Partitions Numériques de Tim Van Roy pour Orchestre

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Tim Van Roy
Non classifié 47

Piano & claviers
Piano seul 19
Piano, Voix 4
Orgue 3
2 Pianos, 4 mains 2
Piano Facile 1

Piano Quatuor: piano, violon, alto, violoncelle 1

+ 1 instrumentations

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Guitares
Guitare notes et tablatures 63
Banjo 1

Voix
Chorale SATB 3
Chorale TTBB 1

Vents
Saxophone 15
2 Saxophones (duo) 8
Quintette de Saxophone: 5 saxophones 7
Flûte traversière 6
Quatuor de Saxophones: 4 saxophones 6

Clarinette 5
Flûte, Hautbois, Clarinette, Basson 5
Quatuor de Clarinettes: 4 clarinettes 5
Flûte traversière et Piano 5
Hautbois, Piano (duo) 4
Quintette de Clarinettes: 5 clarinettes 4
3 Saxophones (trio) 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Saxophone, Clarinette (duo) 3
Clarinette et Piano 3
Saxophone Alto et Piano 3
Quintette de Flûte : 5 flûtes 2
Saxophone Tenor et Piano 2
Cor anglais, Piano 2
2 Clarinettes (duo) 2
Quatuor de Flûtes à bec 2
Flûte, Clarinette (duo) 2
Flûte à Bec 2
Flûte, Saxophone (duo) 1
3 Flûtes à bec (trio) 1
Flûte à bec Alto 1
Clarinette, Violon (duo) 1
Trio de Flûtes: 3 flûtes 1
Clarinette, Basson (duo) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
3 Clarinettes (trio) 1
Flûte, Trompette (duo) 1
Flûte à bec Soprano 1
5 Flûtes à bec 1
Saxophone Baryton, Piano 1
Clarinette Basse, Piano 1
Flûte, Violon 1
2 Flûtes traversières (duo) 1
Clarinette et Alto 1
2 Flûte à bec (duo) 1
2 Hautbois (duo) 1
Flûte, Alto (duo) 1
Clarinette, Trompette (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Saxophone Soprano et Piano 1

+ 40 instrumentations

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Cuivres
Trombone 6
Trompette 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Trompette, Piano 4

Trombone et Piano 3
Trompette, Saxophone (duo) 2
Ensemble de Trompettes 2
Cor anglais, Piano 2
Trompette, Trombone (duo) 2
Euphonium, Tuba (duo) 1
Quatuor de cuivres: 4 trompettes 1
Tuba et Piano 1
Trombone, Cor (duo) 1
2 Tubas (duo) 1
Ensemble de Cors 1
Cor et Piano 1
Quatuor de cuivres: 4 cors 1
3 Tubas (trio) 1
2 Trompettes (duo) 1
2 Trombones (duo) 1
4 Tubas 1
Quatuor de cuivres: 4 trombones 1
3 Trombones (trio) 1
2 Cors (duo) 1
Trompette, Cor (duo) 1

+ 21 instrumentations

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Cordes
Violon et Piano 27
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violoncelle, Piano 4
Alto, Piano 3
2 Altos (duo) 2

Violon, Violoncelle (duo) 2
2 Violons (duo) 2
Violon, Alto (duo) 2
2 Violoncelles (duo) 1
Harpe, Voix 1
Alto seul 1
Contrebasse, Piano (duo) 1
Trio à cordes: 3 violins 1
Alto, Violoncelle (duo) 1
Violon 1
Quatuor à cordes: 4 violons 1
Trio à Cordes: 3 violoncelles 1
Contre Basse 1
Quatuor à cordes : 4 altos 1
4 Violoncelles 1
Trio à cordes: 3 altos 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 8
Orchestre à Cordes 6
Batterie 4
Orchestre 3

Ensemble de cuivres 2

Orchestre de chambre 2

+ 1 instrumentations

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Tim Van Roy

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3 partitions trouvées

TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA

TRIBUTUM: FOR CELTIC BAGBPIPES AND FULL SYMPHONIC ORCHESTRA #Orchestre #INTERMÉDIAIRE/AVANCÉ #Celtique/Irlandais #Nan Avant #performance.

