Partitions Numériques de System Of A Down pour Orchestre

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System Of A Down
Non classifié 10

Piano & claviers
Piano seul 15
Orgue 2
Piano, Voix 1
1 Piano, 4 mains 1
Piano, Voix et Guitare 1

Guitares
Guitare notes et tablatures 1

Voix
Chorale SATB 6

Vents
Flûte traversière et Piano 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Flûte traversière 1
Clarinette et Piano 1
2 Clarinettes (duo) 1

Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trompette 1

Cordes
Violon 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violon et Piano 1

Percussions & orchestre
Batterie 4
Orchestre d'harmonie 3
Orchestre 2

Orchestre de chambre 2
Orchestre à Cordes 1

Ensemble de Percussions 1
Piano et Orchestre 1

+ 2 instrumentations

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System Of A Down

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2 partitions trouvées

A Well-Traveled Road

A Well-Traveled Road #Orchestre #AVANCÉ #Contemporain #Daniel Burwasser #A Well-Traveled Road #Head and Stem #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...(+)

Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.

$70.00

Shadowland

Shadowland #Orchestre #AVANCÉ #Film/TV #Hans Zimmer, Lebo M, and Mark #Brian Strohmetz #Shadowland #Brian Strohmetz #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultura...(+)

Full Orchestra - Level 5 - SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.

$74.99

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