Partitions Numériques de With A Little Luck pour Orchestre

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With A Little Luck
Non classifié 7

Piano & claviers
Piano, Voix et Guitare 20
Piano, Voix 8
Piano seul 6
Piano Facile 3
Piano Quatuor: piano, violon, alto, violoncelle 1

Orgue 1

+ 1 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 5
Guitare notes et tablatures 5
Paroles et Accords 2
Basse electrique 2
Mandoline, Guitare (duo) 1

Guitare 1

+ 1 instrumentations

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Voix
Voix haute 1
Voix duo 1

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Ensemble de saxophones 2
Ensemble de Flûtes 1
Clarinette 1
Quatuor de Flûtes à bec 1

Cuivres
Trompette, Piano 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 1
Violoncelle (partie séparée) 1
Violon, Violoncelle (duo) 1

Percussions & orchestre
Orchestre 2

Ensemble de cuivres 1
Cloches 1
Vibraphone 1

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With A Little Luck

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2 partitions trouvées

Mary's bagpipe-playing lamb meets the kangaroo conga line of Cootamundra

Mary's bagpipe-playing lamb meets the kangaroo conga line of Cootamundra #Orchestre #INTERMÉDIAIRE #Brett Thompson #Mary's bagpipe-playing lamb me #Brett Thompson #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.851554 Composed by Brett Thompson. 20th Century,Contemporary,Folk,Latin. Score and parts. 58 pages. Brett Thompson #6...(+)

Full Orchestra - Level 3 - SKU: A0.851554 Composed by Brett Thompson. 20th Century,Contemporary,Folk,Latin. Score and parts. 58 pages. Brett Thompson #6079455. Published by Brett Thompson (A0.851554). If you are lucky enough to have miraculously stumbled across this wonderful hoot of a piece using the sheetmusicplus search, then you are in for a treat! Cootamundra is a town in country New South Wales, Australia, and has nothing to do with the character of this piece. It is quite near where I currently live and made a fun alliteration while choosing a title for this piece. When writing music, I often allow the character and form of the piece to evolve with development of the motifs being employed. When writing student pieces, however, I tend to map out the work in my imagination fairly thoroughly first. This helps to keep the end result within the technical and musical limitations of the students in mind. Such was the case here where I decided to build on a nursery song with some drone-like accompaniment, a little Scotland the Brave, and then superimpose it on a conga line motif.This work is designed for a student orchestra (Grade 3) and includes lots of doubling and cues to cover absent parts.

$39.95 ≈ 36.87€

RAGING FURIES - Goettinnen der Rache

RAGING FURIES - Goettinnen der Rache #Orchestre #INTERMÉDIAIRE/AVANCÉ #Rainer Fabich Orchestra #Rainer Fabich #RAGING FURIES - Goettinnen der #Fajora Music #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...(+)

Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - GÃ¶ttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: MegÃ¤re, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht DÃ¼rer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred DÃ¶blin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der HÃ¶lle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - PrÃ©lude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.

$49.95 ≈ 46.10€

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