Partitions Numériques de BASS Latin pour Flûte traversière

Flute Solo - Level 1 - SKU: A0.1161643 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual...(+)

Flute Solo - Level 1 - SKU: A0.1161643 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762013. Published by A.D.G. Productions (A0.1161643). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com

$2.99

Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute

Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute #Flûte traversière #INTERMÉDIAIRE #Idalmo Santos #Idalmo Santos #Gaúcho - Corta-Jaca By #Idalmo Santos #SheetMusicPlus

Flute Solo - Level 3 - SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultu...(+)

Flute Solo - Level 3 - SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango GaÃºcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ã“ abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Ã‰den Lavradio, in August 1895. Actor Machado Careca (JosÃ© Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: cafÃ©-cantante, chope-berrante, rodas de choro... But it was at the PalÃ¡cio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de TeffÃ©, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretÃª and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, EudÃ³xia de Barros, Guio de Morais, Itamar AssierÃ©, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, RadamÃ©s Gnatalli, RosÃ¡ria Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.

$1.99

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