Partitions Numériques de In The Mood pour Saxophone Alto

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In The Mood
Non classifié 75

Piano & claviers
Piano seul 87
Orgue 7
Piano, Voix 3
Clavier 3
Piano Quintette: piano, 2 violons, alto, violoncelle 2

1 Piano, 4 mains 1
Piano, Voix et Guitare 1
Instruments en Do 1
Piano Quatuor: piano, violon, alto, violoncelle 1
2 Pianos, 4 mains 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 6 instrumentations

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Guitares
Guitare 13
Guitare notes et tablatures 2
Ukulele 1

Voix
Chorale SATB 5
Chorale SSAATTBB 2
Chorale TTBB 2
Voix Soprano, Piano 1

Vents
Flûte traversière et Piano 9
Saxophone 6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 6
Clarinette 5
Flûte traversière 4

Flûte, Hautbois, Clarinette, Basson 3
Saxophone Alto 3

Clarinette et Piano 3
Ensemble de Clarinettes 2
Ensemble de saxophones 2
Saxophone Alto et Piano 2
Quatuor de Saxophones: 4 saxophones 1
Flûte, Hautbois, Piano (trio) 1
Saxophone et Orgue 1
Ensemble de Flûtes 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone Tenor 1
2 Flûtes traversières (duo) 1
Hautbois (partie séparée) 1
Trio de Flûtes: 3 flûtes 1
Saxophone Soprano 1
Flûte, Hautbois, Clarinette (trio) 1
3 Clarinettes (trio) 1

+ 18 instrumentations

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Cuivres
Trombone et Piano 16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Euphonium, Piano (duo) 6
Trompette 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3

Cor et Piano 3
Trombone 3
Tuba et Piano 2
Trompette, Piano 2
Trombone basse 1
Quatuor de cuivres: 4 cors 1
Trompette, Trombone (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Cor 1
Ensemble de Trombones 1
Tuba 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violon et Piano 6
Violoncelle, Piano 3
Harpe 2
Violoncelle 2

Violon 2
Alto seul 1
Alto, Piano 1
Trio à Cordes: violon, alto, violoncelle 1

+ 4 instrumentations

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Percussions & orchestre
Orchestre 15
Orchestre d'harmonie 11
Ensemble de cuivres 6
Orchestre à Cordes 5
Batterie 3

Orchestre de chambre 2
Ensemble Jazz 1

+ 2 instrumentations

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In The Mood

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Saxophone Alto

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3 partitions trouvées

Glenn Miller : In the Mood (niveau difficile, sax alto) #Saxophone Alto #AVANCÉ #Jazz #Glenn Miller #In the Mood #Tomplay

Telechargez la partition Saxophone In the Mood (niveau difficile, sax alto) de Glenn Miller. Partition pour Saxophone avec accomp. orchestre -- Jazz...(+)

Telechargez la partition Saxophone In the Mood (niveau difficile, sax alto) de Glenn Miller. Partition pour Saxophone avec accomp. orchestre -- Jazz

5.99€

Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone

Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone #Saxophone Alto #AVANCÉ #Andersen Viana #Andersen Viana: Monologue for #Musik Fabrik Music Publishing #SheetMusicPlus

Alto Saxophone Solo - Level 5 - SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music ...(+)

Alto Saxophone Solo - Level 5 - SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40â€™ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: TormentÃ to, Scherzando, Lento, Lentissimo, reexposition (TormentÃ to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, RadamÃ©s Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the ClÃ³vis Salgado Foundation, PalÃ¡cio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, SebastiÃ£o Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of BillÃ¨re (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem PrÃ³ximo do Mal (Next Evil), Jogando para o AmanhÃ£, O PrÃ³ximo Passo, Gunâ€™s Speech, Trem Fantasma, 3:00:AM, CoraÃ§Ãµes Ardentes, Filhos de AdÃ£o, Perdidos em Abbey Road, Vivalma, ManuelzÃ£o e Bananeira, OfÃ©lia, Opostos, Minas Portuguesa, O Homem da CabeÃ§a de PapelÃ£o, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo FranÃ§a JÃºnior.

$10.35 ≈ 9.34€

Lan Na Thai for Alto Saxophone and Pre-recorded Sounds

Lan Na Thai for Alto Saxophone and Pre-recorded Sounds #Saxophone Alto #AVANCÉ #Sy Brandon #Lan Na Thai for Alto Saxophone #Sy Brandon #SheetMusicPlus

Alto Saxophone Solo - Level 5 - SKU: A0.755140 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Individual part. 20 pages. Sy Bran...(+)

Alto Saxophone Solo - Level 5 - SKU: A0.755140 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Individual part. 20 pages. Sy Brandon #3406013. Published by Sy Brandon (A0.755140). A free mp3 file of the pre-recorded sounds for this composition is available at https://www.dropbox.com/s/pkqxbtnymb6iknu/lan_na_thai_prs.mp3?dl=0 Lan Na Thai was composed during 2008 at the request of Dr. Andy Wen for a performance at the 2009 World Saxophone Congress in Bangkok, Thailand. The composition is in three movements with each titled after a different period in Thailand history. The piece is loosely programmatic as it tries to capture the general mood of each era, rather than specific events. I. Sukhothai (The Dawn of Happiness) This movement reflects the ideal state, a land of plenty, and is peaceful. II. Ayutthaya This movement reflects a period of wealth that is characterized by wars with Burma. III. The Chakri Dynasty This movement reflects the more hectic pace of modern society where Thailand moves from an absolute monarchy to a constitutional monarchy. Folk music of Thailand is built on a seven-note scale of equal intervals. The fourth and seventh notes of this scale are often used only for ornamental purposes. In order to approximate this scale, a pentatonic scale is used as it is like a major scale with the fourth and seventh tones removed. The pre-recorded sounds approximate some of the instruments traditionally used in Thai folk music.

$7.99 ≈ 7.21€

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