Partitions Numériques de Born To Die pour Chorale SSAA

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Born To Die
Non classifié 271

Piano & claviers
Piano seul 132
Piano, Voix et Guitare 28
Piano, Voix 20
Orgue 16
Piano Facile 16

1 Piano, 4 mains 4
Instruments en Do 3
Piano Trio: piano, violon, violoncelle 3
Piano Quintette: piano, 2 violons, alto, violoncelle 2
2 Pianos, 4 mains 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Accordéon 1
Accompagnement Piano 1

+ 8 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 99
Guitare notes et tablatures 27
Guitare 13
Ukulele 4
Basse electrique 2

Paroles et Accords 1
Dobro 1

+ 2 instrumentations

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Voix
Chorale SATB 76
Chorale 3 parties 31
Chorale 2 parties 6
Chorale Unison 4
Voix moyenne, Piano 3

Voix Baryton, Piano 3
Chorale SSAA 3

Chorale TTBB 3
Voix seule 2
Voix Tenor, Piano 2
Chorale SSAATTBB 1
Voix Soprano, Piano 1
Voix duo, Piano 1

+ 8 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 67
Quintette de Saxophone: 5 saxophones 62
Saxophone Alto et Piano 18
Flûte traversière et Piano 15
Clarinette et Piano 15

Quatuor de Saxophones: 4 saxophones 15
Ensemble de Clarinettes 13
2 Saxophones (duo) 10
Clarinette 10
Flûte, Hautbois, Clarinette, Basson 9
2 Flûtes traversières (duo) 8
Quintette de Flûte : 5 flûtes 8
2 Flûte à bec (duo) 7
Hautbois, Piano (duo) 7
3 Saxophones (trio) 6
Harmonica 6
Saxophone (partie séparée) 5
Saxophone Alto 5
Saxophone Baryton, Piano 5
Saxophone Tenor et Piano 5
Flûte traversière 5
2 Clarinettes (duo) 5
Quintette de Clarinettes: 5 clarinettes 4
Saxophone Soprano et Piano 4
Clarinette (partie séparée) 4
Quatuor de Flûtes : 4 flûtes 4
Ensemble de saxophones 4
Quatuor de Clarinettes: 4 clarinettes 4
Clarinette Basse, Piano 3
Saxophone, Clarinette (duo) 3
Cor anglais, Piano 3
Ensemble de Flûtes 3
Hautbois, Clarinette, Basson (trio d'anches) 2
Saxophone et Harpe 2
Clarinette, Trompette (duo) 2
Hautbois (partie séparée) 2
Clarinette, Violon (duo) 2
Clarinette, Guitare (duo) 2
3 Clarinettes (trio) 2
Trio de Flûtes: 3 flûtes 2
Saxophone et Orgue 2
Flûte, Trompette (duo) 1
Hautbois, Clarinette (duo) 1
Flûte, Violon 1
Flûte à Bec 1
Clarinette et Alto 1
Quatuor de Flûtes à bec 1
Clarinette, Harpe (duo) 1
3 Flûtes à bec (trio) 1
Flûte, Clarinette (duo) 1
Hautbois, Basson (duo) 1
Flûte à bec Alto, Basse continue 1
Clarinette, Basson (duo) 1
Hautbois, Harpe 1
Hautbois, Flûte 1
5 Flûtes à bec 1
Saxophone et Guitare 1
Flute (partie séparée) 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte traversière, Orgue (duo) 1
2 Hautbois (duo) 1
Flûte à bec Soprano, Piano 1
Flûte, Saxophone (duo) 1

+ 58 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 31
Quatuor de Cuivres : 2 trompettes, trombone, tuba 29
Ensemble de Trombones 8
Trompette 8
Ensemble de Trompettes 8

Trombone et Piano 6
Trombone 5
Trompette (partie séparée) 4
2 Trombones (duo) 4
Euphonium, Piano (duo) 4
Quatuor de cuivres: 4 trombones 3
Ensemble de Cors 3
Cor et Piano 3
Trompette, Trombone (duo) 3
Trompette, Piano 3
Cor anglais, Piano 3
Cor 2
Cor et Harpe 2
Quatuor de cuivres: 4 cors 2
Trompette, Saxophone (duo) 2
Trombone (partie séparée) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trombone, Cor (duo) 1
Tuba et Piano 1
Trompette, Harpe 1
Trompette, Cor (duo) 1
Quatuor de cuivres: 4 trompettes 1
Cor (partie séparée) 1
2 Trompettes (duo) 1
2 Tubas (duo) 1
Tuba (partie séparée) 1
4 Tubas 1
Euphonium, Tuba (duo) 1

+ 28 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 38
Violon et Piano 27
Violoncelle, Piano 20
Violon 18
Harpe 9

