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8 partitions trouvées
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1
Tainos Visions
Tainos Visions
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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William Pagan-Perez
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Tainos Visions
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119848 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 112 pages. William Pagan-Perez #721193...
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Full Orchestra - Level 4 - SKU: A0.1119848 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 112 pages. William Pagan-Perez #721193. Published by William Pagan-Perez (A0.1119848). Tainos Visions is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. The piece is in the key of G Major. This piece was inspired by some cinematographic music and composers but also integrates some cultural background of the composer. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a grade level 4 for the wind and brass instruments (rhythms, melodies, or range). The key of G Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. Instrumentation: Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2, Trombone 3, Tuba, Timpani, Xylophone, Tenor Drums or Toms, Surdo, Percussion 1 (Tam-Tam, Triangle), Percussion 2 (Snare Drum and Sticks, Bass Drum), Violin I, Violin II, Viola, Violoncello, Double Bass.
$50.00 ≈
£39.22
Bachata in B Minor
Bachata in B Minor
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Orchestre
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FACILE
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William Pagan-Perez
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Bachata in B Minor
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1119838 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 51 pages. William Pagan-Perez #721183....
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Full Orchestra - Level 2 - SKU: A0.1119838 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 51 pages. William Pagan-Perez #721183. Published by William Pagan-Perez (A0.1119838). Bachata in B Minor is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. This piece is in the key of B Minor. This piece was inspired by some cinematographic composers and popular Bachata (Latino rhythm) from the Caribbean. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a grade level 1 or 2 for the wind and brass instruments (rhythms, melodies, or range). The key of B Minor can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb 1, Trumpet in Bb 2, Trombone, Tuba, Glockenspiel, Xylophone, Bongo Drums, Accessories (Brass Guira), Percussion (Sus. Cymbal, Bass Drum, Snare Drum), Violin I, Violin II, Viola, Cello, Double Bass.
$40.00 ≈
£31.38
We Want To Play A Plena!
We Want To Play A Plena!
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Orchestre
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FACILE
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William Pagan-Perez
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We Want To Play A Plena!
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1119832 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 54 pages. William Pagan-Perez #721176....
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Full Orchestra - Level 2 - SKU: A0.1119832 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 54 pages. William Pagan-Perez #721176. Published by William Pagan-Perez (A0.1119832). We Want To Play A Plena! It is a single-movement piece for the Symphony Youth Orchestra by Composer William Pagán-Pérez. The piece is in the key of D Major. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a 2 or 2.5 grade level for the wind and brass instruments. The key of D Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. The Plena is a music genre or a rhythm from the south of Puerto Rico (a territory of the United State in the Caribbean). Percussion students can learn the basic patterns by reading the music notation or by ear (it is very repetitive). Composer Pagán-Pérez used the Plena variation by percussionist Tony Sánchez, Sr. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb 1, Trumpet in Bb 2, Trombone, Tuba, Cowbell (Small), Maracas, Conga Drums, Tenor Drums or Toms, Percussion (Bass Drum, Sus. Cymbal), Violin I, Violin II, Viola, Violoncello, Double Bass.
$35.00 ≈
£27.46
Taino March
Taino March
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Orchestre
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FACILE
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William Pagan-Perez
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Taino March
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1119845 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 38 pages. William Pagan-Perez #721189....
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Full Orchestra - Level 2 - SKU: A0.1119845 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 38 pages. William Pagan-Perez #721189. Published by William Pagan-Perez (A0.1119845). Taino March is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. The work is in the key of D Major. This piece was inspired totally by The Imperial March (Darth Vader Theme) by the legendary composer John Williams and analysis from this video https://youtu.be/m3xPOs9CtJ4. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a grade level 1 or 2 for the wind and brass instruments (rhythms, melodies, or range). The key of D Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the obstacles by practicing scales and arpeggios. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb, Trombone, Tuba, Cymbals, Glockenspiel, Xylophone, Snare Drum, Tenor Drum or Low Tom, Bass Drum, Violin I, Violin II, Viola, Cello, Double Bass.
$35.00 ≈
£27.46
Dreaming With Yauco
Dreaming With Yauco
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Orchestre
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FACILE
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William Pagan-Perez
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Dreaming With Yauco
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1119840 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 37 pages. William Pagan-Perez #721186....
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Full Orchestra - Level 2 - SKU: A0.1119840 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 37 pages. William Pagan-Perez #721186. Published by William Pagan-Perez (A0.1119840). Dreaming With Yauco (Soñando Con Yauco) is a single-movement piece for the Youth Orchestra by Composer William Pagán-Pérez. The piece is in the key of D Major. Composer Pagán-Pérez followed some teachings organized in Volume I of the Suzuki Methods to compose the piece for the string sections and a 1 or 2 grade level for the wind and brass instruments (rhythms and melodies). The key of D Major can be a challenge for the winds and brass (especially for clarinets and trumpets in Bb), but music teachers, conductors, and students will manage the challenges by practicing scales and arpeggios. Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F, Trumpet in Bb 1, Trumpet in Bb 2, Trombone, Tuba, Cymbals (Sus. Cymbal), Glockenspiel, Xylophone, Snare Drum, Bass Drum, Violin I, Violin II, Viola, Violoncello, Double Bass.
$35.00 ≈
£27.46
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
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Orchestre
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no.
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Gabriel Vinicius
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,C...
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Full Orchestra - Level 5 - SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
$5.00 ≈
£3.92
The American Seasons (2nd violins part – violin and string orchestra)
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00 ≈
£11.77
Come, Thou Long-Expected Jesus - Full Orchestra
Come, Thou Long-Expected Jesus - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pa...
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Full Orchestra - Level 3 - SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99 ≈
£27.45
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