#TRIBUTUM: FOR CELTIC BAGBPIPES #Nan Avant #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by...(+)

Full Orchestra - Level 4 - SKU: A0.976183 Composed by Nan Avant. Celtic,Contemporary,World. Score and parts. 156 pages. Nan Avant #3218165. Published by Nan Avant (A0.976183). TRIBUTUM for Celtic Bagpipes and Full Orchestra is an award winning concert work. The original composition which is also listed on Sheet Music Plus, was commissioned for Celtic Bagpipes and Chamber Orchestra. Tributum pays homage to the great music of Ireland and Scotland, with lyrical and memorable themes throughout creating a dialogue between the chamber orchestra and the traditional pipes of Ireland, the Uilleann Pipes and the Great Highland Bagpipes. In â€˜Tributum,â€™ Avant masterfully blends ethnic Celtic instruments with symphony orchestra to create a wonderfully moving work. Her majestic melodies and lush orchestrations transport the listener to the British Isles â€“ it is an aural voyage worth taking.~ Hummie Mann, two time Emmy Award -winning composerUS Premier: March 24, 2013, NW Sinfonia Orchestra David Sabee conducting produced by Burmer Music LLC International Premier Canada: January 23, 2016 Edmonton Symphony Orchestra with the Royal Canadian Artillery Pipes and Drums and Brass Quintet conducted by Lucas Waldin. PRO: ASCAPThe MP3 and YouTube video are both from the Chamber Orchestra performance by the NW Sinfonia Orchestra under the direction of David Sabee, a production by Burmer Music LLC https://burmermusic.com/ and performed in Seattle at Benaroya, Nordstrom Hall, 2013. Contact: Nan Avant http://www.nanavant.net/Email: njavant@gmail.comPlease notify the composer when Tributum is to be performed and she will aim to attend the performance.

$152.00

Olga-Polka, Op. 196 (arr. for string orchestra): Full Score

Olga-Polka, Op. 196 (arr. for string orchestra): Full Score #Orchestre #INTERMÉDIAIRE/AVANCÉ #Classique #Johann Strauss Jr #Aaron Meier #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...(+)

Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: â€¢ Approximate length: 3:30 minutes â€¢ 1st Violins: In m. 1, trill a half step from a Dâ™ to a Dâ™® â€¢ 2nd Violins: â€ƒ- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â€ƒ- At m. 72-75, emphasize the Eâ™ in the div. â€¢ Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â†“) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese premiÃ¨re, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, nÃ©e Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: â€¢ Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. â€¢ Find a full midi recording of this arrangement on YouTub.

$10.99

Hunter - Terminator 6 (for Orchestra)

Hunter - Terminator 6 (for Orchestra) #Orchestre #INTERMÉDIAIRE/AVANCÉ #Film/TV #Javier Martínez Maya #Hunter - Terminator 6 #Arte Nova Music Lab #SheetMusicPlus

Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 51 pages. Published by Arte Nov...(+)

Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 51 pages. Published by Arte Nova Music Lab
The Terminator is a 1984 science fiction film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day save mankind from extinction by a hostile artificial intelligence in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier sent back in time to protect Sarah. The screenplay is credited to Cameron and producer Gale Anne Hurd, while co-writer William Wisher Jr. received a credit for additional dialogue.

Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumni Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winstonand Gene Warren Jr.

Defying low pre-release expectations, The Terminator topped the United States box office for two weeks, eventually grossing $78.3 million against a modest $6.4 million budget. It is credited with launching Cameron's film career and solidifying Schwarzenegger's status as a leading man. The film's success led to a franchiseconsisting of several sequels, a television series, comic books, novels and video games. In 2008, The Terminator was selected by the Library of Congress for preservation in the National Film Registry as "culturally, historically, or aesthetically significant".

$60.00

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