Partitions Numériques de Suite no. 2, op. 17 pour Saxophone Baryton, Piano

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Suite no. 2, op. 17
Non classifié 5

Piano & claviers
Piano seul 4
1 Piano, 4 mains 4

Guitares

Voix

Vents
2 Flûte à bec (duo) 4
Hautbois, Piano (duo) 3
Clarinette et Piano 2
Clarinette 2
Saxophone Soprano et Piano 2

Saxophone Alto et Piano 2
Cor anglais, Piano 2
Clarinette Basse, Piano 2
Saxophone Tenor et Piano 2
Flûte traversière et Piano 1
Saxophone Baryton, Piano 1

2 Hautbois (duo) 1
Quatuor de Clarinettes: 4 clarinettes 1

+ 8 instrumentations

Retracter

Cuivres
Euphonium, Piano (duo) 3
Trombone et Piano 2
Cor et Piano 2
Cor anglais, Piano 2
Trompette, Piano 2

Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette 1

+ 2 instrumentations

Retracter

Cordes
Violoncelle, Piano 2
Quatuor à cordes: 2 violons, alto, violoncelle 1
Alto, Piano 1
Violon et Piano 1

Percussions & orchestre

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Suite no. 2, op. 17

Saxophone Baryton, Piano

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1 partition trouvée

Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano

Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano #Saxophone Baryton, Piano #INTERMÉDIAIRE #Classique #Edvard Grieg #James M #Grieg: Hall of the Mountain Ki #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...(+)

Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 â€“1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ€™s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

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