Partitions Numériques de Omi pour Saxophone Baryton, Piano

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Omi
Non classifié 529

Piano & claviers
Piano seul 599
Piano, Voix 115
Piano, Voix et Guitare 66
Instruments en Do 47
Orgue 47

1 Piano, 4 mains 24
Piano Trio: piano, violon, violoncelle 9
Piano Facile 4
2 Pianos, 4 mains 3
Piano Quintette: piano, 2 violons, alto, violoncelle 3
Accompagnement Piano 3
Clavecin 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Clavier 1
2 Orgues (duo) 1

+ 10 instrumentations

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Guitares
Guitare 33
Guitare notes et tablatures 20
Ligne De Mélodie, (Paroles) et Accords 6
4 Guitares (Quatuor) 6
Basse electrique 4

2 Guitares (duo) 4
Ukulele 3
Piano, Guitare (duo) 1
Guitare, Violon, Violoncelle (trio) 1
Mandoline, Piano (duo) 1
3 Guitares (trio) 1

+ 6 instrumentations

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Voix
Chorale SATB 294
Chorale TTBB 33
Chorale 3 parties 29
Chorale SSAA 26
Voix seule 17

Voix Soprano, Piano 16
Voix Alto, Piano 11
Voix Baryton, Piano 9
Voix duo, Piano 6
Voix haute 6
Chorale Unison 4
Voix Tenor 4
Voix duo 4
Chorale 2 parties 3
Voix Mezzo-Soprano, Piano 2
Chorale 2
Voix moyenne, Piano 1
Voix Soprano 1

+ 13 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 42
Quatuor de Saxophones: 4 saxophones 38
Flûte traversière et Piano 32
Clarinette et Piano 28
Saxophone Alto et Piano 27

Quatuor de Clarinettes: 4 clarinettes 25
2 Saxophones (duo) 23
Ensemble de saxophones 21
Hautbois, Piano (duo) 21
Quintette de Saxophone: 5 saxophones 20
Flûte, Hautbois, Clarinette, Basson 18
3 Saxophones (trio) 15
Saxophone Soprano et Piano 15
Flûte traversière 14
Saxophone Tenor et Piano 12
Clarinette 12
2 Clarinettes (duo) 10
3 Clarinettes (trio) 9
Quatuor de Flûtes : 4 flûtes 9
Ensemble de Flûtes 9
Saxophone Tenor 8
Ensemble de Clarinettes 8
Flûte, Violon 8
2 Flûtes traversières (duo) 7
Saxophone Alto 6
Cor anglais, Piano 5
Saxophone, Clarinette (duo) 5
Clarinette, Violon (duo) 5
Flûte, Clarinette (duo) 5
Quintette de Clarinettes: 5 clarinettes 5
Clarinette, Basson (duo) 4
Trio de Flûtes: 3 flûtes 4
Clarinette, Guitare (duo) 3
Flûte, Hautbois, Basson 3
Hautbois (partie séparée) 3
Hautbois, Basson (duo) 3
Saxophone (partie séparée) 3
2 Flûtes traversières, Piano 2
Flûte, Clarinette et Basson 2
Flûte, Saxophone (duo) 2
Flûte, Alto (duo) 2
Flûte, Hautbois, Clarinette (trio) 2
Saxophone Baryton, Piano 2

Quintette de Flûte : 5 flûtes 2
Flûte et Guitare 2
Clarinette et Alto 2
Clarinette, Trompette (duo) 2
Clarinette Basse, Piano 2
Hautbois, Flûte 2
2 Hautbois (duo) 2
Clarinette, Alto et Piano (trio) 1
Hautbois, Clarinette (duo) 1
3 Hautbois 1
Cor anglais, Guitare (duo) 1
Saxophone et Guitare 1
Flûte, Trompette (duo) 1
Clarinette, Trombone (duo) 1
4 Hautbois 1
Clarinette, Violoncelle (duo) 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Violon, Violoncelle et Piano 1
Saxophone et Orgue 1
Piccolo, Piano 1

+ 58 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 48
Quatuor de Cuivres : 2 trompettes, trombone, tuba 24
Trombone et Piano 21
Trompette 17
Quatuor de Cuivres: 2 trompettes, Cor, trombone 14

Cor et Piano 14
Quatuor de cuivres: 4 trombones 12
Ensemble de Trombones 9
Trompette, Piano 9
2 Cors (duo) 9
Tuba et Piano 8
2 Euphoniums et 2 Tubas 7
Ensemble de Trompettes 6
Quatuor de cuivres: 4 cors 5
Cor anglais, Piano 5
Trompette, Trombone (duo) 5
Euphonium, Piano (duo) 5
3 Trombones (trio) 4
2 Trombones (duo) 4
Trombone 4
Euphonium, Tuba (duo) 4
2 Trompettes (duo) 4
Quatuor de Cuivres 3
Trio de Cuivres 3
Trompette, Saxophone (duo) 3
Cor 3
Trompette, Violoncelle et Piano 2
Cor anglais, Guitare (duo) 1
4 Tubas 1
Trombone et orchestre 1
Cor, Violoncelle (duo) 1
Tuba 1
Clarinette, Cor (duo) 1
Trompette, Tuba (duo) 1

+ 29 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 139
Violon et Piano 50
Violon, Violoncelle (duo) 25
Violoncelle, Piano 23
Violon 22

Violoncelle 20
Alto, Piano 19
Harpe 15
Trio à Cordes: violon, alto, violoncelle 13
Quintette à cordes: 2 violons, alto, violoncelle, basse 13
Trio à Cordes: 2 violons, violoncelle 12
2 Violoncelles (duo) 8
Violon, Alto (duo) 7
Alto seul 6
Alto, Violoncelle (duo) 6
2 Violons (duo) 5
4 Violoncelles 5
Trio à Cordes: 3 violoncelles 4
Violoncelle , Guitare (duo) 3
Violon, Guitare (duo) 3
2 Altos (duo) 3
Harpe, Voix 2
Trio à Cordes: 2 violons, alto 2
Harpe, Violoncelle (duo) 1
Harpe, Trombone (duo) 1
Contre Basse 1
Trio à cordes: 3 violins 1
Alto et Basson 1
Ensemble de Violoncelles 1
Harpe, Flûte (duo) 1
Alto, Guitare (duo) 1
Ensemble d'Altos 1
Ensemble de Violons 1

+ 28 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 113
Orchestre 97
Orchestre de chambre 52
Ensemble Jazz 51
Ensemble de cuivres 48

Orchestre à Cordes 43
Cloches 15
Fanfare 10
Ensemble de Percussions 8
Batterie 7
Marimba 5
Vibraphone 3
Jazz combo 2
Xylophone 1

+ 9 instrumentations

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Omi

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Saxophone Baryton, Piano

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2 partitions trouvées

Sullivan: The Lost Chord for Baritone Sax & Piano

Sullivan: The Lost Chord for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for B #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...(+)

Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 24.22€

Fauré: Élégie Op. 24 for Baritone Sax & Piano

Fauré: Élégie Op. 24 for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...(+)

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 29.62€

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