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Vous avez sélectionné:
Now And Then
expert
Orchestre
Partitions à imprimer
22 partitions trouvées
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1
- La randonnée d'imprévu // The hike..# ISRC 10262
- La randonnée d'imprévu // The hike..# ISRC 10262
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Gaétane Poitras
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- La randonnée d'impr&e
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Conte...
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Full Orchestra - Level 5 - SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069259. Published by Réal Dubois (A0.1018798). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Tombland Fanfare
Tombland Fanfare
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Orchestre
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AVANCÉ
#
Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00 ≈
$48.37
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50 ≈
$43.53
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
#
AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
$27.64
Rosary Sonatas: The Crucifixion
Rosary Sonatas: The Crucifixion
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixio
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99 ≈
$48.36
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
$138.20
Sounds of Winter
Sounds of Winter
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Orchestre
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AVANCÉ
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Classique
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David M
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Sounds of Winter
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published...
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Full Orchestra - Level 5 - SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published by David Sterrett Music (A0.1039844). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$74.99 ≈
$103.64
Sounds of Winter - Score Only
Sounds of Winter - Score Only
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Orchestre
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AVANCÉ
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Classique
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David M
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Sounds of Winter - Score Only
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published ...
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Full Orchestra - Level 5 - SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published by David Sterrett Music (A0.1039845). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$24.99 ≈
$34.54
Zima la noire d'imprévu // The black Zima..# ISRC 10259
Zima la noire d'imprévu // The black Zima..# ISRC 10259
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Zima la noire d'imprévu
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contempor...
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Full Orchestra - Level 5 - SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069325. Published by Réal Dubois (A0.1018811). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois & Marcel Messer
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La veillée chez l'voisi
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitras & Marcel Mess...
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Full Orchestra - Level 5 - SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitras & Marcel Messervier. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069265. Published by Réal Dubois (A0.1018800). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Souvenir d'un Musicien d'imprévu // Musician of Memory ..# ISRC 10256
Souvenir d'un Musicien d'imprévu // Musician of Memory ..# ISRC 10256
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Souvenir d'un Musicien d'impr&
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018807 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contempor...
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Full Orchestra - Level 5 - SKU: A0.1018807 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069305. Published by Réal Dubois (A0.1018807). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Une p'tite tournée de Mme Hébert d'imprévu // A little reel for Mrs. Hebert..# ISRC 10245
Une p'tite tournée de Mme Hébert d'imprévu // A little reel for Mrs. Hebert..# ISRC 10245
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Une p'tite tournée de M
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018810 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contempor...
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Full Orchestra - Level 5 - SKU: A0.1018810 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069317. Published by Réal Dubois (A0.1018810). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Les filles du café d'imprévu // The coffee girl's swing ..# ISRC 10250
Les filles du café d'imprévu // The coffee girl's swing ..# ISRC 10250
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Gaétane Poitras
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Les filles du café d'im
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018805 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Conte...
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Full Orchestra - Level 5 - SKU: A0.1018805 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069291. Published by Réal Dubois (A0.1018805). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Le gars d'Edgar d'imprévu // Edgar's son reel ..# ISRC 10249
Le gars d'Edgar d'imprévu // Edgar's son reel ..# ISRC 10249
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Le gars d'Edgar d'impré
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018801 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contempor...
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Full Orchestra - Level 5 - SKU: A0.1018801 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069267. Published by Réal Dubois (A0.1018801). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Ma belle Christine d'imprévu // My beautiful Christine..# ISRC 10242
Ma belle Christine d'imprévu // My beautiful Christine..# ISRC 10242
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Orchestre
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AVANCÉ
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Celtique/Irlandais
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Gaétane Poitras
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Ma belle Christine d'impr&eacu
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018806 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Conte...
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Full Orchestra - Level 5 - SKU: A0.1018806 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069301. Published by Réal Dubois (A0.1018806). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99 ≈
$2.75
Let It Go
Let It Go
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Orchestre
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AVANCÉ
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Idina Menzel
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Georg Wiesinger
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Let It Go
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Georg Wiesinger
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1436893 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Georg Wiesinger. Film/TV,Pop. 62 pag...