Ensemble de Violons 7
Ensemble d'Altos 7
Alto, Piano 7
Violon, Violoncelle (duo) 7
Quintette à cordes: 2 violons, alto, violoncelle, basse 6
Violoncelle (partie séparée) 5
4 Violoncelles 4
2 Violoncelles (duo) 4
Violon (partie séparée) 4
Trio à Cordes: violon, alto, violoncelle 4
Harpe, Flûte (duo) 4
2 Violons (duo) 4
Quatuor à cordes : 4 altos 3
Alto (partie séparée) 2
Trio à Cordes: 2 violons, violoncelle 2
Violon, Guitare (duo) 2
Alto et Harpe 2
Trio à cordes: 3 violins 2
2 Altos (duo) 2
Violoncelle , Guitare (duo) 2
Violon, Alto (duo) 2
Harpe, Violon (duo) 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Trio à Cordes: 3 violoncelles 1
Quatuor à cordes: 4 violons 1
2 Harpes (duo) 1
Harpe, Violoncelle (duo) 1
Violon, Orgue 1
Contrebasse (partie séparée) 1
Violon, Basse continue 1
Alto, Violoncelle (duo) 1
Harpe et Piano 1
Trio à cordes: 3 altos 1

+ 33 instrumentations

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Percussions & orchestre
Orchestre à Cordes 41
Orchestre d'harmonie 32
Orchestre 24
Orchestre de chambre 13
Ensemble de cuivres 8

Cloches 3
Ensemble Jazz 3
Marimba 1
2 Marimbas 1
Quintette de Cuivres: autres combinaisons 1
Percussion (partie séparée) 1

+ 6 instrumentations

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Vous avez sélectionné:

Born To Die

Chorale SSAA

Partitions à imprimer

3 partitions trouvées

#TheBoyWhoLived (SSAA)

#TheBoyWhoLived (SSAA) #Chorale SSAA #INTERMÉDIAIRE/AVANCÉ #Contemporain #Dominic McGonigal ##TheBoyWhoLived #C8 Music #SheetMusicPlus

Choral Choir (SSAA) - Level 4 - SKU: A0.924080 Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A...(+)

Choral Choir (SSAA) - Level 4 - SKU: A0.924080 Composed by Dominic McGonigal. Contemporary. Octavo. 4 pages. C8 Music #5988631. Published by C8 Music (A0.924080). This song is about a miracle. Liam was born in December 2018 and was without oxygen for fifteen minutes. Normally, that is fatal. In Liam's case, he lived but he had no sight, no hearing, no touch and no brain activity. He was given days to live and his parents took him home to talk to him, sing to him, be with him in his first and last few days. Days passed and Liam didn't die. Day by day, his face lit up, he could see, he could hear, he could feel and his brain came alive. Now he is a happy toddler, with an innocent smile and a miraculous radiance. 2'30. www.dominic.mcgonigal.com

$4.99 ≈ 4.61€

Julian's Hazelnut for SSAA and B flat clarinet

Julian's Hazelnut for SSAA and B flat clarinet #Chorale SSAA #INTERMÉDIAIRE/AVANCÉ #Adrienne Inglis #Julian's Hazelnut for SSAA and #Adrienne Inglis #SheetMusicPlus

Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages....(+)

Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts!Â Julianâ€™s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capoâ€™s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language â€” Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/HomeÂ The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capoâ€™s January 2023 Origins concert, Julianâ€™s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julianâ€™s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her â€œshewings.â€ The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of Godâ€™s love for it. In Julianâ€™s vision, the hazelnut symbolizes all that is made â€” all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julianâ€™s words. May this piece inspire the same awe and amazement at Godâ€™s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.

$1.99 ≈ 1.84€

Veni, veni, Emmanuel

Veni, veni, Emmanuel #Chorale SSAA #Raimund Wippermann #Veni, veni, Emmanuel #Schott Music - Digital #SheetMusicPlus

Female or girl's choir (SSAA) and organ - easy to intermediate - SKU: S9.Q19199 Composed by Raimund Wippermann. This edition: choral score. Schott Chora...(+)

Female or girl's choir (SSAA) and organ - easy to intermediate - SKU: S9.Q19199 Composed by Raimund Wippermann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19199. Published by Schott Music - Digital (S9.Q19199). Latin.Raimund Wippermann, born in 1956, studied church and school music in Cologne and DÃ¼sseldorf as well as choral conducting at the Stockholm Music Academy. Since 2004 he has been director of the Robert Schumann Hochschule in DÃ¼sseldorf. The longing of the believing individual for God's presence in our world in speech and music and making it 'sing' in the end â€“ this is the intention on which this piece is based. In this spirit, the old Advent hymn 'Veni, veni, Emmanuel' is combined here with linguistic and musical expressions of our time. The improvising singing will certainly be delightful for singers of all age groups after initial difficulties. The choral setting with its largely modal harmony is not complicated; however, the singers should have some experience in sustaining dissonances. The piece is ideal to approach sacred evening music in the Advent season, leading to quiet and calm.

$3.99 ≈ 3.69€

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