Partitions Numériques de Alex Cap Music pour Cor anglais, Piano

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Alex Cap Music
Non classifié 53

Piano & claviers
Piano seul 71
Piano Facile 29
Piano, Voix 11
Piano, Voix et Guitare 10
Instruments en Do 2

Guitares
Guitare 4
Guitare notes et tablatures 2
Ukulele 1

Voix
Chorale SATB 104
Chorale TTBB 40
Chorale 3 parties 37
Chorale SSAA 28
Voix Tenor, Piano 26

Voix Soprano, Piano 26
Voix Baryton, Piano 26
Voix Alto, Piano 26
Chorale 15
Chorale 2 parties 2
Chorale SSAATTBB 1
Chorale SATBB 1
Chorale Unison 1

+ 8 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 23
Quatuor de Saxophones: 4 saxophones 13
Flûte, Hautbois, Clarinette, Basson 10
Flûte traversière et Piano 10
Clarinette et Piano 10

Hautbois, Piano (duo) 9
Quintette de Saxophone: 5 saxophones 8
Clarinette 6
Saxophone Soprano et Piano 6
Ensemble de Clarinettes 6
Hautbois 4
Flûte traversière 4
Saxophone Alto et Piano 4
Saxophone Tenor et Piano 3
Hautbois (partie séparée) 2
Cor anglais, Piano 2

Saxophone Baryton, Piano 2
Quintette de Clarinettes: 5 clarinettes 2
Clarinette Basse, Piano 2
Flûte et Trio à cordes 1
2 Flûte à bec (duo) 1
Clarinette, Trompette (duo) 1
Flûte et Quatuor à Cordes 1
Quatuor de Clarinettes: 4 clarinettes 1
Quatuor de Flûtes à bec 1
Clarinette, Guitare (duo) 1
Flûte, Violon 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 18
Trompette, Piano 11
Trombone et Piano 8
Quatuor de Cuivres 7
Trombone 7

Cor et Piano 7
Trompette 7
Cor 5
Trio de Cuivres 4
Tuba et Piano 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Tuba 3
Euphonium, Piano (duo) 3
Cor anglais, Piano 2

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 22
Violon et Piano 14
Alto, Piano 13
Quintette à cordes: 2 violons, alto, violoncelle, basse 11
Violoncelle, Piano 10

Violon 7
Violoncelle 6
Alto seul 5
Harpe 3
Contrebasse, Piano (duo) 2
Contre Basse 2
4 Violoncelles 2
2 Violoncelles (duo) 1
Alto (partie séparée) 1
Violon, Violoncelle (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
Violoncelle , Guitare (duo) 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 69
Orchestre à Cordes 6
Orchestre 4
Cloches 4
Ensemble Jazz 3

Ensemble de cuivres 1
Orchestre de chambre 1
Fanfare 1

+ 3 instrumentations

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Alex Cap Music

Cor anglais, Piano

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2 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...(+)

English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ $27.09

Handel: Largo from Xerxes for English Horn & Piano

Handel: Largo from Xerxes for English Horn & Piano #Cor anglais, Piano #INTERMÉDIAIRE #Classique #George Frideric Handel #James M #Handel: Largo from Xerxes for #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....(+)

English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handelâ€™s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George FridericÂ Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the MessiahÂ in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. Â To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Â Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â

$32.95 ≈ $44.75

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