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Full Orchestra - Level 5 - SKU: A0.1436893 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Georg Wiesinger. Film/TV,Pop. 62 pages. Georg Wiesinger #1016959. Published by Georg Wiesinger (A0.1436893). Experience the magic of Disney’s Frozen with this exquisite orchestral arrangement of Let it Go, composed by Robert Lopez and Kristen Anderson-Lopez. Crafted with meticulous attention to detail, this arrangement captures the essence and grandeur of the original film score, ensuring an authentic and immersive performance experience.Commissioned by the renowned Bruckner Orchestra Linz, this arrangement is designed for a full symphony orchestra and soloist. It includes parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), the solo part, and more (piano, harp, e-guitar, bass guitar), allowing every section to shine in this iconic piece. The arrangement stays true to the original vocal lines and harmonies, bringing the powerful and emotional lyrics to life through the rich textures of the orchestra.
$200.00 ≈
$276.41
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Orchestre
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
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Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
$27.64
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
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Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00 ≈
$69.10
Circle Of Life
Circle Of Life
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Orchestre
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AVANCÉ
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Elton John
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Georg Wiesinger
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Circle Of Life
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Georg Wiesinger
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1436894 By Elton John. By Elton John and Tim Rice. Arranged by Georg Wiesinger. Film/TV,Multicultural,Pop,World. 62 p...
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Full Orchestra - Level 5 - SKU: A0.1436894 By Elton John. By Elton John and Tim Rice. Arranged by Georg Wiesinger. Film/TV,Multicultural,Pop,World. 62 pages. Georg Wiesinger #1016960. Published by Georg Wiesinger (A0.1436894). Bring the iconic sounds of Disney’s The Lion King to life with this masterful orchestral arrangement of Circle of Life, composed by the legendary Elton John and Tim Rice. This arrangement, commissioned by the esteemed Bruckner Orchestra Linz, is a faithful transcription of the beloved song as heard in the film, meticulously crafted for a full symphony orchestra.This arrangement captures the essence and grandeur of the original, ensuring an authentic and stirring performance that will resonate with audiences. With parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), solo, and more (harp, e-piano, bass-guitar), this arrangement allows each section of the orchestra to shine, delivering the powerful and emotional experience that Circle of Life is known for.Key Features:Authenticity: Faithfully transcribed to match the film’s version, ensuring a familiar and beloved sound.Versatility: Perfect for concert performances, special events, and themed programs.Professional Quality: Commissioned by a world-class orchestra, reflecting high standards of musicality and craftsmanship.Comprehensive Parts: Includes full score and individual parts for each section of the orchestra.Ideal for orchestras looking to add a timeless and emotionally impactful piece to their repertoire, this arrangement of Circle of Life promises to captivate and inspire audiences of all ages. Bring the magic and majesty of the African savanna to your concert hall with this stunning orchestral arrangement.
$100.00 ≈
$138.20
A Well-Traveled Road
A Well-Traveled Road
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Orchestre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
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Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00 ≈
$96.74
Chevalier De Sangreal
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00 ≈
$207.31
Truck Drive - Score Only
Truck Drive - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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Ost
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Chris Siddall
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Truck Drive - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 1...
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Full Orchestra - Level 5 - SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 10 pages. Chris Siddall Music Publishing #688907. Published by Chris Siddall Music Publishing (A0.1084739). “My most completely satisfying participation in filmâ€. That was how composer Michael Kamen described his collaboration with director Terry Gilliam on his dystopian black comedy film Brazil. Brazil is a wonderful dreamscape of music. Kamen manages to successfully blend a dizzying array of styles ranging from symphonic to jazz to thirties pop, weave in allusions to everything from Maurice Ravel to Woody Woodpecker and make the result as gloriously romantic as it is heart-breaking. This cue, titled “Kicked Out†on the manuscript but known as “Truck Drive†on the OST takes place as our hero Sam (Jonathan Pryce) and the woman from his dreams Jill (Kim Greist) flee from government agents. During the frantic chase, we hear hints of Ary Barroso’s “Aquarela do Brasil†which, known simply as “Brazil†to British audiences, is a recurring theme throughout and gives its name to the title of the film. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
$13.81
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