Partitions Numériques de The Can Can for Double Bass Quartet pour Orchestre

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The Can Can for Double Bass Quartet
Non classifié 163

Piano & claviers
Piano seul 2
Piano, Voix et Guitare 2
Piano Quatuor: piano, 2 violons, violoncelle 1

Guitares
Guitare 1
4 Guitares (Quatuor) 1

Voix
Chorale SATB 6
Chorale Unison 2
Chorale TTBB 2

Vents
Quatuor de Flûtes : 4 flûtes 41
Quatuor de Clarinettes: 4 clarinettes 15
Flûte, Hautbois, Clarinette, Basson 10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Quatuor de Saxophones: 4 saxophones 3

Flûte traversière 2
Ensemble de Flûtes 1
Hautbois, Basson (duo) 1
2 Flûtes traversières (duo) 1
Ensemble de Clarinettes 1
2 Saxophones (duo) 1

+ 6 instrumentations

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Cuivres
Quatuor de cuivres: 4 trombones 39
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Trombones (duo) 1

Tuba 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 200
Quintette à cordes: 2 violons, alto, violoncelle, basse 91
Contre Basse 12
Contrebasse, Piano (duo) 11
4 Contrebasses 8

Violoncelle, Contrebasse (duo) 2
Violon et Piano 2
4 Violoncelles 2
Violoncelle, Piano 1
Violon 1
Trio à Cordes: violon, alto, violoncelle 1
Alto seul 1

+ 7 instrumentations

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Percussions & orchestre
Orchestre à Cordes 34
Orchestre d'harmonie 5
Orchestre de chambre 4
Ensemble de cuivres 3
Orchestre 2

Ensemble Jazz 1
Orchestre, Violon 1

+ 2 instrumentations

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The Can Can for Double Bass Quartet

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2 partitions trouvées

Symphony No. 7 ... Roman Holidays (2008, rev. 2013)

Symphony No. 7 ... Roman Holidays (2008, rev. 2013) #Orchestre #INTERMÉDIAIRE/AVANCÉ #Thomas Oboe Lee #Symphony No. 7 ... Roman Holid #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...(+)

Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples â€¦ six dreams by Richard Kenney; String Quartet No 5 â€¦ Four Birthdays; and ChÃ´rinhos â€¦ opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then weâ€™d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 â€¦ Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto â€¦ Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 â€¦ Roman Holidays, my give back to the city of Rome â€“ a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Berniniâ€™s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Berniniâ€™s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54

$9.99

"Te Deum", op. 5 - Score Only

"Te Deum", op. 5 - Score Only #Orchestre #INTERMÉDIAIRE/AVANCÉ #Adrian Gagiu #Adrian Gagiu #"Te Deum", op. 5 - S #Adrian Gagiu #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. ...(+)

Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.

$50.00

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