Partitions Numériques de Brass Band Blues pour Orchestre

Tout le site ▾

Mon compte
(connectez-vous)

€

EUR €USD $GBP £CAD $CNY ¥

English

Partitions Gratuites ▾
Partitions Numériques
Librairie Musicale ▾

Matériel de Musique ▾

STUDIO | SONO |

ACCESSOIRES |

Brass Band Blues
Non classifié 54

Piano & claviers
Piano (partie séparée) 3

Guitares
Guitare (partie séparée) 7
Piano, Guitare (duo) 1
Guitare 1

Voix

Vents
Saxophone (partie séparée) 19
Flûte, Hautbois, Clarinette, Basson 4
Clarinette et Piano 2
Flute (partie séparée) 2
Saxophone Tenor et Piano 2

Saxophone Alto et Piano 2
Flûte traversière et Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Flûte à bec Soprano 1
Saxophone Soprano et Piano 1
Saxophone Baryton, Piano 1
Flûte à bec Tenor 1
Hautbois (partie séparée) 1
Hautbois, Piano (duo) 1
Clarinette 1

+ 10 instrumentations

Retracter

Cuivres
Trombone (partie séparée) 16
Trompette (partie séparée) 13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 13
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Trompette 3

Cor (partie séparée) 2
Quatuor de cuivres: 4 trombones 2
Quatuor de Cuivres 2
Tuba (partie séparée) 2
Ensemble de Trombones 2
Trompette, Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
2 Euphoniums et 2 Tubas 1
Cor et Piano 1
2 Trombones (duo) 1

+ 10 instrumentations

Retracter

Cordes
Contrebasse (partie séparée) 3
Violon et Piano 2
Violoncelle, Piano 2
Alto, Piano 2
Quatuor à cordes: 2 violons, alto, violoncelle 1

Percussions & orchestre
Orchestre d'harmonie 22
Ensemble Jazz 22
Ensemble de cuivres 19
Batterie (partie séparée) 4
Ensemble d'École 3

Orchestre de chambre 1
Jazz combo 1
Orchestre 1

Ensemble de Percussions 1
Fanfare 1
Batterie 1
Xylophone, Piano 1
Cloches 1

+ 8 instrumentations

Retracter

Autres

Imprimer aprés achat

Accueil

Européens

Américains

Chez Virtualsheetmusic

Artistes Internationaux

Artistes Francophones

Top artistes

POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman

Artistes :
• Blues Brothers [The]
• Moody Blues [The]
• Little River Band [The]

PARTITIONS GRATUITES
185 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

Brass Band Blues

Orchestre

Partitions à imprimer

1 partition trouvée

Concerto for Orchestra, opus 111 (2005, rev. 2010)

Concerto for Orchestra, opus 111 (2005, rev. 2010) #Orchestre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #Concerto for Orchestra, opus 1 #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...(+)

Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartokâ€™s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo â€¦ Misterioso! II. Allegro con moto â€¦ Evidence!!! III. Adagio â€¦ Epistrophy! IV. Andante â€¦ In Walked Bud! V. Presto â€¦ Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause â€“ thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carterâ€™s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monkâ€™s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monkâ€™s Evidence is a tune with jabs and punches, irregularly placed within the measure â€“ not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monkâ€™s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monkâ€™s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monkâ€™s Rhythm-a-ning, I began the last movement with a solo for the percussion section â€“ timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005

$9.99 ≈ 9.23€

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com