Partitions Numériques de I Go to Rio pour Cor

French Horn Solo - Level 4 - SKU: A0.699307 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Individual part. 54 pages. KFS Publishing #29...(+)

French Horn Solo - Level 4 - SKU: A0.699307 Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Individual part. 54 pages. KFS Publishing #2960989. Published by KFS Publishing (A0.699307). From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.Song list:Behold, the Lord to Zion Rides 27. Low in the Grave He LayHosanna, Loud Hosanna 28. God So Loved the WorldPalm Sunday 29. Crown Him With Many CrownsTriumphal Entry 30. Alive AgainLift Up Your Heads 31. Alle Meschen Mussen SterbenAll Glory, Laud, and Honor 32. Thine Is the GloryHow Great Thou Art 33. At EastertimeCome, Faithful People 34. The Day of ResurrectionSo Lowly Doth the Savior Ride 35. Beautiful EasterThere Was a Time When Children Sang 36. Easter People, Raise Your VoicesGo To Dark Gethsemane 37. Ascension HymnLet Us Break Bread Together 38. Brighter Are the SunbeamsJesus Paid It All 39. ResurrexitWhen I Survey the Wondrous Cross 40. He Is RisenDown at the Cross 41. The Bell of EasterThere is a Fountain &nbs.

$25.00 ≈ 22.55€

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1 #Cor #AVANCÉ #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...(+)

French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.16€

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