

Formations for Wind Ensemble

Formations for Wind Ensemble #Orchestre d'harmonie #AVANCÉ #Contemporain #Kyle Wernke #Formations for Wind Ensemble #Kyle Wernke Publishing #SheetMusicPlus

Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113...(+)

Concert Band - Level 5 - SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.

$150.00

Here's To You

Here's To You #Orchestre d'harmonie #FACILE #Film/TV #Joan Baez #Joan Baez, Ennio Morricone #Lorenzo Bocci #Here's To You #Lorenzo Bocci #SheetMusicPlus

Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #89...(+)

Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 - Â Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo.Â The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s.Â The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.Â Â Â«If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our wordsâ€”our livesâ€”our painsâ€”nothing! The taking of our livesâ€”lives of a good shoemaker and a poor fish peddlerâ€”all! That last moment belongs to usâ€”that agony is our triumph!.Â»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..

$89.00

Rhapsody for Concert Band

Rhapsody for Concert Band #Orchestre d'harmonie #INTERMÉDIAIRE/AVANCÉ #Classique #July 16th, Clara noted in her #Brock Lupton #Rhapsody for Concert Band #Brock Lupton #SheetMusicPlus

Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...(+)

Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahmsâ€™ works, has loneliness and alienation as its central themes. Brahmsâ€™ devotion to Clara Schumann, Robert Schumannâ€™s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Claraâ€™s daughter.In 1869, Brahms spent the summer near the Schumannâ€™s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goetheâ€™s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heartâ€™s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goetheâ€™s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahmsâ€™ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .

$20.00

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