Partitions Numériques de Distant pour Orgue

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Distant
Non classifié 111

Piano & claviers
Piano seul 153
Piano, Voix 22
Piano, Voix et Guitare 20
Piano Facile 11
Accompagnement Piano 5

Orgue 4

Instruments en Do 3
2 Pianos, 4 mains 3
1 Piano, 4 mains 2
Piano Trio: piano, violon, violoncelle 1

+ 5 instrumentations

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Guitares
Guitare 14
Guitare notes et tablatures 7
Ligne De Mélodie, (Paroles) et Accords 6
Basse electrique 3
Paroles et Accords 2

Guitare Tab, Voix, Basse, Batterie 1
Ukulele 1
2 Guitares (duo) 1
Ensemble de guitares 1

+ 4 instrumentations

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Voix
Chorale SATB 50
Chorale 2 parties 13
Chorale 3 parties 9
Voix duo, Piano 8
Chorale Unison 8

Voix moyenne, Piano 4
Chorale SSAA 2
Chorale TTBB 1
Voix seule 1
Voix Soprano, Piano 1

+ 5 instrumentations

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Vents
Saxophone (partie séparée) 12
Clarinette (partie séparée) 11
Hautbois, Piano (duo) 9
Flûte traversière et Piano 7
2 Saxophones (duo) 7

Hautbois (partie séparée) 5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Clarinette 4
Flute (partie séparée) 4
Saxophone Alto et Piano 3
Saxophone, Clarinette (duo) 3
Clarinette et Piano 3
2 Flûtes traversières (duo) 2
2 Clarinettes (duo) 2
Ensemble de Flûtes 2
Clarinette, Trompette (duo) 2
Hautbois 2
Clarinette, Guitare (duo) 2
Flûte et Guitare 2
Clarinette, Violon (duo) 2
Flûte traversière 2
Ensemble de Clarinettes 2
Flûte à bec Alto 1
Flûte, Alto (duo) 1
Flûte, Saxophone (duo) 1
Flûte, Clarinette (duo) 1
2 Hautbois (duo) 1
Trio de Flûtes: 3 flûtes 1
Clarinette et Alto 1
Piccolo 1
Ensemble de saxophones 1
Flûte, Violon 1
Hautbois, Clarinette (duo) 1
Saxophone Tenor et Piano 1
Hautbois, Flûte 1
Clarinette Basse 1
Quatuor de Saxophones: 4 saxophones 1
Flûte, Hautbois, Piano (trio) 1
3 Saxophones (trio) 1
Hautbois, Basson (duo) 1
Flûte à Bec 1

+ 36 instrumentations

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Cuivres
Trombone (partie séparée) 10
Trompette, Piano 5
Trompette (partie séparée) 5
Tuba (partie séparée) 5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4

Cor 4
Cor (partie séparée) 4
Trompette 3
Trompette, Trombone (duo) 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trompette, Saxophone (duo) 2
Tuba ou Euphonium ou Saxhorn 1
2 Trombones (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
2 Trompettes (duo) 1
2 Cors (duo) 1
Tuba 1
Tuba et Piano 1
Ensemble de Trombones 1

+ 14 instrumentations

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Cordes
Violon et Piano 16
Violoncelle, Piano 8
2 Harpes (duo) 6
Quatuor à cordes: 2 violons, alto, violoncelle 6
Violoncelle 5

2 Violons (duo) 3
Violon 3
Contre Basse 3
Alto, Piano 2
Trio à Cordes: violon, alto, violoncelle 2
Harpe 2
2 Violoncelles (duo) 1
Piano Trio: Violon, Alto, Piano 1
Trio à Cordes: 2 violons, violoncelle 1
Violon, Alto (duo) 1
Alto et orchestre 1
Violon, Violoncelle (duo) 1
Violon, Guitare (duo) 1
Alto (partie séparée) 1
Violoncelle , Guitare (duo) 1
2 Altos (duo) 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 130
Marimba 18
Orchestre 16
Percussion (partie séparée) 8
Orchestre de chambre 7

Batterie 3
Orchestre à Cordes 2
Cloches 2
Timbales (partie séparée) 2
Ensemble de Percussions 2
Percussion 2
Ensemble Jazz 2
Ensemble de cuivres 1
Timbales 1
Piano et Orchestre 1

+ 10 instrumentations

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Distant

Orgue

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4 partitions trouvées

Toccata & Fugue for Organ

Toccata & Fugue for Organ #Orgue #Christian contemporain #Musique Sacrée #Aris Antoniades #Toccata & Fugue for Organ #Aris Antoniades #SheetMusicPlus

Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942...(+)

Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, thereâ€™s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York â€“ and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the â€˜mechanicalâ€™ sixteenth-note ostinato figure which never stops â€“ despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com

$13.00 ≈ 11.71€

Passacaglia in C (Organ)

Passacaglia in C (Organ) #Orgue #AVANCÉ #John Pitts #

#Passacaglia in C #Intensely Pleasant Music #SheetMusicPlus

Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...(+)

Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bachâ€™s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bachâ€™s original ground bass are treated to some twisted harmonies â€“ where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=AÂ¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a â€˜dominantâ€™ and â€˜subdominantâ€™ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships â€“ one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bachâ€™s original theme in Cm is: C G - EÂ¨ F - G AÂ¨ - F G - D EÂ¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A BÂ¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through â€˜closelyâ€™ related keys (eg A major and AÂ¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.

$7.99 ≈ 7.20€

Odds & Ends : for organ

Odds & Ends : for organ #Orgue #INTERMÉDIAIRE #Musique Sacrée #Johann G #Carl R #Odds & Ends : for organ #Carl Ziebell #SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1309260 Composed by Johann G. Ebeling, 1637-76 and others. Arranged by Carl R. Ziebell. Christian,Relig...(+)

Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1309260 Composed by Johann G. Ebeling, 1637-76 and others. Arranged by Carl R. Ziebell. Christian,Religious,Sacred,Traditional. Individual part. 18 pages. Carl Ziebell #898441. Published by Carl Ziebell (A0.1309260). I present to you a collection of five organ preludes on hymn tunes that I have arranged over the past few years.Â Hymn titles include:Â Lo, He come with clouds descending (Helmsly) ; Why should cross and trial grieve me ; God be with you 'till we meet again ; Love divine ; O're the distant mountains breaking.Â These preludes are intended to serve anywhere as needed within the worship service, although most of them were written as hymn introductions.

$12.00 ≈ 10.81€

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