Partitions Numériques de I Will Be Found pour Piano, Voix

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I Will Be Found
Non classifié 23

Piano & claviers
Piano seul 9
Piano, Voix 2

Guitares
Guitare notes et tablatures 3
Guitare 1

Voix
Chorale SATB 5
Chorale 3 parties 1
Chorale TTBB 1

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Quatuor de Flûtes : 4 flûtes 1
Clarinette et Piano 1
Trio de Flûtes: 3 flûtes 1
Saxophone et Guitare 1

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Quatuor de Cuivres 3
Trio de Cuivres 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
2 Trombones (duo) 1
Trombone et Piano 1

Trompette, Trombone (duo) 1

+ 1 instrumentations

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Violon et Piano 6
Quatuor à cordes: 2 violons, alto, violoncelle 4
Harpe, Voix 2
2 Violoncelles (duo) 1

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Orchestre d'harmonie 5
Ensemble de cuivres 3
Orchestre 2
Ensemble Jazz 2
Orchestre de chambre 2

Orchestre à Cordes 1
Ensemble de Percussions 1

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I Will Be Found

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Piano, Voix

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2 partitions trouvées

He Will Lead Me Home

He Will Lead Me Home #Piano, Voix #INTERMÉDIAIRE/AVANCÉ #Musique Sacrée #Kevin Longley #Kevin Longley #He Will Lead Me Home #Kevin Longley #SheetMusicPlus

Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...(+)

Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for â€œGood Shepherd Sundayâ€. Diane our Choir director commented â€œthere are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied â€œLet's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep.Â The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This â€œback and forthâ€ continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the â€œsheepâ€ (animals) through nature. As the verse comes to an end we are lead to the realization that â€œthe shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Homeâ€ is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, â€œmelodic, harmonic and naturalâ€. The refrain concludes proclaiming â€œThe Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating â€œthe Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â

$1.99 ≈ £1.55

Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)

Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano) #Piano, Voix #INTERMÉDIAIRE/AVANCÉ #Pasquale Cafaro #Nicole Elyse DiPaolo #Belle luci, che accendete from #Nicole Elyse DiPaolo #SheetMusicPlus

Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...(+)

Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaroâ€™s once enormously popular aria, â€œBelle luci, che accendete,â€ from La disfatta di Dario (1756). As noted in Giorgio Sanguinettiâ€™s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for todayâ€™s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until theyâ€™ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacherâ€™s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual contentâ€”itâ€™s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they wonâ€™t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozziâ€™s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who havenâ€™t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5 Â Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.SÃ¬, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,NÃ¨ piÃ¹ brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 ≈ £6.99

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