Partitions Numériques de Music I Heard pour Ensemble de Violons

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Music I Heard
Non classifié 376

Piano & claviers
Piano seul 299
Piano, Voix 136
Piano, Voix et Guitare 88
Piano Facile 55
Instruments en Do 24

Orgue 14
Piano grosses notes 7
Piano Trio: piano, violon, violoncelle 5
1 Piano, 4 mains 4
Piano (partie séparée) 3
2 Pianos, 4 mains 3
Accordéon 3
Accordéon, Voix 2
Instrument seul et Orgue 2
Accompagnement Piano 2
Clavecin 1
Clavier 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Ensemble de Pianos 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 15 instrumentations

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Guitares
Guitare notes et tablatures 50
Guitare 44
Ligne De Mélodie, (Paroles) et Accords 24
Ukulele 21
Paroles et Accords 12

Basse electrique 8
Mandoline, Guitare (duo) 4
Guitare (partie séparée) 3
Dulcimer 3
Mandoline 2
Piano, Guitare (duo) 2
Banjo 2
Guitare, Orchestre 1
Ensemble de guitares 1
2 Dulcimers (duo) 1
2 Guitares (duo) 1

+ 11 instrumentations

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Voix
Chorale SATB 119
Chorale 3 parties 43
Chorale 2 parties 26
Voix duo, Piano 21
Chorale SSAA 16

Chorale TTBB 14
Chorale 12
Chorale Unison 12
Voix Soprano, Piano 5
Voix seule 5
Voix duo 4
Voix Baryton, Piano 4
Voix Tenor, Piano 2
Voix haute 2
Voix Soprano 1
Voix, Guitare 1
Chorale SSATBB 1
Voix Alto, Piano 1
Soli, choeur mixte et accompagnement 1

+ 14 instrumentations

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Vents
Saxophone Alto 38
Saxophone Tenor 33
Flûte, Hautbois, Clarinette, Basson 32
Quatuor de Saxophones: 4 saxophones 30
Flûte traversière et Piano 23

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 21
Hautbois, Piano (duo) 19
Saxophone Tenor et Piano 17
Clarinette 17
Quatuor de Clarinettes: 4 clarinettes 15
Flûte traversière 15
Saxophone Alto et Piano 14
Clarinette et Piano 13
Quintette de Saxophone: 5 saxophones 11
2 Saxophones (duo) 11
Saxophone (partie séparée) 10
2 Flûtes traversières (duo) 9
Saxophone Soprano et Piano 8
Ensemble de Clarinettes 7
Quatuor de Flûtes : 4 flûtes 6
2 Clarinettes (duo) 6
Ensemble de Flûtes 5
Flûte et Guitare 4
Saxophone Baryton, Piano 4
2 Flûtes traversières, Piano 4
Ensemble de saxophones 4
Flûte, Violon, Piano 4
Quatuor de Flûtes à bec 4
Cor anglais, Piano 3
Clarinette Basse, Piano 3
3 Saxophones (trio) 3
3 Clarinettes (trio) 3
Quintette de Flûte : 5 flûtes 3
Flûte, Clarinette (duo) 3
Trio de Flûtes: 3 flûtes 2
2 Hautbois (duo) 2
Quintette de Clarinettes: 5 clarinettes 2
Clarinette (partie séparée) 2
Clarinette, Violoncelle (duo) 2
Ensemble à vent 2
Hautbois 2
Instruments en Mib 1
Ensemble De Flûte à bec 1
2 Clarinettes, Piano 1
Saxophone Soprano 1
Flûte, Clarinette, Cor, Basson (Quartet) 1
Piccolo, Piano 1
Clarinette, Basson (duo) 1
Flûte à Bec, Piano 1
Flûte, Violoncelle 1
Saxophone et Orgue 1
Clarinette, Guitare (duo) 1
Cor Anglais 1
2 Flûte à bec (duo) 1
Clarinette et Alto 1

+ 50 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 26
Trompette 25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 20
Quatuor de Cuivres 14
Trombone et Piano 11

2 Trombones (duo) 9
Trompette, Piano 9
Trombone 9
Cor et Piano 8
2 Trompettes (duo) 7
Tuba et Piano 7
Cor 6
Euphonium, Piano (duo) 5
Ensemble de Trombones 5
2 Cors (duo) 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Bass Clef Instruments 3
Cor anglais, Piano 3
Trombone (partie séparée) 3
2 Euphoniums et 2 Tubas 2
2 Tubas (duo) 2
Ensemble de Trompettes 2
Euphonium, Tuba (duo) 2
Trompette (partie séparée) 2
Cor (partie séparée) 2
2 Trompettes, Clavier (piano ou orgue) 2
Instruments en Sib 1
2 Euphoniums (duo) 1
3 Trombones (trio) 1
Tuba 1
4 Tubas 1
Trompette, Trombone, Piano 1
Trompette, Trombone (duo) 1
Trio de Cuivres 1
Quatuor de cuivres: 4 cors 1
Cor Anglais 1
Trombone, Tuba (duo) 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 83
Violon et Piano 35
Harpe 27
2 Violons (duo) 20
Alto, Piano 19

Violoncelle, Piano 17
Violon 16
Violon, Violoncelle (duo) 15
Violoncelle 14
2 Altos (duo) 11
Alto seul 10
2 Violoncelles (duo) 9
Violon, Alto (duo) 7
Violoncelle, Contrebasse (duo) 6
2 Harpes (duo) 6
Contrebasse (partie séparée) 4
Trio à Cordes: violon, alto, violoncelle 4
2 Contrebasses (duo) 3
Ensemble de Violons 3

Trio à Cordes: 2 violons, violoncelle 3
Alto, Violoncelle (duo) 3
Violon, Guitare (duo) 3
Alto (partie séparée) 3
Contrebasse, Piano (duo) 2
Trio à cordes 2
Harpe, Violoncelle (duo) 2
Contre Basse 2
Violoncelle (partie séparée) 2
Harpe, Voix 2
Piano Trio: Violon, Alto, Piano 2
Violon (partie séparée) 2
2 Violons, Piano 1
Ensemble d'Altos 1
2 Violoncelles, Piano 1
Violoncelle , Guitare (duo) 1

+ 30 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 121
Orchestre 37
Orchestre à Cordes 28
Ensemble de cuivres 22
Ensemble Jazz 22

Cloches 16
Batterie 5
Ensemble de Percussions 4
Jazz combo 4
Orchestre de chambre 4
Marimba 2
Percussion (partie séparée) 2
Piano et Orchestre 1
Fanfare 1
Batterie (partie séparée) 1
Instrumentation Flexible 1
Xylophone 1

+ 12 instrumentations

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Music I Heard

Ensemble de Violons

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3 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.

$15.00 ≈ 13.85€

Silent Night (Bb) (Violin Quintet)

Silent Night (Bb) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Noël #the 1840's, the song was well #Franz Xaver Gruber #Regis Bookshar #Silent Night #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635881. Published by Regis Bookshar (A0.813977). Violin Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Violin Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

$5.00 ≈ 4.62€

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