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Like As a Father
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--INSTRUMENTS--
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Vous avez sélectionné:
Like As a Father
Orchestre d'harmonie
Partitions à imprimer
8 partitions trouvées
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1
AMERICA: A Concert Anthem for Wind Band; A Tribute to the Founding Fathers
AMERICA: A Concert Anthem for Wind Band; A Tribute to the Founding Fathers
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Orchestre d'harmonie
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AVANCÉ
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Moshe S
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AMERICA: A Concert Anthem for
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ArtsAhimsa
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.950867 Composed by Moshe S. Knoll. 20th Century,Contemporary,Folk,Holiday,Patriotic. Score and parts. 179 pages. ArtsAh...
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Concert Band - Level 5 - SKU: A0.950867 Composed by Moshe S. Knoll. 20th Century,Contemporary,Folk,Holiday,Patriotic. Score and parts. 179 pages. ArtsAhimsa #6131477. Published by ArtsAhimsa (A0.950867). This is a solemn, large scale, instrumental patriotic anthem, ideal for national holiday celebrations, graduations or other suitable occasions. It is written in the form of a very expansive Classical rondo, and it makes reference to various musicalidioms of the historical past. This deliberate use of the Classical Style is a reference to the Founding Fathers. Ideally, it should be performed with one instrument to a part, like a chamber symphony.The score is all in C (sounds as written) for the convenience of score readers at the piano. The first Clarinet and the first Trumpet are treated like soloists almost throughout the composition.
$75.00 ≈
67.92€
Laid To Rest
Laid To Rest
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Orchestre d'harmonie
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FACILE
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Contemporain
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Johnson Lee
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Laid To Rest
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johnson lee
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.912625 Composed by Johnson Lee. Contemporary. Score and parts. 34 pages. Johnson lee #5301. Published by johnson lee (A...
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Concert Band - Level 2 - SKU: A0.912625 Composed by Johnson Lee. Contemporary. Score and parts. 34 pages. Johnson lee #5301. Published by johnson lee (A0.912625). There are many moments in our lives but none more significant than birth and death. Whilst birth is openly celebrated in our society, death however is treated as dark and sombre.I was moved to compose this piece Laid to Rest as I saw death as a final resting place and the funeral, a celebration of that person’s life as he is sent off on a journey of peace. Hence, this piece takes on a lighter, hopeful yet reflective feel compared to other pieces of heavier, melancholic notes.I was deeply honoured when it was first played / performed at Singapore’s late founding father Senior Minister Lee Kuan Yew’s funeral. I had to control my tears as I was conducting the band and was so grateful for being able to honour him with my composition.During this pandemic, there are many healthcare heroes on the frontline working tirelessly to protect all of us. Some have even sacrificed their lives. I would like to dedicate this to these heroes. May they and their loved ones find comfort in this piece.
$70.00 ≈
63.39€
Rhapsody for Concert Band
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.11€
Oot-kwa-tah, Dance of the Seven Sisters
Oot-kwa-tah, Dance of the Seven Sisters
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
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Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75 ≈
36.90€
The Best Hymns of All Time (for Wind Instruments) Book 3
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99 ≈
28.97€
He Lives In You (reprise)
He Lives In You (reprise)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Jay Rifkin, Lebo M, and Mark M
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Andrea Smiley
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He Lives In You
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Andrea Smiley
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1309766 Composed by Jay Rifkin, Lebo M, and Mark Mancina. Arranged by Andrea Smiley. Broadway,Classical,Film/TV,Multicu...
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Concert Band - Level 4 - SKU: A0.1309766 Composed by Jay Rifkin, Lebo M, and Mark Mancina. Arranged by Andrea Smiley. Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. 77 pages. Andrea Smiley #898932. Published by Andrea Smiley (A0.1309766). Several years ago, I lost my father suddenly. One of the things that helped me through the grieving proess was music. The music of Kings of the Past and He Lives in You from Disney's The Lion King resonated in me during this time and, being a musician, I started searching for an arrangement of this for symphonic wind ensemble. Much to my disappointment, I could not find such an arrangement. So, I sat down and wrote this out, developing the emotional tones I felt during the process, traveling from grief and despair to eventually hope and celebraton of who my father was and that he continues to abide in me in spirit, and developing the difficuty level I thought would be welcome in the type of ensemble I like to play in. I would recommend this score and parts to a community band or a skilled high school band, as ther are several chances to highlight the different sections of the band with multiple solos that will challenge the range on the instrumentalists.
$65.00 ≈
58.86€
Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), overture by Franz von
Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), overture by Franz von
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz von Suppe
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Albert Schwarzmann
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Ein Morgen, ein Mittag, ein Ab
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1021848 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 192 pages. Editi...
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Concert Band - Level 5 - SKU: A0.1021848 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 192 pages. Edition Schwalbe #6644221. Published by Edition Schwalbe (A0.1021848). Franz von Suppé was a typical child of the multiethic Austrian-Hungarian monarchy with Italian, Dalmatian and Viennese ancestors. His full name was Francesco Ezechiele Ermenegildo de Suppè. He is regarded as father of the Viennese operetta. As he very often composed on bad quality librettos, most of his operettas nowadays are no more performed on stage. But many of his overtures and melodies are still popular, like this overture to the operetta Ein Morgen, ein Mittag, ein Abend in Wien (Morning, Noon and Night in Vienna), which was first performed in Vienna in February 1844. The original cello solo starting at bar 14was transcribed in this arrangement to the bass clarinet, as it is the only wind instrument in this score covering the range of the cello's solo part. There are also alternatives for clarinet (as in the orchestral score) or flugelhorn combined with euphonium. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg and first performed conducted by Hansjoerg Angerer at their 2014 New Year's Concert on January 6th in Salzburg, Austria. A live recording of this piece is included on the CD Eine musikalische Reise UMR65, Barcode 9120007612141 available at https://naxosdirekt.de/items/eine-musikalische-reise-557962 . Further details at: https://www.blaeserphilharmonie-mozarteum.at/
$142.40 ≈
128.95€
Banditenstreiche (The Jolly Robbers), Overture by Franz von Suppé
Banditenstreiche (The Jolly Robbers), Overture by Franz von Suppé
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz von Suppe
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Albert Schwarzmann
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Banditenstreiche
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1021845 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 203 pages. Editi...
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Concert Band - Level 5 - SKU: A0.1021845 Composed by Franz von Suppe. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 203 pages. Edition Schwalbe #6500211. Published by Edition Schwalbe (A0.1021845). Franz von Suppéwas a typical child of the multiethic Austrian.Hungarian monarchy with Italian, Dalmatian and Viennese ancestors. His full name was Francesco Ezechiele Ermenegildo de Suppè. He is regarded as father of the Viennese operetta. As he very often composed on bad quality librettos, most of his operettas nowadays are no more performed on stage. But many of his overtures and melodies are still popular, like this overture to the operetta Banditenstreiche (The Jolly Robbers or Bandits' Pranks), which was first performed in Vienna in April 1867. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg. A live recording of this piece is included on the CD Kristalle der Musik UMR50, Barcode 9120007611908 available at https://naxosdirekt.de/items/kristalle-der-musik-557964
$142.40 ≈
128.95€
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