Partitions Numériques de When We Rise pour Orchestre

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When We Rise
Non classifié 42

Piano & claviers
2 Pianos, 4 mains 23
Piano seul 17
Piano, Voix 10
Piano, Voix et Guitare 8
Piano Facile 4

Orgue 3
1 Piano, 4 mains 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 3 instrumentations

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Guitares
Guitare 2
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 15
Chorale 2 parties 5
Voix duo, Piano 3
Chorale TTBB 3
Chorale 3 parties 3

Voix duo 2
Voix Alto, Piano 1

+ 2 instrumentations

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Vents
Quatuor de Clarinettes: 4 clarinettes 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Clarinette 2
Saxophone Tenor 2
Flûte traversière 1

Ensemble de Clarinettes 1
Saxophone Alto et Piano 1
Quatuor de Flûtes : 4 flûtes 1
Flûte, Hautbois, Clarinette, Basson 1
Quatuor de Saxophones: 4 saxophones 1
Flûte à bec Soprano 1
Saxophone Alto 1
Saxophone (partie séparée) 1
3 Saxophones (trio) 1

+ 9 instrumentations

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Cuivres
Tuba 2
Trompette 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trompette, Piano 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1

4 Tubas 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1

+ 2 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 4
Harpe, Voix 3
Violoncelle, Piano 2
Violon 2
Violon et Piano 2

Contre Basse 1
4 Contrebasses 1
Violoncelle 1

+ 3 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 5
Ensemble de cuivres 3
Orchestre à Cordes 3
Orchestre 2

Cloches 1

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When We Rise

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2 partitions trouvées

From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes

From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes #Orchestre #INTERMÉDIAIRE/AVANCÉ #James Nathaniel Holland #From the Hillside, Aria for Te #James Nathaniel Holland #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathani...(+)

Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.

$15.95 ≈ 14.44€

Festival

Festival #Orchestre #INTERMÉDIAIRE/AVANCÉ #Contemporain #Mike Lyons #Festival #Lyons Music Services #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...(+)

Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible.Â The first section opens with â€˜sunriseâ€™ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendorsâ€™ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think itâ€™s all over, thereâ€™s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.

$55.00 ≈ 49.81€

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