Let\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Opera Non classifié 308 Vents Flûte traversière et Piano 74 Clarinette et Piano 67 Hautbois, Piano (duo) 55 Saxophone Alto et Piano 35 Clarinette 33 Quatuor de Saxophones: 4 saxophones 32 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29 Flûte traversière 26 Saxophone Soprano et Piano 22 Hautbois (partie séparée) 20 Quatuor de Flûtes : 4 flûtes 17 Quatuor de Clarinettes: 4 clarinettes 16 2 Saxophones (duo) 15 2 Flûtes traversières (duo) 15 Cor anglais, Piano 13 Flûte, Hautbois, Clarinette, Basson 12 Saxophone Tenor et Piano 11 Quintette de Clarinettes: 5 clarinettes 8 2 Clarinettes (duo) 8 Ensemble de Clarinettes 7 Quintette de Saxophone: 5 saxophones 6 3 Saxophones (trio) 6 Ensemble de Flûtes 5 Saxophone Alto 5 3 Clarinettes (trio) 5 Quintette de Flûte : 5 flûtes 4 2 Saxophones, Piano 4 Saxophone Baryton, Piano 4 Hautbois, Clarinette, Basson (trio d'anches) 4 Flûte, Clarinette (duo) 4 Saxophone Tenor 3 5 Flûtes à bec 3 Trio de Flûtes: 3 flûtes 3 Clarinette Basse, Piano 3 Hautbois, Basson (duo) 2 Flûte à Bec 2 Flûte et Guitare 2 Saxophone (partie séparée) 2 Flûte, Clarinette, Piano (trio) 2 Flûte, Clarinette et Basson 2 Clarinette, Basson (duo) 2 Quatuor de Flûtes à bec 2 Flûte, Hautbois, Basson 2 Clarinette, Violoncelle (duo) 2 2 Flûte à bec (duo) 2 Saxophone, Clarinette (duo) 2 2 Hautbois (duo) 2 Flûte, Hautbois, Piano (trio) 1 2 Flûtes traversières, Piano 1 Flûte traversière, Basse continue 1 Ensemble de saxophones 1 Flûte, Violon et Violoncelle 1 Flûte à bec, Guitare (duo) 1 Clarinette, Violon (duo) 1 3 Flûtes à bec (trio) 1 Flûte de Pan 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Flûte à bec Alto 1 Hautbois, Harpe 1 Flûte, Violoncelle 1 Saxophone 1 Flûte, Saxophone (duo) 1 Clarinette, Harpe (duo) 1 2 Flûtes à bec, Guitare 1 Flûte, Violon 1 Piccolo, Piano 1 Flûte, Violon, Piano 1 Clarinette (partie séparée) 1 2 Clarinettes, Piano 1 Flûte à bec Soprano 1 Flûte, Hautbois, Clarinette (trio) 1 Clarinette, Trompette (duo) 1 Flûte à Bec, Piano 1 Cuivres Cor et Piano 46 Cor 41 Trompette, Piano 40 Trombone et Piano 38 Trompette 34 Tuba et Piano 27 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24 Quatuor de Cuivres : 2 trompettes, trombone, tuba 19 Tuba 18 Trombone 18 Cor anglais, Piano 13 Ensemble de Trombones 9 2 Trombones (duo) 8 Euphonium, Piano (duo) 7 Quatuor de cuivres: 4 trombones 7 Ensemble de Trompettes 4 2 Trompettes (duo) 4 Ensemble de Cors 3 Quatuor de cuivres: 4 cors 3 Trompette, Trombone (duo) 3 Quatuor de cuivres: 4 trompettes 2 2 Cors (duo) 2 4 Tubas 2 3 Tubas (trio) 2 3 Cors (trio) 2 3 Trombones (trio) 2 Trompette (partie séparée) 2 Trombone, Cor (duo) 1 Tuba et Orgue 1 2 Euphoniums (duo) 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Trompette, Saxophone (duo) 1 Quatuor de Cuivres 1 Euphonium, Tuba (duo) 1 Trompette, Trombone, Piano 1 2 Tubas (duo) 1 Trompette, Cor (duo) 1 Cor (partie séparée) 1 Cordes Violon et Piano 75 Violoncelle, Piano 61 Alto, Piano 58 Quatuor à cordes: 2 violons, alto, violoncelle 52 Violon 35 Violoncelle 25 Contrebasse, Piano (duo) 22 Contre Basse 19 Alto seul 16 Violon, Violoncelle (duo) 16 Harpe, Flûte (duo) 12 Harpe 11 Trio à Cordes: violon, alto, violoncelle 9 Alto (partie séparée) 8 Violon, Alto (duo) 7 4 Violoncelles 7 2 Violoncelles (duo) 6 2 Violons (duo) 6 2 Altos (duo) 5 Trio à Cordes: 3 violoncelles 4 Alto, Violoncelle (duo) 3 Quatuor à cordes: 4 violons 3 Trio à Cordes: 2 violons, violoncelle 3 Trio à cordes: 3 violins 2 Quatuor à cordes : 4 altos 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Violon, Basson (duo) 1 Piano Trio: Violon, Alto, Piano 1 2 Violons, Piano 1 Violon (partie séparée) 1 Flûte, Contrebasse (duo) 1 Harpe, Violon (duo) 1 Violon, Basse continue 1 Violon, Guitare (duo) 1 Trio à cordes: 3 altos 1 Autres
Européens Américains
PARTITIONS GRATUITES
187 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Partitions à imprimer
2 partitions trouvées
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
# Orgue# AVANCÉ# Classique# Claude Debussy/Robert Orledge# Robert Orledge: A Night in the# Musik Fabrik Music Publishing# SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...(+)
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
