Partitions Numériques de All Of Me Trombone pour Tuba

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All Of Me Trombone
Non classifié 592

Piano & claviers
Instruments en Do 5
Accompagnement Piano 5
Piano seul 4
Piano, Voix et Guitare 1
Orgue 1

Piano, Voix 1

+ 1 instrumentations

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Guitares
Guitare (partie séparée) 2

Voix
Chorale SATB 7
Chorale TTBB 4
Voix Soprano, Piano 2
Chorale 2 parties 1

Vents
Saxophone (partie séparée) 5
Flûte, Hautbois, Clarinette, Basson 5
Hautbois (partie séparée) 4
Flûte traversière 4
Clarinette 3

Quintette de Saxophone: 5 saxophones 2
Hautbois, Piano (duo) 2
2 Saxophones, Piano 1
Flûte traversière et Piano 1
Ensemble de Clarinettes 1
Saxophone Alto 1
Saxophone Alto et Piano 1

+ 7 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 147
Trombone 92
Trombone et Piano 67
Quatuor de Cuivres : 2 trompettes, trombone, tuba 51
Quatuor de cuivres: 4 trombones 49

Quatuor de Cuivres 27
2 Trombones (duo) 22
Quatuor de Cuivres: 2 trompettes, Cor, trombone 18
Trombone (partie séparée) 18
Trompette, Trombone (duo) 15
Trio de Cuivres 7
Trompette 4
Trompette (partie séparée) 3
Tuba 3

Cor 3
Trombone basse et Piano 3
Ensemble de Trombones 3
Bass Clef Instruments 2
Trompette, Trombone, Piano 2
Instruments en Sib 2
Trombone basse 2
Euphonium, Piano (duo) 1
Trombone, Cor (duo) 1
Trompette, Piano 1
Cor et Piano 1
3 Trombones (trio) 1
Trombone, Orgue 1
Trombone, Tuba (duo) 1

+ 23 instrumentations

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Cordes
Violon 4
Violon et Piano 4
Violoncelle (partie séparée) 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Contre Basse 2

Harpe 1
Alto (partie séparée) 1
Contrebasse (partie séparée) 1
Violoncelle, Piano 1
Alto seul 1

+ 5 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 78
Ensemble Jazz 69
Ensemble de cuivres 32
Orchestre 28
Fanfare 8

Jazz combo 7
Orchestre de chambre 6
Piano et Orchestre 1
Batterie (partie séparée) 1
Ensemble de Percussions 1

+ 5 instrumentations

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All Of Me Trombone

Tuba

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3 partitions trouvées

50 Favorite Hymns for Solo and Duet Instruments--Tuba

50 Favorite Hymns for Solo and Duet Instruments--Tuba #Tuba #Musique Sacrée #Gospel Spirituel #Chris Cooke #50 Favorite Hymns for Solo and #Chris Cooke #SheetMusicPlus

Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published...(+)

Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordanâ€™s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Fatherâ€™s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F

$7.97

Flex on the Move-Tuba Edition

Flex on the Move-Tuba Edition #Tuba #INTERMÉDIAIRE/AVANCÉ #Methodes #Eric Bolvin #Flex on the Move-Tuba Edition #Faded Duck Music #SheetMusicPlus

Tuba - Advanced Intermediate - Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music...(+)

Tuba - Advanced Intermediate - Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!
Flex on the Move
There are many great books on flexibility (or ?lip flexibility? as it is commonly called) available to today?s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.

There are different categories of flexibility exercises. There is ?Long Flexibility? like those found in Colin?s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is ?Short Flexibility? similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add ?Moving Flexibility? to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.

Why Practice Flexibility?
Chances are, you?re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would ?get me feelin? good.? So, that is my goal with these studies, to get you ?feelin? good?.

Technique
There are many beliefs among players as to what makes a brass instrument ?work?. Some believe it?s the lip, some believe it?s the tongue, some believe it?s the air, or some (like me) believe it?s a balance or coordination of all three. I don?t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you?re playing will certainly improve.

$16.95

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