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Given Up
Non classifié 109

Piano & claviers
Piano, Voix 39
Piano seul 38
Piano Facile 5
Orgue 5
Piano, Voix et Guitare 4

Accompagnement Piano 2
1 Piano, 4 mains 1
Instruments en Do 1
Orgue, Trompette (duo) 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 7
Guitare 5
Mandoline 1
Ligne De Mélodie, (Paroles) et Accords 1
Banjo 1

Ukulele 1

+ 1 instrumentations

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Voix
Chorale SATB 25
Chorale Unison 6
Chorale 2 parties 4
Chorale 3 parties 3
Chorale TTBB 3

Chorale SSAATTBB 2
Chorale SSAA 1
Voix moyenne, Piano 1
Voix Soprano, Piano 1
Voix Alto, Piano 1
Voix seule 1
Voix Tenor, Piano 1

+ 7 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 6
Flûte traversière et Piano 3
Saxophone Tenor et Piano 3
Ensemble de Flûtes 2
Flûte, Hautbois, Clarinette, Basson 2

Saxophone Soprano et Piano 2
Saxophone Alto et Piano 2
3 Clarinettes (trio) 2
2 Hautbois (duo) 1
Saxophone Alto 1
Flûte à bec Alto, Piano 1
2 Saxophones (duo) 1
3 Saxophones (trio) 1
Flûte irlandaise 1
Clarinette et Piano 1
Hautbois 1
Trio de Flûtes: 3 flûtes 1
2 Clarinettes (duo) 1
Clarinette 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone (partie séparée) 1
Quatuor de Clarinettes: 4 clarinettes 1
2 Flûtes traversières (duo) 1
Flûte traversière 1
Hautbois, Piano (duo) 1
Hautbois, Harpe 1
Quintette de Clarinettes: 5 clarinettes 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trompette 3

Cor et Orgue 1
2 Trompettes (duo) 1
Quatuor de cuivres: 4 cors 1

2 Trombones (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette, Euphonium (duo) 1
Trompette, Harpe 1
Trombone 1
Cor 1
Trompette, Piano 1
Cor et Piano 1

+ 8 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 8
2 Harpes (duo) 5
Violoncelle, Piano 3
Violon 2
Violon et Piano 2

Harpe, Violon (duo) 1
Alto, Piano 1
Violoncelle , Guitare (duo) 1
2 Violoncelles (duo) 1
Harpe, Flûte (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Alto seul 1

+ 7 instrumentations

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Percussions & orchestre
Cloches 20
Orchestre 5
Orchestre d'harmonie 5
Batterie 4
Ensemble Jazz 3

Orchestre de chambre 3
Orchestre à Cordes 3
Fanfare 1
Jazz combo 1
Ensemble de Percussions 1

+ 5 instrumentations

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Théorie de la musique 4

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Given Up

Trompette

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3 partitions trouvées

Industry Baby

Industry Baby #Trompette #INTERMÉDIAIRE #Soul/R&B #Lil Nas X & Jack Harlow #Ander #Industry Baby #Woods Only, Arrangements #SheetMusicPlus

Trumpet - Level 3 - SKU: A0.1090634 By Lil Nas X & Jack Harlow. By David Biral, Denzel Michael-Akil Baptiste, Jack Harlow, Kanye Omari West, Mark Carl S...(+)

Trumpet - Level 3 - SKU: A0.1090634 By Lil Nas X & Jack Harlow. By David Biral, Denzel Michael-Akil Baptiste, Jack Harlow, Kanye Omari West, Mark Carl Stolinski Williams, Montero Lamar Hill, Nicholas Lee, Raul Ignacio Cubina, and Rosario Peter Lenzo Iv. Arranged by Ander. Hip-Hop,Pop,R & B. 18 pages. Woods Only, Arrangements #694809. Published by Woods Only, Arrangements (A0.1090634). Very popular, especially in trends in tiktok and finals, this arrangement contains a tonal adaptation to be better suited. Besides the facilitation for trumpet quintet, it features melodic originality for better execution of the arrangement for the given purpose. Industry Baby is a song by American rappers Lil Nas X and Jack Harlow, through Columbia Records. It is the third single from Lil Nas X's debut studio album, Montero, following up the international success of lead single Montero (Call Me by Your Name). The song debuted at number 2 on the Billboard Hot 100 for the week of August 7, 2021, and became Lil Nas X's third and Harlow's first number-one single on the chart on the week of October 23, 2021. On October 9, 2021, an extended version was released that features a short verse from Lil Nas X during the outro.

$12.99 ≈ £10.06

The Arban Manual (Pre 2013)

The Arban Manual (Pre 2013) #Trompette #INTERMÉDIAIRE/AVANCÉ #Methodes #Eric Bolvin #The Arban Manual #SheetMusicPlus

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...(+)

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.

Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.

How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.

Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.

Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.

Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.

All of the characteristic studies and celebrated fantaisies are considered performance pieces.

Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.

The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.

Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.

Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.

Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.

Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.

For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.

The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.

$16.95 ≈ £13.12

The Arban Manual - Hooten Edition

The Arban Manual - Hooten Edition #Trompette #INTERMÉDIAIRE/AVANCÉ #Methodes #Eric Bolvin #The Arban Manual - Hooten Edit #SheetMusicPlus

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...(+)

Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.

How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.

Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.

Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.

Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.

All of the characteristic studies and celebrated fantaisies are considered performance pieces.

Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.

The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.

Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.

Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.

Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.

Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.

For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.

The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.

About SMP Press

$16.95 ≈ £13.12

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