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Vous avez sélectionné:
The Last of Us
Orchestre d'harmonie
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The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
¥210.33
Variations on a Theme in D Flat
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00 ≈
¥70.11
The Last Farewell
The Last Farewell
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Orchestre d'harmonie
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FACILE
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Roger Whittaker
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John Ivor Holland
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The Last Farewell
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1294307 By Roger Whittaker. By Roger Whittaker and Ronald Webster. Arranged by John Ivor Holland. 20th Century,Folk,Pop...
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Concert Band - Level 2 - SKU: A0.1294307 By Roger Whittaker. By Roger Whittaker and Ronald Webster. Arranged by John Ivor Holland. 20th Century,Folk,Pop,Singer/Songwriter. Score and Parts. 44 pages. John Ivor Holland #884691. Published by John Ivor Holland (A0.1294307). The Last Farewell is a song from 1971 by British folk singer Roger Whittaker and Ron Webster. When Whittaker hosted a radio programme at that time, one of his ideas was to invite listeners to send their poems or lyrics to me and I would make songs out of them. We got a million replies, and I did one each week for 26 weeks. Webster, a silversmith from Birmingham, sent Whittaker his poem entitled The Last Farewell, and this became one of the selections to appear on the radio programme. It was recorded, and featured on Whittaker's 1971 album New World in the Morning (A Special Kind of Man in the US and Canada). It is one of the fifty all-time singles to have sold 10 million (or more) physical copies worldwide, peaking at number 2 on the UK Singles Chart. It was kept from number 1 by Rod Stewart's Sailing, resulting in an oddity that the top 2 songs in the UK singles chart at the time had a nautical theme. The Last Farewell also went to number 1 in 11 other countries, selling an estimated 11 million copies worldwide, making it Whittaker's best-known song. Created in memory of Roger Whittaker (1936-2023).
$49.99 ≈
¥350.49
Salute to the Queen
Salute to the Queen
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Orchestre d'harmonie
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Contemporain
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Graham Hickey
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Salute to the Queen
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Graham Hickey
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SheetMusicPlus
Concert Band - SKU: A0.998310 Composed by Graham Hickey. 20th Century,Contemporary. Score and parts. 36 pages. Graham Hickey #6708249. Published by Grah...
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Concert Band - SKU: A0.998310 Composed by Graham Hickey. 20th Century,Contemporary. Score and parts. 36 pages. Graham Hickey #6708249. Published by Graham Hickey (A0.998310). A March for Concert Wind Band.Elizabeth became queen on the death of her father,King George VI, who passed away on 6 February 1952 when she was in Kenya - Prince Philip learning the news first from a reporterafter the coded message failed to arrive. Commenorating this date the Queen said As I look ahead with a sense of hope and optimism to the year of my Platinum Jubilee, I am reminded of how much we can be thankful for, The MarchThe opening heralds that fateful message given to her and the first minor section (A) is the frantic journey back to be with her people.Section (B) is joyous and celebrates welcoming heras our monach.Section (C) is a fanfaric reminder of the coronation before section (D) is the long years of reign throughmany highs and lows her service has remained faithfulto her people. Section (E) brings us summoned to Buckingham Palaceand the last last section repeats the hope she brings to the country with a final bass drum as a salute at the end.
$20.00 ≈
¥140.22
The Search for Hope
The Search for Hope
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Orchestre d'harmonie
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AVANCÉ
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Keiron Anderson
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The Search for Hope
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Mu...
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Concert Band - Level 5 - SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Music (A0.1416191). The Search for Hope is a work for wind orchestra comprised of three distinct motifs that tell a story of looking for hope.  Beginning with a crisp and airy feeling, this intensive work gives us a sense of taking flight over a diverse human landscape in the time reflecting the global pandemic, and the ensuing personal struggles, economic problems and conflicts that continue to have lasting consequences for so many people in the world.  Opening with a “questioning phrase,†illustrated by using a rising minor third motif, the music develops into a more ominous melody that is carried by the bass instruments.  From that questioning phrase the music sharply transitions into a second motif where the music picks up the pace with its own distinctive phrase and musical features, suggesting a time of invasions and military clashes, while tugging and moving our emotions back and forth with a single impression, and raising the question:  Where is hope found? With the final motif the tempo begins to slow and express a more tempered and solemn course of thought, punctuated by the higher brass that takes the lead in carrying the phrase of the music by using a descending minor third to carry the mood.  Allowing the music to reflect and express the vocal inflections used as when a mother gently speaks the name of her child with love and support—the very essence of hope.
