Partitions Numériques de Give It All pour Piano, Voix

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Give It All

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It Is Well With My Soul (When Peace, Like a River)

It Is Well With My Soul (When Peace, Like a River) #Piano, Voix #INTERMÉDIAIRE #Musique Sacrée #Phillip P #Leonora Hardy #It Is Well With My Soul #Leonora Hardy #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.776752 Composed by Phillip P. Bliss. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leonor...(+)

$3.99 ≈ £3.07

I Heard It Through The Grapevine

I Heard It Through The Grapevine #Piano, Voix #INTERMÉDIAIRE #Marvin Gaye #I Heard It Through The Grapevi #Arabella's Voice Studio #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1186657 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by Arabella Berman and Sam LaGrego. Funk,...(+)

$6.99 ≈ £5.39

All Of Me

All Of Me #Piano, Voix #INTERMÉDIAIRE #John Legend #Bryan Kujawa #All Of Me #Bryan Kujawa #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.816757 By John Legend. By John Stephens and Toby Gad. Arranged by Bryan Kujawa. Hip-Hop,R & B. Score. 2 pages. Bry...(+)

$6.99 ≈ £5.39

Take My Life, and Let It Be (Med/Low)

Take My Life, and Let It Be (Med/Low) #Piano, Voix #INTERMÉDIAIRE #Christian contemporain #Musique Sacrée #Paul Jones #Take My Life, and Let It Be #Paul S. Jones #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.871088 Composed by Paul Jones. Contemporary,Sacred. Score. 3 pages. Paul S. Jones #3559965. Published by Paul S. J...(+)

$4.50 ≈ £3.47

Take My Life, and Let It Be (High)

Take My Life, and Let It Be (High) #Piano, Voix #INTERMÉDIAIRE #Christian contemporain #Musique Sacrée #Paul Jones #Take My Life, and Let It Be #Paul S. Jones #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.871087 Composed by Paul Jones. Contemporary,Sacred. Score. 3 pages. Paul S. Jones #3559963. Published by Paul S. J...(+)

$4.50 ≈ £3.47

My Garden, An Allegory about Forgiveness

My Garden, An Allegory about Forgiveness #Piano, Voix #INTERMÉDIAIRE #Musique Sacrée #D #My Garden, An Allegory about F #D.Stewart Bell #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1033400 Composed by D. Stewart Bell, Kelly Anderson. Christian,Praise & Worship,Sacred. Score. 5 pages. D.Stewart ...(+)

$4.99 ≈ £3.85

Lord, I Lift Your Name On High

Lord, I Lift Your Name On High #Piano, Voix #INTERMÉDIAIRE #Contemporain #Rick Founds

Arran #Rick Founds #Susan Staples Bell #Lord, I Lift Your Name On High #Susan Staples Mast Bell #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast B...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast Bell #6351495. Published by Susan Staples Mast Bell (A0.749551). Lord, I Lift Your Name on HighPiano Solo for IntermediateBy Rick FoundsArrangement by Susan Staples Bell, ASCAPLord, I Lift Your Name on High is an iconic song in the Praise Music genre. This arrangement is specifically written to be accessible and instructive for the Intermediate Piano Student or the traditional Church Pianist who is asked to transition to a more Contemporary style of playing. Careful thought was given to hand position changes, interval reaches, and easier syncopated rhythms.Included in this Series: -You Gotta Know the Score! an introduction to the elements of Praise Music and concepts included in this arrangement. -a Lead Sheet. The original melody and chord symbols. -Itâ€™s All About the Chords. What are the chords used in this arrangement and how can you use them to create your own version? Also, ideas for improvisation in the Right Hand for fills and vamps. -Put it All Together. Here is the arrangement, specially crafted for you! Time length. (03:00). Piano Solo for Worship or Recital. Intermediate level. Like what you hear? Check out other compositions by Susan Staples Bell available on Sheet Music Plus.Also, selected pieces are now available on JW Pepper for a print option and SuperScore for Ipad. Susan Bell Youtube:https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycg

