Partitions Numériques de See You Again Bb Instrument pour Flûte, Hautbois, Clarinette, Basson

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See You Again Bb Instrument
Non classifié 9

Piano & claviers
Piano seul 9

Guitares

Voix

Vents
Flûte, Hautbois, Clarinette, Basson 2

Quatuor de Clarinettes: 4 clarinettes 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Quatuor de Flûtes : 4 flûtes 1
Quatuor de Saxophones: 4 saxophones 1

Hautbois (partie séparée) 1
Clarinette 1
Saxophone (partie séparée) 1
Saxophone Tenor 1
Saxophone Alto 1
Cor Anglais 1
2 Saxophones (duo) 1

+ 7 instrumentations

Retracter

Cuivres
Instruments en Sib 2
Tuba 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette 1
Cor 1

Cor Anglais 1

+ 1 instrumentations

Retracter

Cordes
Violoncelle 2
Quatuor à cordes: 2 violons, alto, violoncelle 1
Alto seul 1
Violon 1

Percussions & orchestre
Orchestre d'harmonie 3
Orchestre à Cordes 1
Ensemble de Percussions 1

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See You Again Bb Instrument

Flûte, Hautbois, Clarinette, Basson

Partitions à imprimer

2 partitions trouvées

Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet

Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet #Flûte, Hautbois, Clarinette, Basson #INTERMÉDIAIRE #Methodes #Joshua Hauser # #Donut Etudes vol. 3: Don&rsquo #Slide Ride #SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...(+)

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$15.00 ≈ ¥106.90

Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità

Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità #Flûte, Hautbois, Clarinette, Basson #INTERMÉDIAIRE/AVANCÉ #Classique #Claudio Monteverdi #Mike Lyons #Monteverdi - The Seventh Book #Lyons Music Services #SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissan...(+)

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.

$8.99 ≈ ¥64.07

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