Partitions Numériques de I Believe It pour Trompette

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I Believe It
Non classifié 149

Piano & claviers
Piano seul 89
Piano, Voix et Guitare 50
Piano, Voix 28
Piano Facile 22
Accompagnement Piano 18

Instruments en Do 5
Piano Quatuor: piano, 2 violons, violoncelle 3
2 Pianos, 4 mains 2
Orgue 2
Piano Trio: piano, violon, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accordéon 1

+ 7 instrumentations

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Guitares
Guitare 19
Guitare notes et tablatures 5
Ligne De Mélodie, (Paroles) et Accords 5
2 Guitares (duo) 4
Basse electrique 2

Ukulele 2
Mandoline, Guitare (duo) 1

+ 2 instrumentations

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Voix
Chorale SATB 47
Chorale TTBB 12
Chorale 3 parties 11
Chorale 2 parties 7
Chorale SSAA 6

Chorale Unison 5
Voix duo 2
Voix Soprano, Piano 2
Voix duo, Piano 2
Chorale SSATTB 2
Chorale 1

+ 6 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 14
2 Flûtes traversières (duo) 13
Hautbois (partie séparée) 9
Clarinette 8
Quatuor de Clarinettes: 4 clarinettes 5

Flûte, Clarinette (duo) 4
Flûte traversière 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Flûte, Hautbois, Clarinette, Basson 3
Hautbois 2
Flûte et Guitare 2
Clarinette et Piano 2
Flûte traversière et Piano 1
Trio de Flûtes: 3 flûtes 1
Quintette de Saxophone: 5 saxophones 1
Quintette de Clarinettes: 5 clarinettes 1
Cor anglais, Guitare (duo) 1
Ensemble De Flûte à bec 1
2 Clarinettes (duo) 1
Saxophone Alto et Piano 1
Hautbois, Piano (duo) 1
2 Saxophones, Piano 1

+ 17 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 25
Trompette, Trombone (duo) 4
Trompette 4

Trompette, Cor (duo) 3
Trio de Cuivres 3

2 Trompettes (duo) 3
Quatuor de Cuivres 2
Tuba 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
2 Tubas (duo) 1
Trombone et Piano 1
2 Trombones (duo) 1
Cor anglais, Guitare (duo) 1
4 Tubas 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 22
2 Violons (duo) 12
Violon et Piano 12
Violon 10
Harpe 9

Violon, Violoncelle (duo) 5
Violon, Alto (duo) 5
Piano Trio: Violon, Alto, Piano 4
Violoncelle, Piano 3
Violoncelle 3
Alto seul 2
2 Violoncelles (duo) 2
2 Altos (duo) 1
Harpe, Violon (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Trio à Cordes: violon, alto, violoncelle 1
Harpe, Voix 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 12
Orchestre 12
Ensemble de cuivres 7
Orchestre à Cordes 5
Cloches 5

Jazz combo 5
Ensemble Jazz 3
Orchestre de chambre 2
Fanfare 1

+ 4 instrumentations

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I Believe It

Trompette

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4 partitions trouvées

At Last, Victorious! Easy Trumpet Quartet

At Last, Victorious! Easy Trumpet Quartet #Trompette #FACILE #Eddie Lewis #At Last, Victorious! Easy Trum #Tiger Music #SheetMusicPlus

Trumpet - Level 2 - SKU: A0.1099560 Composed by Eddie Lewis. Classical,Instructional,March. 13 pages. Tiger Music #703450. Published by Tiger Music (A0....(+)

Trumpet - Level 2 - SKU: A0.1099560 Composed by Eddie Lewis. Classical,Instructional,March. 13 pages. Tiger Music #703450. Published by Tiger Music (A0.1099560). Upgrade your library of easy trumpet literature with At Last Victorious! easy trumpet quartet. This is a 6/8 march in three sharps. As a trumpet teacher with over forty years of experience teaching beginners, I believe that solid range should be developed over a long period of time. But this doesnâ€™t mean that the beginner students need to wait for their range to improve before they dive deeper into the musical side of the instrument. At Last, Victorious! easy trumpet quartet includes the most difficult combination of skills without moving into our first intermediate level. We will talk more about skill levels below, but let me say that many people would label At Last, Victorious as an intermediate piece. In our skill level system, three sharps and six-eight time signature are both in our second beginner skill level. And yet, the highest note in the first part is fourth space E. At Last, Victorious! easy trumpet quartet is the kind of piece I would assign to my students right before they â€œgraduateâ€ from the second beginner skill level into the first intermediate skill level. At Last, Victorious! is a march in six-eight time signature in three sharps. It is not as long as a traditional march and the â€œtrioâ€ is not technically a real trio (and therefore not marked as such). But I do believe that the piece serves as a nice introduction to marches for beginner trumpet students.

$11.28 ≈ 10.39€

Belief

Belief #Trompette #DÉBUTANT #Alex Lewis, Eddie Lewis #Belief #Tiger Music #SheetMusicPlus

Piano,Trumpet - Level 1 - SKU: A0.750361 Composed by Alex Lewis, Eddie Lewis. Contemporary,Instructional,Standards. Score and part. 6 pages. Tiger Music...(+)

Piano,Trumpet - Level 1 - SKU: A0.750361 Composed by Alex Lewis, Eddie Lewis. Contemporary,Instructional,Standards. Score and part. 6 pages. Tiger Music #6339105. Published by Tiger Music (A0.750361). Although this composition is called Belief, it doesn't sound particularly religious (to my ears). There is a musical program you might have heard about called Finale. On Finale, you can type in notes for instruments and play it back in real time to hear your new creation. When I played it, I got the idea for the name Belief because it sounded so much like a musical theme from a kids' movie. Anyone who starts playing the trumpet naturally believes that they will eventually learn how to play the trumpet. People usually think they will be successful at any project whenever they start. Now real life is more complicated than that, of course. But I think Belief is a fitting piece for somebody in the Trumpet Pioneer stage. It's a more simple time. Since it's a simple time, the message should be simple as well.This is a wonderful first performance piece for trumpet players to learn. They can learn it after only a few lessons and already sound good when they perform with a pianist. This would be good to use for a concert at a church or school. Buy this composition, practice it, and play it in front of friends and family and your school or church.

$6.78 ≈ 6.24€

Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis

Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis #Trompette #INTERMÉDIAIRE/AVANCÉ #Methodes Etudes #Methodes #Eddie Lewis #Pentatonic Tonalization Studie #Tiger Music #SheetMusicPlus

Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pag...(+)

Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.

Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.

That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example:

E - A - D - G - C

Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:

C - D - E - G - A

For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.

Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.

Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.

$14.99 ≈ 13.80€

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