$6.99 ≈ £5.39

Do you ever wonder?
Do you ever wonder? #Piano, Voix #INTERMÉDIAIRE #Enfant #Manuel Zazueta #Do you ever wonder? #Manuel Zazueta #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1288242 Composed by Manuel Zazueta. Children. Score. 3 pages. Manuel Zazueta #879280. Published by Manuel Zazueta ...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.1288242 Composed by Manuel Zazueta. Children. Score. 3 pages. Manuel Zazueta #879280. Published by Manuel Zazueta (A0.1288242). A song about children's curiosity. Have ever asked yourself why trees are green? Why do we hear sound? What could possibly answer these questions? Leave it all to SCIENCE! That's how we'll know! Â Excellent song to be used in the PYP's Unit of Inquiry: How the world works. Or even if you just have a Science Unit you want to give it a little more colour (I know, Science is colourful enough, but singing about it can be quite fun!) Â Sing this song with your children, and students and leave your comments here! Did you find your answers? Or or you have more questions than before???

$3.99 ≈ £3.07

This is the Day
This is the Day #Piano, Voix #INTERMÉDIAIRE #Fijian Traditional Melody #Marcia L McKenna #This is the Day #Marcia L. McKenna #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.948028 Composed by Fijian Traditional Melody. Arranged by Marcia L McKenna. Concert,Holiday,Praise & Worship,World...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.948028 Composed by Fijian Traditional Melody. Arranged by Marcia L McKenna. Concert,Holiday,Praise & Worship,World. Score. 2 pages. Marcia L. McKenna #4840279. Published by Marcia L. McKenna (A0.948028). This is a popular hymn based on a Fijian traditional melody. The eighth notes in the left hand give it a happy, lively feeling, and the chords in the right hand accentuate the bouncy beat. For piano students it is a great finger exercise for the left hand, and a challenge to play the chords in the right hand at a moderately fast tempo.

$3.99 ≈ £3.07

Be Merciful to Me ~ Psalm 57 (for Vocal Solo with Piano accompaniment)
Be Merciful to Me ~ Psalm 57 (for Vocal Solo with Piano accompaniment) #Piano, Voix #INTERMÉDIAIRE #Musique Sacrée #Sharon Wilson #Sharon Wilson #Be Merciful to Me ~ Psalm 57 #Sharon Wilson #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred....(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.565304 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred. Score. 8 pages. Sharon Wilson #3872535. Published by Sharon Wilson (A0.565304). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal solo with piano accompaniment (3 staff piano-vocal score). This solo arrangement is in the key of G major and has a vocal range of one octave, from the first B below middle C to the first B above middle C (B3 to B4). The purchase price includes a 5-page combined score plus a 2-page solo score. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.Iâ€™ll sing and give you praises.Iâ€™ll wake up at dawn and give you thanks.Iâ€™ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.

$4.99 ≈ £3.85

Love Theme From "the Falcon And The Snowman"
Love Theme From "the Falcon And The Snowman" #Piano, Voix #INTERMÉDIAIRE #Jazz #Pat Metheny #Jeff Tincher #Love Theme From "the Falc #Jeff Tincher #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.583137 By Pat Metheny. By Pat Metheny. Arranged by Jeff Tincher. Jazz. Score. 17 pages. Jeff Tincher #3572395. Pub...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.583137 By Pat Metheny. By Pat Metheny. Arranged by Jeff Tincher. Jazz. Score. 17 pages. Jeff Tincher #3572395. Published by Jeff Tincher (A0.583137). This is a piano/vocal/guitar arrangement of one of Pat Metheny's more popular movie songs. In the original key from the movie soundtrack, this song showcases Pat's use of complex chords, varied rhythms, and key changes that are well disguised within the struchture. Another unique feature of Pat's music is how he embraces skat-style lyrics and incorporates those into his vocals. At first glance, this song looks a lot more complex than what it really is. Remember that the tempo is slow and gives you enough time to play it well. I am a big Pat Metheny fan and this song is a great example of Pat's gentle side. Duration=6:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

