Partitions Numériques de Solo Renaissance pour Saxophone Baryton, Piano

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Solo Renaissance
Non classifié 584

Piano & claviers
Piano seul 467
Piano, Voix 65
Piano Facile 46
Orgue 27
Accompagnement Piano 5

Piano, Voix et Guitare 4
Clavecin 3
Instruments en Do 2
Orgue, Piano (duo) 1
Clavier 1

+ 5 instrumentations

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Guitares
Guitare 256
Guitare notes et tablatures 143
Paroles et Accords 5
4 Guitares (Quatuor) 5
Ukulele 4

Mandoline 3
Ensemble de guitares 2
Guitare, Flûte, Clarinette 2
Guitare, Violon, Violoncelle (trio) 1
Dulcimer 1

+ 5 instrumentations

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Voix
Chorale SATB 40
Voix seule 15
Voix duo 8
Chorale TTBB 8
Voix duo, Piano 6

Voix Soprano, Piano 5
Chorale 2 parties 5
Chorale Unison 3
Voix haute 3
Chorale 3 parties 2
Chorale 2
Voix, Guitare 2
Voix moyenne, Piano 2
Chorale SSAA 2
Voix Tenor 1
Voix Alto, Piano 1
Voix basse 1
Voix Baryton, Piano 1
Chorale SSATB 1

+ 14 instrumentations

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Vents
Flûte à bec Soprano 89
Flûte et Guitare 56
Quatuor de Clarinettes: 4 clarinettes 54
Flûte traversière 53
Quatuor de Saxophones: 4 saxophones 49

Flûte à bec Alto 49
Quatuor de Flûtes : 4 flûtes 48
Flûte, Hautbois, Clarinette, Basson 44
Clarinette, Guitare (duo) 31
Flûte traversière et Piano 29
Quintette de Clarinettes: 5 clarinettes 26
3 Saxophones (trio) 25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 24
Saxophone Alto et Piano 24
Trio de Flûtes: 3 flûtes 23
Clarinette et Piano 22
Ensemble de Clarinettes 21
Cor anglais, Guitare (duo) 21
Saxophone et Guitare 19
3 Clarinettes (trio) 19
Quintette de Flûte : 5 flûtes 19
Hautbois, Piano (duo) 16
Clarinette 15
Quatuor de Flûtes à bec 15
2 Flûtes traversières (duo) 13
2 Clarinettes (duo) 11
Saxophone Tenor et Piano 11
Ensemble de Flûtes 10
Hautbois, Clarinette, Basson (trio d'anches) 9
Saxophone Alto 9
Flûte, Hautbois, Basson 8
2 Saxophones (duo) 8
Cor anglais, Piano 8
Clarinette, Harpe (duo) 7
Quintette de Saxophone: 5 saxophones 7
Flûte à bec, Guitare (duo) 6
3 Flûtes à bec (trio) 6
Cor anglais et Harpe (duo) 6
Flûte à bec, Harpe 6
5 Flûtes à bec 5
Hautbois (partie séparée) 5
Hautbois, Guitare (duo) 5
Flûte à bec Alto, Piano 4
Hautbois, Basson et Piano 4
Hautbois 4
2 Flûte à bec (duo) 4
Saxophone Soprano et Piano 4
Flûte, Clarinette (duo) 4
Hautbois, Basson (duo) 3
Flûte, Hautbois (duo) 3
Clarinette, Basson (duo) 3
Flûte à Bec 3
2 Hautbois (duo) 3
Flûte, Clarinette et Basson 2
Hautbois, Clarinette (duo) 2
Flûte, Hautbois, Clarinette (trio) 2
Saxophone (partie séparée) 2
Saxophone Baryton, Piano 1

2 Flûtes traversières, Guitare 1
Flûte à bec Tenor 1
Clarinette, Contrebasse (duo) 1
2 Hautbois, Piano 1
Clarinette, Tuba 1
Cornemuse 1
Flûte, Trombone (duo) 1
Flute, harpe et violon 1
Ensemble de Hautbois 1
Cor Anglais 1
2 Clarinettes, Piano 1
Hautbois, Clarinette et Piano (Trio) 1
Ensemble De Flûte à bec 1
Flute (partie séparée) 1

+ 67 instrumentations

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Cuivres
Trombone 32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 27
Cor anglais, Guitare (duo) 21
Trompette, Piano 18
Trompette 16

Cor et Piano 13
Cor 13
Quatuor de Cuivres : 2 trompettes, trombone, tuba 12
Tuba 10
Trompette, Trombone (duo) 9
Trombone et Piano 9
Cor anglais, Piano 8
Tuba et Piano 7
Cor anglais et Harpe (duo) 6
Euphonium 5
2 Trompettes (duo) 5
2 Cors (duo) 4
2 Trombones (duo) 4
Trompette (partie séparée) 4
2 Tubas (duo) 3
Ensemble de Trompettes 3
Ensemble de Cors 3
Quatuor de cuivres: 4 trombones 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Euphonium, Tuba (duo) 2
Cor, Tuba (duo) 2
Trombone, Cor (duo) 2
Quatuor de Cuivres 2
Ensemble de Trombones 1
3 Trombones (trio) 1
Quatuor de cuivres: 4 cors 1
3 Trompettes (trio) 1
Cor Anglais 1
Trombone basse 1
Trio de Cuivres 1
Trompette, Tuba (duo) 1
3 Cors (trio) 1

+ 32 instrumentations

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Cordes
Violon 40
Violon et Piano 38
Quatuor à cordes: 2 violons, alto, violoncelle 34
Violoncelle 34
Violoncelle, Piano 28

Trio à Cordes: violon, alto, violoncelle 27
Violoncelle , Guitare (duo) 23
Alto, Piano 23
Harpe 22
Alto seul 16
Alto, Guitare (duo) 15
Violon, Guitare (duo) 13
Harpe, Flûte (duo) 13
2 Altos (duo) 7
Harpe, Violoncelle (duo) 7
Contre Basse 7
2 Violoncelles (duo) 6
Contrebasse, Piano (duo) 6
Alto et Harpe 6
Harpe, Violon (duo) 6
Violon, Violoncelle (duo) 5
Trio à cordes 4
Alto, Violoncelle (duo) 4
Trio à cordes: 3 violins 3
Trio à Cordes: 3 violoncelles 3
Violon, Alto (duo) 3
Quatuor à cordes: 4 violons 3
2 Violons (duo) 2
4 Violoncelles 2
2 Contrebasses (duo) 2
Violon, Basse continue 2
Alto (partie séparée) 2
2 Altos, Piano 1
Harpe et Piano 1
Trio à cordes: 3 altos 1
Violoncelle, Contrebasse (duo) 1
Flûte, Contrebasse (duo) 1
2 Violoncelles, Piano 1
2 Violons et Basse continue 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Quintette à cordes : 2 violons, alto et 2 violoncelles 1

+ 36 instrumentations

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Percussions & orchestre
Ensemble de cuivres 30
Orchestre à Cordes 11
Orchestre d'harmonie 11
Quintette à Vent 9
Quatuor à Vent : 4 instruments à vents 8

Orchestre 6
Orchestre de chambre 6
Ensemble Jazz 5
Marimba 4
Xylophone 2
Vibraphone 1
Batterie 1
Trio à Vent: 3 instruments à vents 1

+ 8 instrumentations

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Solo Renaissance

Saxophone Baryton, Piano

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Luther: Out of the Depths for Baritone Sax & Piano

Luther: Out of the Depths for Baritone Sax & Piano #Saxophone Baryton, Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...(+)

Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

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