$115.00 ≈
¥806.28
Tears Of Hercules
Tears Of Hercules
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Celtic Thunder
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Derick Kane
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Tears Of Hercules
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Derick Kane
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008550 By Celtic Thunder. By Marc Jordan and Stephan Moccio. Arranged by Derick Kane. Folk. Score and parts. 31 pages....
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Concert Band - Level 4 - SKU: A0.1008550 By Celtic Thunder. By Marc Jordan and Stephan Moccio. Arranged by Derick Kane. Folk. Score and parts. 31 pages. Derick Kane #4897891. Published by Derick Kane (A0.1008550). A wind band arrangement for concert use of the song 'Tears of Hercules' from Celtic Thunder.Celtic Thunder is an Irish singing group and stage show known for its eclectic, theatrical style show.It is approx. 4 minutes in duration and uses the range of brass and wind instruments.Some of the associated lyrics are:You say love wrecks everything and none of us survive But I got over you last night and I am still alive 'Til I saw your face across the street Through the tears of Hercules
$19.99 ≈
¥140.15
A Promise to Stand By:
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
¥140.15
Killarney Carnivale
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00 ≈
¥420.67
Catching Fireflies
Catching Fireflies
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Orchestre d'harmonie
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Daniel Burwasser
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Catching Fireflies
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Imagine Music - Digital
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SheetMusicPlus
Concert Band - SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ...
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Concert Band - SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ.HAS03-S). Sometimes the composer may point us to the meaning of a piece, without actually providing it. Says Daniel Burwasser: “Catching Fireflies is an ode to the tender memories and joys of childhood. The thematic material and structure of the work reflects the immediacy and innocent fascination of a time when everything is new and exciting, and something as simple as the flashing of a firefly can capture the imagination. The opening indeed creates visions of sprightly fireflies. An animated seven-note figure, first introduced by the strings then taken up by the brass and woodwinds, suggests a dazzling nocturnal scene of children scurrying after the elusive insects. The theme rapidly transmogrifies, aided by echoing dialogues between instruments as well as abrupt percussive effects. Then, a placid lyrical interlude begins with contemplative strains. Have the catchers settled back to view the stars? Like youth itself, the segment doesn’t last and is pushed aside by a subdued version of the lead theme. This time, a lyrical melody pro- vides a whiff of melancholia, but one limned by kaleidoscopic xylophone notes. Then, a longer adagio theme develops, and while it reflects the original lyrical interlude, it soon assumes a nostalgic aura reminiscent of fifties film music. Perhaps it evokes the romantic theme from an old movie the composer attended as a youth. But the night is not over and as the tempo increases, the brass sounds a variation of the opening melody, there is a brief parenthesis of calm, then a crashing tutti puts an end to the evening activities.
$20.00 ≈
¥140.22
Born This Way
Born This Way
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Orchestre d'harmonie
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FACILE
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Lady Gaga
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Fernando Garibay, Stefani Germ
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Simone Orsini
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Born This Way
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Simone Orsini
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini...
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Concert Band - Level 2 - SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Composed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry.
$68.00 ≈
¥476.76
Here's To You
Here's To You
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Orchestre d'harmonie
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FACILE
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Film/TV
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Joan Baez
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Joan Baez, Ennio Morricone
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Lorenzo Bocci
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Here's To You
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #89...
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Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 -  Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo. The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s. The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.  «If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our words—our lives—our pains—nothing! The taking of our lives—lives of a good shoemaker and a poor fish peddler—all! That last moment belongs to us—that agony is our triumph!.»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..
$89.00 ≈
¥623.99
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