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Vous avez sélectionné:
I Remember When
Violon
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Violin Concerto, opus 129 (2009) for violin solo and orchestra
Violin Concerto, opus 129 (2009) for violin solo and orchestra
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe ...
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Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
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Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
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Violon
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
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Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Violon
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). ...
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Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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Violin Tutor eBoox - Level 1 (Debut)
Violin Tutor eBoox - Level 1 (Debut)
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Violon
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DÉBUTANT
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Methodes
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Alison Jackson, Jonathan Eno B
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Violin Tutor eBoox - Level 1
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Jonathan Eno
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.936710 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. 23 pages. Jonathan Eno #6102683. Published by Jonath...
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Violin Solo - Level 1 - SKU: A0.936710 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. 23 pages. Jonathan Eno #6102683. Published by Jonathan Eno (A0.936710). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the violin BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist. Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments. Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you: https://www.facebook.com/bigbangsheethttps://twitter.com/bigbangsheet #joinourtribe #bbmusic #boox #eboox #hhmusic Need help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.uk
$9.99 ≈
$13.58
Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
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Violon
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INTERMÉDIAIRE
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Methodes
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Carol Ann Ledbetter-White
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Aerobics and Warm-Ups for Fidd
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112025. Aerobics and Warm-Ups for Fiddlers and Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximum benefit from a minimum of effort. Aerobics and Warm-Ups for Fiddlers and Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales and exercises on myself for six months, faithfully using them for about 20 minutes as warm-ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking, "I will never be able to play faster than this." But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used these exercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believe that these exercises, when faithfully practiced, will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity, clarity of notes, tone, bowing-arm control, intonation, double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.
$17.99 ≈
$24.45
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