Partitions Numériques de Now And Then pour Ensemble de Violons

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Now And Then
Non classifié 207

Piano & claviers
Piano seul 89
Piano, Voix 35
Piano, Voix et Guitare 21
Orgue 19
Instruments en Do 7

Piano Facile 5
Piano Trio: piano, violon, violoncelle 4
Orgue, Piano (duo) 2
2 Pianos, 4 mains 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Clavecin 1
1 Piano, 4 mains 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 32
Guitare 13
Ligne De Mélodie, (Paroles) et Accords 7
Paroles et Accords 3
Ukulele 3

Basse electrique 2
Banjo 2
4 Guitares (Quatuor) 2
Dulcimer 1
Mandoline 1
Piano, Guitare (duo) 1

+ 6 instrumentations

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Voix
Chorale SATB 58
Chorale 3 parties 13
Chorale SSAA 7
Chorale TTBB 6
Voix Soprano, Piano 2

Chorale 2 parties 2
Voix basse, Piano 1
Voix Soprano, Orchestre 1
Voix Alto, Piano 1
Voix basse 1
Chorale 1

+ 6 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29
Clarinette et Piano 29
Flûte traversière et Piano 28
Saxophone Soprano et Piano 21
Saxophone Alto et Piano 21

Hautbois, Piano (duo) 20
2 Flûtes traversières (duo) 19
Quintette de Saxophone: 5 saxophones 19
2 Saxophones (duo) 17
Saxophone Tenor et Piano 16
Saxophone Baryton, Piano 15
Quatuor de Saxophones: 4 saxophones 14
Clarinette 14
Flûte, Hautbois, Clarinette, Basson 9
2 Clarinettes (duo) 8
Saxophone, Clarinette (duo) 8
Clarinette, Violon (duo) 8
Clarinette Basse, Piano 7
Ensemble de Flûtes 7
Flûte traversière 6
Clarinette, Trompette (duo) 6
Quintette de Flûte : 5 flûtes 6
Cor anglais, Piano 6
Quintette de Clarinettes: 5 clarinettes 6
Saxophone Alto 6
Quatuor de Clarinettes: 4 clarinettes 6
Ensemble de Clarinettes 6
5 Flûtes à bec 5
Saxophone Soprano 5
Saxophone Tenor 5
Clarinette, Guitare (duo) 4
Hautbois 4
Hautbois, Clarinette (duo) 4
Quatuor de Flûtes à bec 4
Flûte, Clarinette (duo) 4
Hautbois, Basson (duo) 4
Flûte, Trompette (duo) 3
Saxophone Baryton 3
Flûte et Guitare 3
Flûte à bec Alto 3
2 Hautbois (duo) 3
Flûte, Saxophone (duo) 3
Clarinette et Alto 3
Ensemble de saxophones 2
3 Clarinettes (trio) 2
Hautbois, Flûte 2
Flûte, Clarinette, Piano (trio) 1
Instruments en Mib 1
Clarinette, Harpe (duo) 1
Flûte, Violon 1
2 Clarinettes, Basson 1
Flûte à Bec 1
Trio de Flûtes: 3 flûtes 1
Hautbois, Guitare (duo) 1
Cor anglais, Guitare (duo) 1
Flûte à bec, Guitare (duo) 1
Saxophone et Guitare 1
Flûte, Clarinette et Basson 1
Flûte, Alto (duo) 1
Flûte de Pan 1

+ 55 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 32
Trombone et Piano 20
Cor et Piano 20
Trompette, Piano 15
Quatuor de Cuivres : 2 trompettes, trombone, tuba 13

Euphonium, Piano (duo) 12
Trompette 12
Trombone 8
Quatuor de Cuivres 7
Tuba et Piano 6
Cor anglais, Piano 6
Cor 6
Trompette, Saxophone (duo) 6
Ensemble de Trompettes 5
2 Trompettes (duo) 5
Tuba 5
2 Trombones (duo) 4
Trompette, Trombone (duo) 4
Ensemble de Cors 4
Trompette (partie séparée) 3
Ensemble de Trombones 2
4 Tubas 1
2 Cors, Piano 1
Instruments en Sib 1
3 Tubas (trio) 1
Quatuor de cuivres: 4 trombones 1
Trombone, Orgue 1
Cor anglais, Guitare (duo) 1
Bass Clef Instruments 1
Trompette, Tuba (duo) 1

+ 25 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 52
Violon et Piano 32
Violoncelle, Piano 28
Alto, Piano 21
Trio à Cordes: violon, alto, violoncelle 18

Violon 17
Violon, Violoncelle (duo) 15
Violoncelle 10
Trio à Cordes: 2 violons, violoncelle 6
Alto seul 5
Contre Basse 5
Violon, Alto (duo) 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Violoncelle , Guitare (duo) 4
2 Violoncelles (duo) 3
Contrebasse, Piano (duo) 3
2 Altos (duo) 3
2 Violons (duo) 2
Alto (partie séparée) 2
Ensemble de Violons 2

Violon, Basson (duo) 1
Trio à cordes: 3 violins 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Alto, Violoncelle (duo) 1
Alto, Guitare (duo) 1
Harpe, Violon, Violoncelle 1
Violon, Guitare (duo) 1

+ 22 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 30
Orchestre à Cordes 20
Orchestre 20
Ensemble Jazz 10
Cloches 6

Batterie 4
Ensemble de cuivres 4
Fanfare 3
Orchestre de chambre 2
Jazz combo 2
Ensemble de Percussions 2

+ 6 instrumentations

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Now And Then

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Ensemble de Violons

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2 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.

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