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Vous avez sélectionné:
Overture in C
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Orchestre
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1
Overture in C Major, Op. 24 transcribed for full orchestra by Yoon Jae Lee - Set of Parts
Overture in C Major, Op. 24 transcribed for full orchestra by Yoon Jae Lee - Set of Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Yoon Jae Lee
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Overture in C Major, Op. 24 tr
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Ondine Press
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.866122 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Instructional,Romantic Period,Sta...
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Full Orchestra - Level 4 - SKU: A0.866122 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Instructional,Romantic Period,Standards. Set of parts. 85 pages. Ondine Press #6463437. Published by Ondine Press (A0.866122). Instrumentation: 2. 2. 2. 2 – 2. 2. 3(ad lib). 0 – tp – str This is a set of parts to Yoon Jae Lee's transcription for full orchestra of Mendelssohn's Overture for Winds in C Major, Op. 24. The full score is available separately. Originally conceived as a work titled Nocturno for an 11-piece Harmonie in 1824, Mendelssohn revised the work for a full 24-piece wind ensemble in 1838. In a letter to his publisher Simrock, Mendelssohn mentions a version for strings but nothing more is known about whether or not Mendelssohn ever made that version. This 2016 transcription for full orchestra by conductor & arranger Yoon Jae Lee now makes this exuberant overture accessible to orchestras worldwide. The trombone parts are ad lib. Perusal Score: https://bit.ly/3ySuCZ0.
$100.00 ≈
$138.32
Overture in C Major, Op. 24 transcribed for full orchestra by Yoon Jae Lee - Score Only
Overture in C Major, Op. 24 transcribed for full orchestra by Yoon Jae Lee - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Yoon Jae Lee
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Overture in C Major, Op. 24 tr
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Ondine Press
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.866111 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Instructional,Romantic Period,Sta...
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Full Orchestra - Level 4 - SKU: A0.866111 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Instructional,Romantic Period,Standards. 36 pages. Ondine Press #3125209. Published by Ondine Press (A0.866111). Instrumentation: 2. 2. 2. 2 – 2. 2. 3(ad lib). 0 – tp – str This is a full score to Yoon Jae Lee's transcription for full orchestra of Mendelssohn's Overture for Winds in C Major, Op. 24. The set of parts is available separately. Originally conceived as a work titled Nocturno for an 11-piece Harmonie in 1824, Mendelssohn revised the work for a full 24-piece wind ensemble in 1838. In a letter to his publisher Simrock, Mendelssohn mentions a version for strings but nothing more is known about whether or not Mendelssohn ever made that version. This 2016 transcription for full orchestra by conductor & arranger Yoon Jae Lee now makes this exuberant overture accessible to orchestras worldwide. The trombone parts are ad lib. Perusal Score: https: //bit.ly/3ySuCZ0.
$25.00 ≈
$34.58
Faust Overture, Op. 46
Faust Overture, Op. 46
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Emilie Mayer
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edited by John M
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Faust Overture, Op. 46
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Romantic Period. 14...
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Full Orchestra - Level 4 - SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Romantic Period. 141 pages. Zephyrwindmusic.com #1055051. Published by zephyrwindmusic.com (A0.1477673). Score and parts for orchestra, edited by John M. Laverty. German-born composer Emilie Mayer (1812-1882) wrote and published music during a time period that was challenging for a female composer. Doing so under the long shadows of Bach, Mozart, and Beethoven complicated the situation, yet Mayer prospered and was quite successful during her lifetime. Sadly, despite this early success, her works have not received the number of performances they deserve. Faust Overture, premiered shortly before Mayer’s death, is by far her most successful orchestral work. In it, one can clearly hear the influence of Beethoven. This edition is based entirely on Mayer’s 1880 publication. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.
$50.00 ≈
$69.16
Endymion Overture
Endymion Overture
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alice Mary Smith
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edited by John M
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Endymion Overture
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1465640 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century. 134 pages. Zep...
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Full Orchestra - Level 4 - SKU: A0.1465640 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century. 134 pages. Zephyrwindmusic.com #1038508. Published by zephyrwindmusic.com (A0.1465640). British composer Alice Mary Smith (1839-1884) was in her mid 20’s when she wrote Endymion Overture for orchestra. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s compositions during this period of her life received a high level of praise from the British press. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s. This edition is based entirely on Smith’s original manuscript. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C 3 TrombonesTimpaniStrings.
$80.00 ≈
$110.65
Poet and Peasant - Overture, Measures 1-51 - Clarinets in Bb (Transposed part)
Poet and Peasant - Overture, Measures 1-51 - Clarinets in Bb (Transposed part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franz von Suppé
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Ocelot Music
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Poet and Peasant&nbs
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Ocelot Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1394450 Composed by Franz von Suppé. Arranged by Ocelot Music. 19th Century,Classical. 1 pages. Ocelot Music...
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Full Orchestra - Level 4 - SKU: A0.1394450 Composed by Franz von Suppé. Arranged by Ocelot Music. 19th Century,Classical. 1 pages. Ocelot Music #977936. Published by Ocelot Music (A0.1394450). Transposed measures 1-51 of part for Clarinets in Bb. Originally for Clarinets in C. © 2023 by Ocelot Music.
$1.99 ≈
$2.75
EP!C!!!
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00 ≈
$55.33
Overture in C
Overture in C
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fanny Cecile Mendelssohn
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José F
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Overture in C
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José F. Anello
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.492584 Composed by Fanny Cecile Mendelssohn. Arranged by José F. Anello. Classical,Romantic Period. Score and part...
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Full Orchestra - Level 4 - SKU: A0.492584 Composed by Fanny Cecile Mendelssohn. Arranged by José F. Anello. Classical,Romantic Period. Score and parts. 99 pages. José F. Anello #107856. Published by José F. Anello (A0.492584). An unpublished work of the famous Felix Mendelssohn's sister, Fanny. Forgotten for being a women, but having a lot of great compositions. This is, probably, her most ambitious orchestra work, and her only one without voice. Just enjoy.
$25.00 ≈
$34.58
Suite from the opera "Hamlet", op. 64a
Suite from the opera "Hamlet", op. 64a
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Suite from the opera "Ham
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian ...
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Full Orchestra - Level 4 - SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00 ≈
$138.32
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