Partitions Numériques de Believe It pour Saxophone Baryton, Piano

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Believe It
Non classifié 267

Piano & claviers
Piano seul 143
Piano, Voix et Guitare 96
Piano, Voix 63
Piano Facile 51
Accompagnement Piano 18

Instruments en Do 13
Piano Trio: piano, violon, violoncelle 5
Piano Quatuor: piano, 2 violons, violoncelle 3
Piano Quatuor: piano, violon, alto, violoncelle 3
Orgue 3
Piano grosses notes 2
2 Pianos, 4 mains 2
Accordéon 2
Piano (partie séparée) 1
1 Piano, 4 mains 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 11 instrumentations

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Guitares
Guitare 27
Guitare notes et tablatures 17
Ligne De Mélodie, (Paroles) et Accords 15
Ukulele 9
2 Guitares (duo) 5

Basse electrique 3
Guitare (partie séparée) 2
Paroles et Accords 2
Mandoline, Guitare (duo) 1
Banjo 1
Ensemble de Ukulélés 1
Dulcimer 1

+ 7 instrumentations

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Voix
Chorale SATB 107
Chorale 3 parties 27
Chorale TTBB 25
Chorale 2 parties 13
Chorale Unison 13

Chorale SSAA 10
Voix duo 3
Chorale 2
Voix Soprano, Piano 2
Voix duo, Piano 2
Chorale SSATTB 2
Voix Alto, Piano 1
Voix seule 1

+ 8 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 27
2 Flûtes traversières (duo) 17
Clarinette 14
Flûte traversière et Piano 14
Hautbois (partie séparée) 13

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 12
Flûte, Hautbois, Clarinette, Basson 11
Clarinette et Piano 10
Saxophone Alto et Piano 9
Saxophone (partie séparée) 8
2 Saxophones (duo) 8
2 Clarinettes (duo) 7
Flûte traversière 7
Hautbois, Piano (duo) 6
Quintette de Saxophone: 5 saxophones 6
Saxophone Alto 5
Quatuor de Clarinettes: 4 clarinettes 5
Flûte, Clarinette (duo) 5
Saxophone Tenor et Piano 5
Saxophone Soprano et Piano 5
Quatuor de Flûtes : 4 flûtes 5
Flûte et Guitare 4
Saxophone, Clarinette (duo) 3
Quintette de Clarinettes: 5 clarinettes 3
Saxophone Baryton, Piano 3

Clarinette (partie séparée) 3
Trio de Flûtes: 3 flûtes 3
Clarinette, Guitare (duo) 2
2 Hautbois (duo) 2
Hautbois 2
Hautbois, Basson (duo) 1
Flûte à bec Soprano 1
Flûte, Saxophone (duo) 1
Flute (partie séparée) 1
Clarinette, Violon (duo) 1
Clarinette Basse, Piano 1
2 Saxophones, Piano 1
3 Saxophones (trio) 1
Cor anglais, Piano 1
Flûte, Alto (duo) 1
Flûte, Trompette (duo) 1
Hautbois, Flûte 1
3 Clarinettes (trio) 1
Ensemble De Flûte à bec 1
Hautbois, Clarinette (duo) 1
Saxophone 1
Flûte à Bec 1
Clarinette et Alto 1
Cor anglais, Guitare (duo) 1
Flûte, Violon 1

+ 45 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 30
Quatuor de Cuivres : 2 trompettes, trombone, tuba 13
Trompette 10
Trombone (partie séparée) 8
Trombone et Piano 7

2 Trompettes (duo) 6
Cor et Piano 5
Trompette (partie séparée) 5
Trompette, Piano 5
Tuba et Piano 5
Trompette, Trombone (duo) 5
Cor 4
Trio de Cuivres 4
Cor (partie séparée) 3
2 Trombones (duo) 3
Trompette, Cor (duo) 3
Tuba 3
2 Euphoniums et 2 Tubas 3
Quatuor de Cuivres 3
Trompette, Saxophone (duo) 2
Trombone 2
4 Tubas 2
2 Cors (duo) 1
Tuba (partie séparée) 1
Quatuor de cuivres: 4 trombones 1
Cor anglais, Piano 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Bass Clef Instruments 1
2 Tubas (duo) 1
Cor anglais, Guitare (duo) 1

+ 25 instrumentations

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Cordes
Harpe 55
Quatuor à cordes: 2 violons, alto, violoncelle 36
Violon et Piano 23
2 Violons (duo) 14
Violon 14

Violon, Violoncelle (duo) 13
Violoncelle, Piano 9
Alto, Piano 9
Violon, Alto (duo) 6
Violoncelle (partie séparée) 5
Alto seul 5
Trio à Cordes: violon, alto, violoncelle 5
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Piano Trio: Violon, Alto, Piano 4
Violoncelle 4
2 Violoncelles (duo) 3
Violon (partie séparée) 3
Contrebasse (partie séparée) 2
Contrebasse, Piano (duo) 2
Alto, Guitare (duo) 2
2 Altos (duo) 2
Alto (partie séparée) 2
Contre Basse 2
Violoncelle , Guitare (duo) 1
Harpe, Violon (duo) 1
Violon, Guitare (duo) 1
Harpe, Voix 1

+ 22 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 94
Orchestre 32
Ensemble Jazz 10
Orchestre à Cordes 9
Ensemble de cuivres 8

Orchestre de chambre 8
Cloches 6
Jazz combo 5
Percussion (partie séparée) 4
Fanfare 2
Batterie (partie séparée) 1
Ensemble de Percussions 1
Batterie 1
Marimba 1

+ 9 instrumentations

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Believe It

Saxophone Baryton, Piano

Partitions à imprimer

3 partitions trouvées

O Holy Night for Baritone Sax & Piano

O Holy Night for Baritone Sax & Piano #Saxophone Baryton, Piano #DÉBUTANT #Noël #Adam #James M #O Holy Night for Baritone Sax #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...(+)

Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de NoÃ«l The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840â€™s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de NoÃ«l. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850â€™s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeauâ€™s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Fatherâ€™s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didnâ€™t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 ≈ $34.48

Fauré: Élégie Op. 24 for Baritone Sax & Piano

Fauré: Élégie Op. 24 for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...(+)

Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ $45.54

Schubert: Ave Maria for Baritone Sax & Piano

Schubert: Ave Maria for Baritone Sax & Piano #Saxophone Baryton, Piano #DÉBUTANT #Classique #Franz Schubert #James M #Schubert: Ave Maria for Barito #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...(+)

Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle.Â Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria. Â Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz SchubertÂ (1797â€“1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958â€“960), and the song cycles Die schÃ¶ne MÃ¼llerinÂ (D. 795) and WinterreiseÂ (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubertâ€™s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.

$29.95 ≈ $41.39

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