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Vous avez sélectionné:
Promise Me This
Orchestre d'harmonie
Partitions à imprimer
5 partitions trouvées
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1
A Promise to Stand By:
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
£15.18
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
£18.98
Sunshine On My Shoulders
Sunshine On My Shoulders
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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John Denver
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Brendan Elliget MAGA 537
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Sunshine On My Shoulders
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score a...
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Concert Band - Level 3 - SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score and parts. 36 pages. BJE Music #6487663. Published by BJE Music (A0.751041). Sunshine On My Shoulders – Concert Band Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high Sunshine on My Shoulders (sometimes titled simply Sunshine) is a song recorded and co-written by American singer-songwriter John Denver. It was originally released as an album track on 1971's Poems, Prayers & Promises and later, as a single in 1973. Denver wrote this song on an early spring day in Minnesota when the rain was gently falling. He found himself looking forward to spending more time outdoors and enjoying the sunshine. He said of the song, On one level it was about the virtues of love. On another, more deeply felt level, it reached for something the whole world could embrace. This is an arrangement for Concert Band with an optional Piano part...Grade = 3 Duration = 2:45 mins The MP3 and Video audio was recorded with NotePerformer 3. Copyright © 1971; Renewed 1999 BMG Ruby Songs, My Pop's Songs, Dino Park Publishing, Jesse Belle Denver and Reservoir Media Music in the U.S. All Rights for BMG Ruby Songs Administered by BMG Rights Management (US) LLC All Rights for My Pop's Songs and Dino Park Publishing Administered by Kobalt Songs Music Publishing All Rights for Jesse Belle Denver Administered by WB Music Corp. All Rights for Reservoir Media Music Administered by Reservoir Media Management, Inc. (Publishing) and Alfred Music (Print) All Rights Reserved Used by Permission
$49.99 ≈
£37.95
Revelations 5 (Mvt. II)
Revelations 5 (Mvt. II)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...
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Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00 ≈
£37.96
Animals
Animals
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Orchestre d'harmonie
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FACILE
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Martin Garrix
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Scaver
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Animals
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Scaver
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1235675 By Martin Garrix. By Martijn Garritsen. Arranged by Scaver. 21st Century,Disco,Pop,Video Game. Score and Parts....
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Concert Band - Level 2 - SKU: A0.1235675 By Martin Garrix. By Martijn Garritsen. Arranged by Scaver. 21st Century,Disco,Pop,Video Game. Score and Parts. 41 pages. Scaver #831187. Published by Scaver (A0.1235675). Scaver Music, a renowned concert band arranger, has recently unveiled their latest project: a concert band version of the hit song Animals by Martin Garrix. Originally released as a digital download on iTunes on June 17, 2013, Animals quickly gained popularity within the electronic dance music (EDM) culture, propelling Martin Garrix to become the youngest producer to ever have a song reach number one on Beatport, a prominent electronic music store.The track's infectious beats and energetic melodies captivated listeners, leading it to achieve remarkable success on various music charts. It climbed into the top ten and secured the number one spot on numerous electronic music charts, as well as some mainstream ones. Notably, Animals topped the singles charts in the United Kingdom, French-speaking Switzerland, and Belgium. In the United States, it reached number 21 on the Billboard Hot 100 and claimed the number one position on the Dance chart.Before its official release, Animals generated significant buzz as it was played anonymously, causing speculation to grow about the artist behind the track. Dutch record label Spinnin' Records fueled the anticipation by sharing a teaser clip of the song online, titled Animals (Teaser). This led to increased speculation, with a Vine video featuring Agnes from the animated film Despicable Me further stoking curiosity. The track was mistakenly attributed to other artists such as Hardwell, GTA, Sidney Samson, and Bassjackers before Martin Garrix's true identity as the producer was revealed.Martin Garrix shared insights into the composition of Animals, explaining that the melody was based on a previous track he had composed two years prior but never released. The drop, characterized by its ruthlessly minimalist and rhythmic sound, is inspired by Busta Rhymes' What It Is. Additionally, the opening section of the song draws inspiration from a track called D.A.T.A. by Aura Qualic. While Animals is predominantly instrumental, it features a spoken verse by a friend of Martin Garrix with the lyrics We're the fucking animals, delivered in a low pitch and repeated twice throughout the song.Now, Scaver Music has taken up the exciting challenge of arranging Animals for a concert band, bringing a fresh interpretation of this electronic dance anthem to a new musical realm. With their expertise in creating captivating arrangements, Scaver Music aims to capture the essence of the original track while adding the rich harmonies, dynamic textures, and powerful brass and woodwind sections that define the concert band sound.Fans of Animals and concert band enthusiasts alike can look forward to experiencing this new rendition, which promises to be a thrilling and unforgettable musical journey. Scaver Music's concert band version of Animals will undoubtedly provide a unique and exhilarating performance, blending the infectious energy of electronic dance music with the grandeur and depth of a full concert band. Instrument list: PiccoloFlute 1,2OboeBassoonClarinet Bb 1,2,3Bass ClarinetAlto Saxophone 1,2Tenor SaxophoneBaritone SaxophoneTrumpet Bb 1,2,3Horn F 1-2,3-4Trombone 1,2,3Euphonium BbTuba BbTuba EbDouble BassTimpaniXylophoneDrumsetPercussion 1,2
$49.99 ≈
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