Partitions Numériques de Where Is The Love pour Tuba

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Where Is The Love
Non classifié 288

Piano & claviers
Piano, Voix et Guitare 345
Piano, Voix 135
Piano seul 112
Instruments en Do 6
Orgue 5

Piano Facile 5
Piano Trio: piano, violon, violoncelle 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Accompagnement Piano 1
1 Piano, 4 mains 1
2 Pianos, 4 mains 1

+ 6 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 11
Guitare 7
2 Guitares (duo) 5
Guitare notes et tablatures 5
Paroles et Accords 4

4 Guitares (Quatuor) 2
Ukulele 2
Piano, Guitare (duo) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 58
Chorale 3 parties 15
Chorale SSAA 14
Chorale 2 parties 11
Voix Alto, Piano 11

Chorale TTBB 6
Voix duo, Piano 4
Chorale Unison 3
Voix Tenor, Piano 2
Voix duo 2
Voix seule 1
Voix Soprano, Piano 1

+ 7 instrumentations

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Vents
Hautbois, Piano (duo) 47
Saxophone Alto et Piano 36
Flûte traversière et Piano 23
Saxophone Tenor et Piano 20
Saxophone Baryton, Piano 19

Clarinette et Piano 18
2 Flûtes traversières (duo) 15
2 Saxophones (duo) 11
Clarinette 11
Flûte et Guitare 9
2 Clarinettes (duo) 8
Flûte traversière 7
Hautbois (partie séparée) 6
Flûte, Basson et Piano 5
Saxophone, Clarinette (duo) 5
Clarinette, Guitare (duo) 5
Ensemble de Flûtes 5
Quatuor de Saxophones: 4 saxophones 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Quatuor de Flûtes : 4 flûtes 3
Clarinette, Violon (duo) 3
Flûte, Hautbois, Clarinette, Basson 3
Flûte, Clarinette (duo) 2
2 Saxophones, Piano 2
Clarinette, Basson, Piano (trio) 2
Cor anglais, Piano 2
Clarinette Basse, Piano 2
Quintette de Flûte : 5 flûtes 2
Clarinette et Alto 2
Clarinette, Trompette (duo) 2
2 Flûte à bec (duo) 2
Flûte, Alto et Piano 2
Saxophone Soprano et Piano 1
Hautbois, Clarinette (duo) 1
Hautbois, Guitare (duo) 1
Flûte, Violon 1
Quatuor de Clarinettes: 4 clarinettes 1
Trio de Flûtes: 3 flûtes 1
Clarinette, Harpe (duo) 1
Saxophone (partie séparée) 1
Flûte, Trombone (duo) 1
Flûte à bec Soprano, Piano 1
Clarinette (partie séparée) 1
Flûte à Bec 1
Clarinette, Alto et Piano (trio) 1
Flûte, Trompette (duo) 1
Hautbois, Basson (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Ensemble de Clarinettes 1
2 Clarinettes, Piano 1
Flûte, Alto (duo) 1
Cor anglais, Guitare (duo) 1
Piccolo, Piano 1
2 Flûtes traversières, Piano 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Hautbois, Flûte 1
2 Hautbois (duo) 1
Flûte, Saxophone (duo) 1

+ 53 instrumentations

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Cuivres
Trombone et Piano 32
Trompette, Piano 16
Cor et Piano 16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 15
Trompette 11

Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
Trombone 6
2 Cors (duo) 6
2 Trompettes (duo) 4
2 Trombones (duo) 3
Euphonium, Piano (duo) 2
Trompette, Saxophone (duo) 2
Cor anglais, Piano 2
Ensemble de Trompettes 2
Tuba et Piano 2
Ensemble de Cors 1
Trompette, Trombone (duo) 1
2 Euphoniums (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trombone, Violon (duo) 1
Ensemble de Tubas 1
Tuba 1

Cor anglais, Guitare (duo) 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 66
Alto, Piano 37
Violon et Piano 32
Violoncelle, Piano 32
Harpe 19

Violon, Violoncelle (duo) 17
Violon 17
2 Violons (duo) 12
Violoncelle 11
2 Altos (duo) 10
Trio à Cordes: violon, alto, violoncelle 10
Trio à Cordes: 2 violons, violoncelle 6
Piano Trio: Violon, Alto, Piano 4
Alto seul 3
Alto (partie séparée) 3
2 Violoncelles (duo) 3
Violon, Alto (duo) 3
Violon, Guitare (duo) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Trio à Cordes: 3 violoncelles 2
Violoncelle , Guitare (duo) 2
Contrebasse, Piano (duo) 1
Quatuor à cordes: 4 violons 1
Alto, Guitare (duo) 1
Violon, Basson (duo) 1
Violon (partie séparée) 1

+ 21 instrumentations

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Percussions & orchestre
Orchestre à Cordes 21
Ensemble de cuivres 12
Cloches 10
Ensemble Jazz 9
Orchestre 6

Orchestre d'harmonie 5
Jazz combo 4
Orchestre de chambre 2
Marimba 1
Xylophone 1
Fanfare 1
Batterie 1
Instrumentation Flexible 1
Ensemble de Percussions 1

+ 9 instrumentations

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Where Is The Love

intermédiaire

Tuba

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Tuba solo - "And Can It Be?" Theme and Variations

Tuba solo - "And Can It Be?" Theme and Variations #Tuba #INTERMÉDIAIRE #Musique Sacrée #Lyrics: Charles Wesley, Music: #Dan Cutchen #Tuba solo - "And Can It B #Dan Cutchen Music #SheetMusicPlus

Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...(+)

Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

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