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Man In The Middle
Non classifié 563

Piano & claviers
Piano seul 257
Piano Facile 121
Accompagnement Piano 83
Piano, Voix 63
Orgue 26

Piano, Voix et Guitare 18
Piano Trio: piano, violon, violoncelle 10
1 Piano, 4 mains 9
Instruments en Do 4
Piano Quintette: piano, 2 violons, alto, violoncelle 3
Piano (partie séparée) 3
Piano Quatuor: piano, violon, alto, violoncelle 2
2 Pianos, 4 mains 1
Piano Quatuor: piano, 2 violons, violoncelle 1
1 Piano, 6 mains 1
Accordéon 1

+ 11 instrumentations

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Guitares
Guitare 25
Guitare (partie séparée) 10
Guitare notes et tablatures 6
2 Guitares (duo) 3
Ukulele 2

Banjo 1
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 110
Chorale Unison 76
Chorale 2 parties 69
Chorale 3 parties 66
Chorale TTBB 20

Chorale SSAA 10
Voix Soprano, Piano 5
Voix basse, Piano 2
Soli, choeur mixte et accompagnement 2
Voix Tenor, Piano 1
Chorale SSAATTBB 1
Voix Tenor 1
Chorale SSATTB 1
Voix duo, Piano 1

+ 9 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 94
Flûte traversière et Piano 57
Quintette de Saxophone: 5 saxophones 55
Saxophone Alto et Piano 35
Clarinette et Piano 33

2 Flûtes traversières (duo) 32
Saxophone (partie séparée) 29
2 Saxophones (duo) 28
Hautbois, Piano (duo) 28
2 Clarinettes (duo) 23
Quatuor de Saxophones: 4 saxophones 18
Flûte, Hautbois, Clarinette, Basson 18
Quatuor de Clarinettes: 4 clarinettes 18
Trio de Flûtes: 3 flûtes 14
Clarinette 13
Saxophone, Clarinette (duo) 12
Ensemble de Clarinettes 12
Quintette de Flûte : 5 flûtes 12
Ensemble de Flûtes 11
Flûte, Clarinette (duo) 11
Quatuor de Flûtes : 4 flûtes 10
2 Hautbois (duo) 9
3 Clarinettes (trio) 9
Clarinette, Violon (duo) 9
Quintette de Clarinettes: 5 clarinettes 8
Saxophone Soprano et Piano 8
Flûte traversière 7
Clarinette, Trompette (duo) 6
Ensemble de saxophones 6
Saxophone Tenor et Piano 6
Flûte, Saxophone (duo) 5
Flûte, Violon 5
Hautbois, Clarinette, Basson (trio d'anches) 5
Hautbois, Flûte 5
Flûte, Alto (duo) 4
Flûte à bec Soprano 4
Hautbois, Basson (duo) 4
3 Saxophones (trio) 3
2 Clarinettes, Piano 3
Flûte, Trompette (duo) 3
Flûte, Clarinette, Piano (trio) 2
Clarinette et Alto 2
Flûte, Clarinette et Basson 2
Hautbois, Clarinette (duo) 2
Flûte et Guitare 2
Saxophone Alto 2
Cor anglais, Piano 2
2 Cors Anglais Et Pianoforte 2
Clarinette (partie séparée) 2
Saxophone et Harpe 2
Saxophone Baryton, Piano 2
Flûte à Bec 2
2 Flûte à bec (duo) 2
Flûte, Violoncelle 2
Hautbois (partie séparée) 2
Clarinette, Guitare (duo) 1
Flûte, Violon, Piano 1
Flûte, Trombone (duo) 1
Flûte, Hautbois (duo) 1
Saxophone et Orgue 1
Flûte à bec Tenor 1
Hautbois, Harpe 1
Flûte, Basson et Piano 1
Flûte, Clarinette, Violon (trio) 1
Clarinette, Violoncelle (duo) 1
Clarinette, Contrebasse (duo) 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Hautbois, Guitare (duo) 1
Flûte, Violon et Violoncelle 1
2 Saxophones, Piano 1
Clarinette, Harpe (duo) 1
Clarinette Basse, Piano 1
Flûte traversière, Orgue (duo) 1
Cor anglais, Guitare (duo) 1
Ensemble à vent 1
Clarinette, Violoncelle, Piano (trio) 1
Clarinette, Tuba 1

