Partitions Numériques de Little People pour Orchestre

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Little People
Non classifié 104

Piano & claviers
Piano seul 44
Piano, Voix et Guitare 37
Piano Facile 19
Piano, Voix 16
Instruments en Do 4

Piano grosses notes 2
2 Pianos, 4 mains 2
2 Pianos, 8 mains 1
Piano (partie séparée) 1
Accordéon 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 3
Guitare 1
Ligne De Mélodie, (Paroles) et Accords 1
Banjo 1

Voix
Chorale SATB 17
Chorale 3 parties 7
Chorale 2 parties 6
Chorale TTBB 4
Chorale SSAA 2

Chorale Unison 2
Voix duo, Piano 2
Voix Soprano, Piano 1
Chorale SSATTB 1
Voix duo 1

+ 5 instrumentations

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Vents
Quatuor de Clarinettes: 4 clarinettes 10
Quatuor de Saxophones: 4 saxophones 7
Saxophone Alto 3
Quatuor de Flûtes : 4 flûtes 3
Clarinette 3

Flûte, Hautbois, Clarinette, Basson 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Ensemble de Flûtes 3
Flûte traversière et Piano 3
2 Flûtes traversières (duo) 2
Hautbois (partie séparée) 2
Quintette de Clarinettes: 5 clarinettes 2
2 Clarinettes (duo) 1
Hautbois, Piano (duo) 1
Flûte à Bec 1
Saxophone Tenor et Piano 1
3 Saxophones (trio) 1
Saxophone et Orgue 1
Quintette de Flûte : 5 flûtes 1
Ensemble de Clarinettes 1

+ 15 instrumentations

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Cuivres
Quatuor de cuivres: 4 cors 3
Quatuor de cuivres: 4 trompettes 3
Trombone et Piano 3
3 Trompettes (trio) 2
Quatuor de cuivres: 4 trombones 2

Trompette 2
Tuba 2
Trombone 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Cor 1
4 Tubas 1
Trompette, Trombone (duo) 1
Tuba et Piano 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 16
Violon 8
Violon et Piano 4
Trio à Cordes: violon, alto, violoncelle 4
Quatuor à cordes : 4 altos 3

Harpe 3
Violoncelle (partie séparée) 3
Alto (partie séparée) 2
Contre Basse 2
4 Violoncelles 2
Quatuor à cordes: 4 violons 2
Trio à Cordes: 2 violons, alto 1
Trio à Cordes: 2 violons, violoncelle 1
Harpe, Voix 1
Violoncelle, Piano 1
2 Violons (duo) 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 39
Orchestre à Cordes 6
Orchestre 3

Cloches 3
Ensemble Jazz 1

Ensemble de cuivres 1
Fanfare 1
Percussion 1

+ 3 instrumentations

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Autres
Théorie de la musique 1

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Little People

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3 partitions trouvées

The Little Bird from the Mountain

The Little Bird from the Mountain #Orchestre #INTERMÉDIAIRE/AVANCÉ #Contemporain #Daniel Bukin #The Little Bird from the Mount #T.U.X. People's Music #SheetMusicPlus

Full Orchestra - Level 4 - Composed by Daniel Bukin. Contemporary, Contest, Festival, Instructional. Score and parts. 86 pages. T.U.X. People's...(+)

Full Orchestra - Level 4 - Composed by Daniel Bukin. Contemporary, Contest, Festival, Instructional. Score and parts. 86 pages. T.U.X. People's Music #691916. Published by T.U.X. People's Music

$90.00 ≈ 83.12€

Festival

Festival #Orchestre #INTERMÉDIAIRE/AVANCÉ #Contemporain #Mike Lyons #Festival #Lyons Music Services #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...(+)

Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible.Â The first section opens with â€˜sunriseâ€™ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendorsâ€™ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think itâ€™s all over, thereâ€™s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.

$55.00 ≈ 50.79€

Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra

Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra #Orchestre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #Clarinet Concerto ... Sounds o #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...(+)

Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde â€“ slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice â€¦ singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it â€¦.

$9.99 ≈ 9.23€

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