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Vous avez sélectionné:
Musical Paintings
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Partitions à imprimer
5 partitions trouvées
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Times Square per 4 Percussionisti Solisti ed Orchestra di Fiati
Times Square per 4 Percussionisti Solisti ed Orchestra di Fiati
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Orchestre
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INTERMÉDIAIRE
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Giuseppe Mazzamuto
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Giuseppe Mazzamuto
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Times Square per 4 Percussioni
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Giuseppe Mazzamuto
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.737480 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Classical,Contemporary,Film/TV,T...
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Full Orchestra - Level 3 - SKU: A0.737480 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Classical,Contemporary,Film/TV,Traditional. Score and parts. 22 pages. Giuseppe Mazzamuto #345634. Published by Giuseppe Mazzamuto (A0.737480). Times Square is an original composition by Giuseppe Mazzamuto vibraphonist and composer from Palermo. The composition premiered for the Summer Season of the Sicilian Symphonic Orchestra Foundation on 5, 6 and 7 July 2019, takes inspiration from typical American sounds similar to the Marching Band albeit with a totally new organic, in fact in addition to the 4 solo percussionists, of which one drummer, part of the orchestral ensemble of wind only: 1 piccolo, 2 flutes, 2 oboes, 1 English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones and 1 bass tuba. From a formal point of view it is composed of 5 musical paintings in a single time, it is in fact an imaginary journey that takes the four solo percussionists through the 5 districts of New York: Queens, Staten Island, the Bronx, Brookyn up to the center. of Manhattan, Times Square precisely.
$15.00 ≈
14.01€
Watercolors of Earth and Sky (violin and harp - or violin and piano)
Watercolors of Earth and Sky (violin and harp - or violin and piano)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Hoover
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Watercolors of Earth and Sky
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.971648 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. ...
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Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.971648 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 38 pages. Musicart Publications #4367732. Published by Musicart Publications (A0.971648). Watercolors of Earth and Sky is a work that celebrates the beauty and opportunity of nature through four musical movements. This work is for violin and harp (or piano). The violin part incorporates special techniques that help shape the sound and overall texture of the work. Each of the four movements presents an aspect of the composer’s experience in parks, plains, and woodlands. The music is also colored by the composer’s work as a performer of both classical and jazz music. As with other compositions by Jeffrey Hoover, there is a series of four paintings by Hoover with the same titles that are visual interpretations of the music. Images of these paintings that can be projected in performance are available directly from Hoover. This work is appropriate for performance for a broad audience.Jeffrey Hoover's works - ranging from music for soloist to symphony orchestra - have received recognition through the prestigious Trieste prize, the Russolo Competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement in composition. One unique aspect of Hoover's work is when he combines his compositions with his own paintings, creating synergetic works. He is the author of The Arts and Society: Making New Worlds (Kendall Hunt Publishing).Born on September 11, 1959, in Anderson, Indiana, Jeffrey Hoover holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included appointments both as a faculty member and an arts administrator. For more information, please visit his website at https://jeffreyhooverart.wixsite.com/mysite
$24.95 ≈
23.31€
Trumbull Sketches
Trumbull Sketches
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00 ≈
56.05€
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00 ≈
93.41€
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99 ≈
37.36€
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