Partitions Numériques de All I Can Say pour Orgue

Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.614525 This edition: scorch. E-Z Play Today. Christmas. Score. 4 pages. Hal Leonard - Digital #91...(+)

Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.614525 This edition: scorch. E-Z Play Today. Christmas. Score. 4 pages. Hal Leonard - Digital #916504. Published by Hal Leonard - Digital (HX.614525). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

$2.99 ≈ 2.71€

Orgelsinfonie No. 16

Orgelsinfonie No. 16 #Orgue #AVANCÉ #Enjott Schneider #Orgelsinfonie No. 16 #Schott Music - Digital #SheetMusicPlus

Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...(+)

Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying â€“ from the plague and war to the never-ending dangers of daily life â€“ was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

$21.99 ≈ 19.96€

Test Drive

Test Drive #Orgue #INTERMÉDIAIRE/AVANCÉ #John Powell #Anna Lapwood #Test Drive #Anna Lapwood #SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,F...(+)

Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904065. Published by Anna Lapwood (A0.1315319). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and Iâ€™ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as Iâ€™ve enjoyed writing them!Â One of the soundtracks that I get asked to perform most regularly is Test Drive by John Powell. This is one of the earlier transcriptions I wrote, and I often use it as a piece to illustrate the difference between different organs. Itâ€™s quite useful to have one piece to use as a comparison point, so I post little videos of this wherever Iâ€™m playing to demonstrate how radically different the same piece of music can sound depending on the kind of instrument. For me, this piece feels like an instant serotonin boost. There is a great crescendo where you get to take the organ from relatively quiet to earth-shatteringly loud over the course of about 30 seconds, and I always say that playing that part feels a bit like flying a dragon!Â - Anna Lapwood

$5.99 ≈ 5.44€

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