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Vous avez sélectionné:
First Light March
Orchestre
Partitions à imprimer
5 partitions trouvées
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Parade of the Wooden Soldiers - Swing March for Full Orchestra
Parade of the Wooden Soldiers - Swing March for Full Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Pops Orchestra
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Paul Hemmer
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Parade of the Wooden Soldiers
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PJMS MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1350532 By Pops Orchestra. By Leon Jessel. Arranged by Paul Hemmer. Christmas,Holiday,Jazz,March,Pop. 70 pages. PJMS ...
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Full Orchestra - Level 4 - SKU: A0.1350532 By Pops Orchestra. By Leon Jessel. Arranged by Paul Hemmer. Christmas,Holiday,Jazz,March,Pop. 70 pages. PJMS MUSIC #935348. Published by PJMS MUSIC (A0.1350532). Parade of the Wooden Soldiers has been a holiday favorite for decades. This new orchestration for full orchestra features a standard first chorus followed by a swing/march approach that is not only delightful to hear, but challenging and fun for each section of the orchestra. It is certain to be a surprise hit on your holiday concert. To see the complete orchestration and hear a NotePerformer orchestra performance, check the YouTube attachment.
$70.00 ≈
62.75€
I Was Only Nineteen
I Was Only Nineteen
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Various Artists
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Brett A Foster (BF Music)
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Contra Bassoon
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I Was Only Nineteen
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and par...
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Full Orchestra - Level 3 - SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and parts. 123 pages. Brett A Foster #6474837. Published by Brett A Foster (A0.1025679). I Was Only Nineteen, I Was Only 19 or A Walk in the Light Green is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one for two weeks. This version has been created for Full Orchestra (with optional TTB choral parts). The piece should be easily playable by Intermediate level Full Orchestra. There are optional parts for English Horn, Clarinet 3, Alto Saxophone, Tenor Saxophone & Contra Bassoon. The piano part is important for the core rhythms section, as is the guitar. The Violin 1 parts does go into third position towards the end, but all other string parts stay in first position. The song itself is a first-person account of a typical Australian soldier's experience in the Vietnam War, from training at a military academy in Australia to first hand exposure to military operations and combat, and ultimately his return home disillusioned and suffering from both PTSD and, it is implied, the harmful effects of Agent Orange. This piece would work well at any ANZAC Day or Memorial Day event for the Armed services.
$60.00 ≈
53.79€
The Black Mass
The Black Mass
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Orchestre
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AVANCÉ
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Contemporain
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Piano Sonata No
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Blake P
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. ...
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Full Orchestra - Level 5 - SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00 ≈
31.38€
Suspensión de Soledad en 3 Tiempos
Suspensión de Soledad en 3 Tiempos
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Ortiz
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Suspensión de Soledad e
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William Ortiz
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Pub...
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Full Orchestra - Level 4 - SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Published by William Ortiz (A0.1008988). A work for Symphony Orchestra which consists of three movements: ArmonÃa Bilingüe, Marcha and Beat Box. This is a work were rhythm takes over to articulate a contemporary and empirical sound world. It is born of my admiration of popular culture and presents no pretensions. The title signifies a suspension, an absence or a liberation from the prejudice of dogmatic elitist musical thinking and styles that have stigmatized symphonic music. The first movement generates the source material of which the whole work is based. Rhythm , the principal element of the piece, is used as a continuo, serving to connect all three movements. It is especially highlighted in the second movement which is a kind of instrumental rap. The final movement Beat Box alludes to the large portable radios, aka ghetto blasters, popular at one time in urban neighborhoods. Thus I conceive the orchestra here as a large radio were music changes from one station to another transmitting and transforming wireless sound vibrations into different moods and grooves.
$45.00 ≈
40.34€
Concerto for Orchestra
Concerto for Orchestra
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Orchestre
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott...
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Orchestra - SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99 ≈
32.26€
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