$5.99 ≈ £4.62

Jason Robert Brown: I'd Give It All For You for voice & piano #Piano, Voix #INTERMÉDIAIRE #Comédie Musicale #Jason Robert Brown #Virtualsheetmusic

Instantly printable sheet music by Jason Robert Brown for voice & piano of MEDIUM skill level. / musical/show,broadway

Instantly printable sheet music by Jason Robert Brown for voice & piano of MEDIUM skill level. / musical/show,broadway

$7.97 ≈ £6.14

Five Songs for Soprano - Song-Cycle, Op. 14
Five Songs for Soprano - Song-Cycle, Op. 14 #Piano, Voix #INTERMÉDIAIRE #William Kersten #Five Songs for Soprano - Song- #William Kersten #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.Â Â The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A BirthdayÂ Christina Rossetti (1830-1894)Â My heart is like a singing birdÂ Whose nest is in a watered shoot;Â My heart is like an apple-treeÂ Whose boughs are bent with thick-set fruit;Â My heart is like a rainbow shellÂ That paddles in a halcyon sea;Â My heart is gladder than all theseÂ Because my love is come to me.Â Raise me a dais of silk and down;Â Hang it with vair and purple dyes;Â Carve it in doves and pomegranates,Â And peacocks with a hundred eyes;Â Work it in gold and silver grapes,Â In leaves and silver fleurs-de-lys;Â Because the birthday of my lifeÂ Is come, my love is come to me.Â 2. EchoÂ Christina RossettiCome to me in the silence of the night;Â Come in the speaking silence of a dream;Â Come with soft rounded cheeks and eyes as brightÂ As sunlight on a stream;Â Come back in tears,Â Oh memory, hope, love of finished years.Â Oh dream how sweet, too sweet, too bitter sweet,Â Whose wakening should have been in Paradise,Â Where souls brimfull of love abide and meet;Â Where thirsting longing eyesÂ Watch the slow doorÂ That opening, letting in, lets out no more.Â Yet come to me in dreams, that I may liveÂ My very life again though cold in death -Â Come back to me in dreams, that I may giveÂ Pulse for pulse, breath for breath:Â Speak low, lean low,Â As long ago, my love, how long ago.Â 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowretÂ And honey for the bee,Â And bowers for the wild bird,Â And love for you and me.Â There are tears for the manyÂ And pleasures for the few;Â But let the world pass on, dear,Â There's love for me and you.Â 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849)Â We do lie beneath the grassÂ In the moonlight, in the shadeÂ Of the yew-tree.Â They that pass Hear us not.Â We are afraidÂ They would envy our delight, in our graves by glow-worm night.Â Come follow us, and smile as we;Â We sail to the rock in the ancient waves,Â Where the snow falls by thousands into the sea,Â And the drowned and the shipwrecked have happy graves. Â 5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaringÂ And carried aloft on the wings of the breeze,Â For above and around me the wild wind is roaringÂ Arousing to rapture the earth and the seas.Â The long withered grass in the sunshine is glancing,Â The bare trees are tossing their branches on high,Â The dead leaves beneath them are merrily dancingÂ The white clouds are scudding across the blue sky.Â I wish I could see how the ocean is lashingÂ The foam of its billows to whirlwinds of spray,Â I wish I could see how its proud waves are dashing,Â And hear the wild roar of their thunder today.

