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Vous avez sélectionné:
Epic Angel
Orchestre
Partitions à imprimer
10 partitions trouvées
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1
Hark! the Herald-Angels Sing (Letter Format)
Hark! the Herald-Angels Sing (Letter Format)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Sandstone Music
#
Hark! the Herald-Angels Sing
#
Sandstone Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978434 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sac...
(+)
Full Orchestra - Level 4 - SKU: A0.978434 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 48 pages. Sandstone Music #6057731. Published by Sandstone Music (A0.978434). The latest publication in the Sandstone Epic Christmas Collection, this new arrangement of 'Hark! the Herald-Angels Sing' is for full orchestra when you want to impress the audience! Including all three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare between verses 2 and 3 has been included, as well as a brand new descant. If your choir or audience wish to sing the standard David Willcocks choral parts in the first two verses, or his descant in the third verse, these will also fit with this arrangement.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99 ≈
£62.33
Hark! the Herald-Angels Sing (A4 Format)
Hark! the Herald-Angels Sing (A4 Format)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Sandstone Music
#
Hark! the Herald-Angels Sing
#
Sandstone Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978435 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sac...
(+)
Full Orchestra - Level 4 - SKU: A0.978435 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 48 pages. Sandstone Music #6057735. Published by Sandstone Music (A0.978435). The latest publication in the Sandstone Epic Christmas Collection, this new arrangement of 'Hark! the Herald-Angels Sing' is for full orchestra when you want to impress the audience! Including all three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare between verses 2 and 3 has been included, as well as a brand new descant. If your choir or audience wish to sing the standard David Willcocks choral parts in the first two verses, or his descant in the third verse, these will also fit with this arrangement.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99 ≈
£62.33
Angels We Have Heard From Glory
Angels We Have Heard From Glory
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
James Marler
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Alicorn Music (ASCAP)
#
Angels We Have Heard From Glor
#
Alicorn Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.596707 Composed by James Marler. Arranged by Alicorn Music (ASCAP). 20th Century,Christian,Christmas,Classical,Sacred...
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Full Orchestra - Level 4 - SKU: A0.596707 Composed by James Marler. Arranged by Alicorn Music (ASCAP). 20th Century,Christian,Christmas,Classical,Sacred. Score and parts. 131 pages. Alicorn Music (ASCAP) #3662435. Published by Alicorn Music (ASCAP) (A0.596707). This sound collage of various traditional Christmas themes is a perfectoverture, prologue, or even finale for your holiday season’s concert. Written with nods to classical concerto forms and the epic films of Hollywood’s Golden Era, this piece is a sonic feast for your audiences.
$59.97 ≈
£46.73
Bataille de Cynoscéphales - Score Only
Bataille de Cynoscéphales - Score Only
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Orchestre
#
FACILE
#
Contemporain
#
Angelos Mavros
#
Angelos Mavros
#
Bataille de Cynoscéphal
#
Partiturae Immortales
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1079075 By Angelos Mavros. By Angelos Mavros. Arranged by Angelos Mavros. Classical,Contemporary. Score and parts. 40...
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Full Orchestra - Level 2 - SKU: A0.1079075 By Angelos Mavros. By Angelos Mavros. Arranged by Angelos Mavros. Classical,Contemporary. Score and parts. 40 pages. Partiturae Immortales #683276. Published by Partiturae Immortales (A0.1079075). A epic, war March.
$5.00 ≈
£3.90
Lacedaemonia - Score Only
Lacedaemonia - Score Only
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Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Angelos Mavros
#
Angelos Mavros
#
Lacedaemonia - Score Only
#
Partiturae Immortales
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1077970 By Angelos Mavros. By Angelos Mavros. Arranged by Angelos Mavros. 20th Century,Classical. Score and parts. 67...
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Full Orchestra - Level 3 - SKU: A0.1077970 By Angelos Mavros. By Angelos Mavros. Arranged by Angelos Mavros. 20th Century,Classical. Score and parts. 67 pages. Partiturae Immortales #682170. Published by Partiturae Immortales (A0.1077970). An epic, heroic orchestration.
$5.00 ≈
£3.90
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
#
AVANCÉ
#
Sy Brandon
#
Homage to O'Keeffe for Orchest
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Sy Brandon
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99 ≈
£31.16
Oh Come All Ye Faithful (Adeste Fideles) (Letter Format)
Oh Come All Ye Faithful (Adeste Fideles) (Letter Format)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
John Francis Wade
#
Sandstone Music
#
Oh Come All Ye Faithful
#
Sandstone Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978432 Composed by John Francis Wade. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score...
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Full Orchestra - Level 4 - SKU: A0.978432 Composed by John Francis Wade. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 51 pages. Sandstone Music #6057721. Published by Sandstone Music (A0.978432). The first publication in the new Sandstone Epic Christmas Collection, this new arrangement of 'Oh Come, All Ye Faithful' is for full orchestra when you want to impress the audience! Including three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare opening has been included, as well as links between verses so the tempo can continue. If your choir or audience wish to sing the standard David Willcocks descant in the third verse ('Sing choirs of angels'), this will fit with this arrangement. If more verses are required, verse 2 can be easily repeated.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99 ≈
£62.33
Oh Come All Ye Faithful (Adeste Fideles) (A4 Format)
Oh Come All Ye Faithful (Adeste Fideles) (A4 Format)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
John Francis Wade
#
Sandstone Music
#
Oh Come All Ye Faithful
#
Sandstone Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978433 Composed by John Francis Wade. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score...
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Full Orchestra - Level 4 - SKU: A0.978433 Composed by John Francis Wade. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 53 pages. Sandstone Music #6057723. Published by Sandstone Music (A0.978433). The first publication in the new Sandstone Epic Christmas Collection, this new arrangement of 'Oh Come, All Ye Faithful' is for full orchestra when you want to impress the audience! Including three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare opening has been included, as well as links between verses so the tempo can continue. If your choir or audience wish to sing the standard David Willcocks descant in the third verse ('Sing choirs of angels'), this will fit with this arrangement. If more verses are required, verse 2 can be easily repeated.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99 ≈
£62.33
Coventry Carol for Orchestra
Coventry Carol for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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Anon
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Robert Luke Thompson
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Coventry Carol for Orchestra
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Monkspath Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.979772 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Sc...
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Full Orchestra - Level 3 - SKU: A0.979772 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 44 pages. Monkspath Music #6079181. Published by Monkspath Music (A0.979772). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all orchestras of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur orchestras. For further pieces, view the Monkspath Music catalogue and click here!
$39.99 ≈
£31.16
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
£38.92
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