+ 72 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 58
Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Trombone (partie séparée) 26
Trompette, Piano 18
Trompette (partie séparée) 17

Trombone et Piano 15
Trompette, Saxophone (duo) 10
2 Trompettes (duo) 10
2 Trombones (duo) 10
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
Cor et Piano 9
Trompette, Trombone (duo) 8
Ensemble de Trombones 7
Tuba et Piano 7
Trompette 7
Euphonium, Piano (duo) 4
Quatuor de Cuivres 4
Cor (partie séparée) 3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3
2 Euphoniums et 2 Tubas 3
Ensemble de Trompettes 3
3 Trombones (trio) 2
2 Cors (duo) 2
Cor anglais, Piano 2
2 Cors Anglais Et Pianoforte 2
Quatuor de cuivres: 4 trombones 2
Trombone 2
Cor 2

2 Tubas (duo) 1
Trompette, Harpe 1
Cor et Harpe 1
Trombone, Tuba (duo) 1
Trombone et orchestre 1
Tuba (partie séparée) 1
Tuba et Orgue 1
Quatuor de cuivres: 4 cors 1
Cor anglais, Guitare (duo) 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 86
Harpe 52
Violon et Piano 34
Violoncelle, Piano 26
Violon, Violoncelle (duo) 24

Trio à Cordes: violon, alto, violoncelle 21
Alto, Piano 20
2 Violons (duo) 14
Quintette à cordes: 2 violons, alto, violoncelle, basse 9
2 Violoncelles (duo) 9
Violon 8
Violoncelle (partie séparée) 8
Violon, Alto (duo) 8
Contrebasse (partie séparée) 6
Violon (partie séparée) 5
Ensemble d'Altos 5
2 Altos (duo) 5
Ensemble de Violons 5
Alto (partie séparée) 4
2 Harpes (duo) 3
Contre Basse 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Harpe, Violon (duo) 2
Trio à Cordes: 3 violoncelles 2
4 Violoncelles 2
Violoncelle, Basse continue 1
Alto, Violoncelle (duo) 1
Alto seul 1
Piano Trio: Violon, Alto, Piano 1
Flûte, Contrebasse (duo) 1
Violoncelle , Guitare (duo) 1
Trio à Cordes: 2 violons, violoncelle 1
Alto et Harpe 1
Harpe, Voix 1
Violon, Orgue 1
Harpe, Violoncelle (duo) 1
Violoncelle, Contrebasse (duo) 1
Violoncelle 1
Harpe, Trombone (duo) 1
4 Contrebasses 1

+ 35 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 131
Orchestre à Cordes 68
Ensemble de cuivres 54
Cloches 32
Orchestre 28

Ensemble Jazz 23
Orchestre de chambre 12
Ensemble de Percussions 6
Batterie (partie séparée) 5
Percussion (partie séparée) 3
Jazz combo 2
Fanfare 1
Xylophone, Piano 1
Caisse Claire 1
Marimba 1
Vibraphone 1

+ 11 instrumentations

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Formation musicale - Solfège 6

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Man In The Middle

Cor

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2 partitions trouvées

Horn Sonata No. 1 (Complete)

Horn Sonata No. 1 (Complete) #Cor #AVANCÉ #Mike Lyons #Horn Sonata No. 1 #Lyons Music Services #SheetMusicPlus

French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...(+)

French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the PiÃ¹ mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.

$18.00 ≈ $24.54

Horn Sonata - No. 1 - 3rd Movement - Allegro

Horn Sonata - No. 1 - 3rd Movement - Allegro #Cor #AVANCÉ #Lyons Music Services #Horn Sonata - No. 1 - 3rd Move #Lyons Music Services #SheetMusicPlus

French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512...(+)

French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.

$9.00 ≈ $12.27

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