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Vous avez sélectionné:
Now, I Know I Can
expert
Piano, Voix
Partitions à imprimer
8 partitions trouvées
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1
Optimism Within
Optimism Within
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Piano, Voix
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AVANCÉ
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Jason V
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Optimism Within
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Barabba Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba Music #965779. Published by Barabba Music (A0.1381060). A song for soprano and pianoText by Helen Keller from her Essay Optimism WithinWritten for Ann MossText:Once I knew the depth where no hope was, and darkness lay on the face of all things. Then love came and set my soul free.  Once I knew only darkness and stillness. Now I know hope and joy. Once I fretted and beat myself against the wall that shut me in. Now I rejoice in the consciousness that I can think, act and attain heaven.My life was without past or future; death, the pessimist would say, a consummation devoutly to be wished. But a little word from the fingers of another fell into my hand that clutched at emptiness, and my heart leaped to the rapture of living. Night fled before the day of thought, and love and joy and hope came up in a passion of obedience to knowledge. Can anyone who escaped such captivity, who has felt the thrill and glory of freedom, be a pessimist?Darkness cannot shut me in again.
$10.00 ≈
¥70.84
You Will Know
You Will Know
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Piano, Voix
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AVANCÉ
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Pop musique
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Soul/R&B
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Stevie Wonder
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Steve Burks
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You Will Know
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Steven L. Burks
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.902510 By Stevie Wonder. By Stevie Wonder. Arranged by Steve Burks. Pop,Soul. Score. 7 pages. Steven L. Burks #624...
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Piano,Vocal,Voice - Level 5 - SKU: A0.902510 By Stevie Wonder. By Stevie Wonder. Arranged by Steve Burks. Pop,Soul. Score. 7 pages. Steven L. Burks #6249377. Published by Steven L. Burks (A0.902510). This inspirational R&B piece is appropriate for tenors who are comfortable with periodic chest voice above F4, or who are able to mix registers effectively when producing the pitches F#4 and G#4. Its melodic range is from E3 to G#4. You Will Know is a good programming choice when themes of inspiration, encouragement, and spirituality are fitting. Its duration is approximately 3:20, a slight abbreviation of the original recording as ad libs have been omitted.The lyrical content is appropriate for non-adult singers; though post-pubescent singers are more likely to have success performing it due to periodic work above the break. Pedagogically, this piece affords singers an opportunity to work on breath support (due to its periodic long tones), vibrato, and grace notes (which by African American performance practice, occur frequently enough that notating them would have been impractical). In general, ornamentation is a central feature of African American singing, and the best way to absorb this style is to listen to great examples. I am a member of ASCAP. You may email me at steveburks@outlook.com. Thanks for listening.
$4.99 ≈
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Quatre Poemes De Guillaume Apollinaire
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95 ≈
¥63.40
On Mount Nebo (Tribute to Dr. M.L.King) for soprano, high baritone or tenor and piano
On Mount Nebo (Tribute to Dr. M.L.King) for soprano, high baritone or tenor and piano
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Piano, Voix
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AVANCÉ
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Maria Thompson Corley/William
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Maria Thompson Corley
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On Mount Nebo
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.845954 Composed by Maria Thompson Corley/William Steffe. Arranged by Maria Thompson Corley. Concert,Contemporary,H...
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Piano,Vocal,Voice - Level 5 - SKU: A0.845954 Composed by Maria Thompson Corley/William Steffe. Arranged by Maria Thompson Corley. Concert,Contemporary,Holiday,Patriotic. Score. 24 pages. Maria Thompson Corley #6679339. Published by Maria Thompson Corley (A0.845954). Commissioned by Julia Carey and Juventas Ensemble, this duet was premiered in early July of 2021 by Kelley Hollis, soprano, James Dargan, baritone, and Julia Carey, piano as a tribute to Dr. Martin Luther King. The title of the concert was Yearning to Breathe Free. Julia conceived of the idea of combining Dr. King's I've been to the mountaintop speech with Julia Ward Howe's Battle Hymn of the Republic, however, the rights to Dr. King's speech weren't made available in time. As a result, the composer wrote a poem based on the portion of Exodus to which King alluded in his famous speech, in which Moses is giving a final speech to the Israelites from Mount Nebo. He knows he won't be allowed to cross over, and so he urges his people to be courageous as they continue on without him. The opening is very dissonant, because the images of a terrible swift sword unleashing fateful lightning struck me as terrifying. After commanding the heavens to let him speak, Moses also acknowledges his fear, as well. As the piece progresses, the familiar Battle Hymn Melody appears, as does Go Down Moses.James Dargan, for whom the piece was written, has an unusual range. Alternate notes are provided, as a result. The piece starts at about 1:18:10 of the concert, which can be found on the Juventas website.
$14.99 ≈
¥106.18
Crossing Jordan: Three Spirituals for soprano, piano and cello
Crossing Jordan: Three Spirituals for soprano, piano and cello
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Piano, Voix
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AVANCÉ
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religiou...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$27.00 ≈
¥191.26
"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello
"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello
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Piano, Voix
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AVANCÉ
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditio...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditional. Score. 15 pages. Maria Thompson Corley #875219. Published by Maria Thompson Corley (A0.1284047). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99 ≈
¥92.02
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
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Piano, Voix
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AVANCÉ
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Alan Bullard
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The Solitary Reaper
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Colne Edition / BullardMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / BullardMusic #681954. P...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / BullardMusic #681954. Published by Colne Edition / BullardMusic (A0.1077772). Alan Bullard's song 'The Solitary Reaper' is printed here in four separate versions, for high voice and piano, or violin, or oboe, or treble recorder/flute. Originally written for soprano and violin, this setting of Wordsworth’s well-known poem has since been performed in three other versions. The lyrical portrayal of a maiden working in the fields, singing 'as if her song could have no ending' inspired the composer to write a delicately flowing setting of the words supported by a 'never-ending' instrumental ostinato. ‘The revelation, when listening to this admirable CD, was the music of Alan Bullard. The Solitary Reaper is such a fascinating composition I found myself returning to it time and time again' Steve Ford, Avant magazine. (The recording here is of the voice and violin version. A recording of the voice and piano version can be found on Soundcloud.).
$4.99 ≈
¥35.35
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