Partitions Numériques de English Horn Duo. pour Orchestre

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English Horn Duo.
Non classifié 154

Piano & claviers
Piano Facile 3
Accompagnement Piano 2
Orgue, Trompette (duo) 1

Guitares
2 Guitares (duo) 1

Voix
Voix duo, Piano 1
Voix duo 1

Vents
Cor anglais, Guitare (duo) 103
Hautbois, Piano (duo) 33
Cor anglais et Harpe (duo) 15
2 Cors Anglais Et Pianoforte 14
Trio de Flûtes: 3 flûtes 6

Cor Anglais 3
2 Hautbois (duo) 2
Clarinette, Guitare (duo) 2
2 Saxophones (duo) 2
Flute, Cor (duo) 2
Cor anglais, Piano 1
Flûte, Hautbois, Clarinette, Basson 1
2 Flûtes traversières (duo) 1
Hautbois, Basson (duo) 1
2 Clarinettes (duo) 1

+ 10 instrumentations

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Cuivres
Cor anglais, Guitare (duo) 103
2 Cors (duo) 33
Trompette, Cor (duo) 23
Cor anglais et Harpe (duo) 15
2 Cors Anglais Et Pianoforte 14

Trombone, Cor (duo) 5
Cor, Tuba (duo) 3
Cor Anglais 3
Euphonium, Piano (duo) 2
2 Trompettes (duo) 1
Cor anglais, Piano 1
2 Trombones (duo) 1
Clarinette, Cor (duo) 1

+ 8 instrumentations

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Cordes
Violon 2
Violon, Guitare (duo) 2
2 Violons (duo) 2
Violon et Piano 1
2 Violoncelles (duo) 1

Percussions & orchestre
Orchestre d'harmonie 2
Orchestre 2

Orchestre de chambre 1

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English Horn Duo.

Orchestre

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2 partitions trouvées

Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score

Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score #Orchestre #AVANCÉ #Contemporain #Carson Cooman #Carson Cooman: Pittsburgh Conc #Musik Fabrik Music Publishing #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...(+)

Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellonâ€™s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific â€œprogrammatically inspiredâ€ images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra â€“ in the manner of aâ€œconcerto for orchestra.â€The opening of the work is inspired by Pittsburghâ€™s history as Americaâ€™s steel capital.Colors and sounds of the clangorous industrial age of Americaâ€™s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked â€œslow, lushâ€ and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked â€œslow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is â€œhiddenâ€ from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section â€“ amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher

$25.95 ≈ 23.90€

The Cross Kirk and the lang walk

The Cross Kirk and the lang walk #Orchestre #INTERMÉDIAIRE #Graham Hamilton #The Cross Kirk and the lang wa #Hambone Music #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. H...(+)

Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.

$49.99 ≈ 46.03€

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