$6.99 ≈ £5.39

IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement
IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement #Piano, Voix #INTERMÉDIAIRE #Chinese Lyrics by HU XING - TI #ROBERT VAN HORNE #IWOMAH? #White Piano International Publishing #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING èƒ¡ç»å»· and Music by ROBERT VAN HORNE. Arranged by...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING èƒ¡ç»å»· and Music by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Instructional,Multicultural,New Age,Romantic Period,Singer/Songwriter,World. Score. 6 pages. White Piano International Publishing #997105. Published by White Piano International Publishing (A0.1415786). IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal by ROBERT VAN HORNE & HU XING - TING èƒ¡ç»å»·6 pagesIWOMAH? (DO YOU STILL LOVE ME?) was initially composed and published as a piano solo back in 1993. Currently featured on Robert's album â€œCHINA LOVE,â€ this piece is available as an early and advanced intermediate piano solo for purchase on SHEET MUSIC PLUS and SHEET MUSIC DIRECT.The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me? I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.In the early 2000s, Mr. Hu Xing-Ting èƒ¡ç»å»·,Â a well-known lyricist from Beijing, China, penned lyrics for IWOMAH? (DO YOU STILL LOVE ME?) as well as other tracks from â€œCHINA LOVE.â€ His visit to California in 2004, part of a cultural exchange program, provided an opportunity for me to meet him, a honor indeed.Despite my lack of proficiency in Chinese, his lyrics are universally regarded as warm and profound.Â The Piano/Vocal Sheet Music of IWOMAH? (DO YOU STILL LOVE ME?) includes a clearly notated piano accompaniment alongside vocal parts and chord symbols, offering comprehensive guidance for singers (proficient in Chinese characters) and pianists aiming for an expressive rendition.IWOMAH? (DO YOU STILL LOVE ME?) is a beautifully melodic piece suitable for vocalists who give concerts and recitals, appealing even to those unfamiliar with Mandarin. Currently, there are no English lyrics to this piece. Originally in the key of E Flat, it boasts universal charm.For those interested, a performance of Robert playing IWOMAH? (DO YOU STILL LOVE ME?) as a piano solo without vocals can be enjoyed on YouTube at: http://www.youtube.com/watch?v=zgjmV4yl9zEPublished by White Piano International PublishingRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

$4.99 ≈ £3.85

Country Store: Sound of F
Country Store: Sound of F #Piano, Voix #INTERMÉDIAIRE #Brendon G #Country Store: Sound of F #Brendon Holden #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1021982 Composed by Brendon G.M.C. Holden. Country,Film/TV,Jazz,Pop,Rock. Score. 6 pages. Brendon Holden #6418715....(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.1021982 Composed by Brendon G.M.C. Holden. Country,Film/TV,Jazz,Pop,Rock. Score. 6 pages. Brendon Holden #6418715. Published by Brendon Holden (A0.1021982). Print your own Sheet Music to: Country Store: Sound of F. Country store: sound of F is written for Vocals and piano. Written in F makes this work a one of a kind good. Rock progression was used in the song. A splendidly good song! I suppose the song says, although it does not necessarily, but could be a song that says: I am not poor because I got you! But in the song the Man doing the adoring-is most likely the reason why there is such goodness. Help us with your best lion roar, would mean to be adored, to be made more than judgmental. Vocals are: I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. To my left I C a Store, I C I need some more. I C a Cat, can I tell you some more my friend, I walk into the store. Cat follows close behind walking on the floor. Candies and Cakes, I should get some more, get some for the Cat I adore. I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. As I am Walking out the door, I C the Cat shake his head youâ€™re so poor. You C me Cat, I am the more, that you C I am not so poor. Youâ€™re talking like you want a war, let me ask you do you own the store? You C the shore, you C the store, you C me with all the more. If you see it is you I adore, shout and give me your best lion roar. I C the birds, I C the trees, O how sweet they are to me. Tasty treats I adore, Tasty treats fill my core, Cakes and Candy galore/ all the more, Give me Give me, I want more. I C the birds, I C the trees, O how sweet they are to me. Tasty treats on the shore Tasty treats in the store Me and my Cat want some more, Help us with your best lion roar. Art and Music by Brendon G.M.C. Holden

$5.99 ≈ £4.62

Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 45, No. 12: Cherchez, mes #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 45, No. 1: Ô songe h #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 45, No. 5: Si vous m&rsquo #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 21, No. 3: Le Matin au bor #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 45, No. 4: Prière a #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 45, No. 3: Vous ne voulez #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 1, No. 2: Barque lé #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable) #Piano, Voix #INTERMÉDIAIRE #MeeAe Cecilia Nam and Theodore #Op. 1, No. 7: Dans un songe en #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...(+)

Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

$3.00 ≈ £2.31

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