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Vous avez sélectionné:
I Know Why
Chorale SSAA
Partitions à imprimer
6 partitions trouvées
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1
I Know Why (and So Do You)
I Know Why (and So Do You)
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Chorale SSAA
#
INTERMÉDIAIRE
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Glenn Miller
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Kevin Keller
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I Know Why
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Kevin Keller
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1041746 By Glenn Miller. By Harry Warren and Mack Gordon. