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Vous avez sélectionné:
Uprising:
Piano, Voix
Partitions à imprimer
4 partitions trouvées
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Uprising by Muse - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Muse
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Uprising
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Musicnotes
Performed by: Muse: Uprising Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring:...
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Performed by: Muse: Uprising Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Piano;Voice 1;Voice 2;Voice 3; 5 pages -- Alternative Pop/Rock~~Art-Rock/Progressive~~Indie Rock
$5.50 ≈
£4.27
I Want To Talk About You
I Want To Talk About You
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Piano, Voix
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FACILE
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Billy Eckstine
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Christopher Williams
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I Want To Talk About You
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C.G. Williams
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1143727 Composed by Billy Eckstine. Arranged by Christopher Williams. 20th Century,Jazz,Standards,Wedding. Score. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1143727 Composed by Billy Eckstine. Arranged by Christopher Williams. 20th Century,Jazz,Standards,Wedding. Score. 3 pages. C.G. Williams #744050. Published by C.G. Williams (A0.1143727). My light arrangement of the Billy Eckstine classic, voiced with smaller hands in mind, geared toward solo piano crooners. The left hand is all shell voicings and block chords harmonizing the melody in the right. The harmony sticks fairly close to Eckstine's original, suprisingly modern, conception. I added my own optional intro/outro bringing it up to 32 bars of pure romance on 3 full pathos packed pages.
$4.99 ≈
£3.88
Matthew Bellamy: Uprising - piano, voice or other instruments
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Piano, Voix
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INTERMÉDIAIRE
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Rock
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Matthew Bellamy
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Virtualsheetmusic
Instantly printable sheet music by Matthew Bellamy for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Matthew Bellamy for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
$7.97 ≈
£6.19
Die Walkure
Die Walkure
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Piano, Voix
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Opera
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Richard Wagner
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urte...
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.
An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.
The score corresponds to the performance materials from the Complete Edition.
For practical use in rehearsal cues and bar numbers throughout.
The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.
The forewords are given in three languages(German, English, French).
Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.
DIE WALKURE
In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.
The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.
(Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99 ≈
£41.95
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