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Main On End
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2 Pianos, 4 mains
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1
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
30.44€
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95 ≈
9.19€
Carmen Fantasy
Carmen Fantasy
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Alexander Rosenblatt
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Carmen Fantasy
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Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duratio...
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2 pianos - difficult - On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11389. Published by Schott Music - Digital
Alexander Rosenblatt, born in Moscow in 1956, completed his piano and composition studies at the renowned conservatoire of his home town. In his compositions, he combines classical elements with jazz elements to form an original blend of styles, a very characteristic musical language. He made himself a name as a pianist, especially in the piano duo with O. Sinking, a genre which then earned him great success as a creative artist as well: In 2001 he won a special award for his 'Modern Piano Duet' at the International Composition Competition in Tokyo.
In his 'Carmen Fantasy' Rosenblatt uses themes from Bizet's opera in a clever and witty manner, spicing them with jazzy rhythms and surprising harmonies - virtuoso fireworks for two pianos.
$16.99 ≈
15.70€
Dance of the Comedians (from The Bartered Bride)
Dance of the Comedians (from The Bartered Bride)
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2 Pianos, 4 mains
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AVANCÉ
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Bedrich Smetana
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Patrick Speckamp
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Dance of the Comedians
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Patrick Speckamp
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pag...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pages. Patrick Speckamp #1014212. Published by Patrick Speckamp (A0.1433983). This is a two-piano version of B. Smetana's ever popular and energetic Dance of the Comedians. Smetana employed the lively Czech folk dance Skočná in the third act of his opera The Bartered Bride, where a circus troupe performs an array of tricks and acrobatics. The transcription is intended to be played by two pianists at two pianos. The original orchestral score has been rendered as accurately as possible, while also keeping issues of piano-specific playability in mind. Where appropriate, slight changes to the original text (such as changes in register, piano-specific figurations) have been made to either enhance the overall sound impression and/or to improve playability on the piano. The difficulty level of the arrangement is high-intermediate to advanced. That said, Dance of the Comedians is a rewarding and fun piece - as well as a genuine crowd-pleaser - that may be performed by skilled amateurs and professional pianists alike.
$9.99 ≈
9.23€
The Mastersingers of Nuremberg
The Mastersingers of Nuremberg
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Richard Wagner
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The Mastersingers of Nuremberg
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Schott Music - Digital
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SheetMusicPlus
Piano or 2 pianos (4 hands) - difficult - SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadab...
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Piano or 2 pianos (4 hands) - difficult - SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.
$15.99 ≈
14.77€
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