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Partitions à imprimer
7 partitions trouvées
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1
Warsaw Concerto
Warsaw Concerto
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Orchestre
#
AVANCÉ
#
Richard Addinsell
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Marcus Martin
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Warsaw Concerto
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Cornelius Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1459170 Composed by Richard Addinsell. Arranged by Marcus Martin. 20th Century,Classical,Film/TV. 124 pages. Corneliu...
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Full Orchestra - Level 5 - SKU: A0.1459170 Composed by Richard Addinsell. Arranged by Marcus Martin. 20th Century,Classical,Film/TV. 124 pages. Cornelius Edition (uk) #1038140. Published by Cornelius Edition (uk) (A0.1459170). This piece was composed for the 1941 film 'Dangerous Moonlight', a World War II love story with a sweeping soundtrack to match the romance of the plot. The film’s producers apparently approached Rachmaninov to compose the score, but when he declined, the score for Dangerous Moonlight and the Warsaw Concerto was composed by Richard Addinsell. The composer’s unashamed use of indulgent harmonies and grand Romantic gestures goes a great way towards explaining why the Warsaw Concerto remains hugely popular today. An attractive concert item, scored for 2122 2230 Timpani and Strings. All parts including the piano solo are included together with the full score.
$69.00 ≈
£53.80
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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Orchestre
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AVANCÉ
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Contemporain
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Jazz
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James Nathaniel Holland
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Flute Concerto The Hummingbird
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published...
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Full Orchestra - Level 5 - SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95 ≈
£35.83
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50 ≈
£24.56
Symphony No 3 for large orchestra
Symphony No 3 for large orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Symphony No 3 for large orches
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Mal...
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Full Orchestra - Level 5 - SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.
$30.00 ≈
£23.39
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
£15.59
Pastorale - Village - Chase - Score Only
Pastorale - Village - Chase - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Various
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Pastorale - Village - Chase -
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.833894 By Various. By Franz Waxman. Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 21 pag...
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Full Orchestra - Level 5 - SKU: A0.833894 By Various. By Franz Waxman. Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 21 pages. Chris Siddall Music Publishing #6520763. Published by Chris Siddall Music Publishing (A0.833894). Straight out of the Golden Age of cinema this fabulous cue from 1935's The Bride of Frankenstein really encapsulates Franz Waxman's classic score. This was his first Hollywood movie and demonstrates why he went on to be regarded as one of the greatest film score composers of all time.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
£7.79
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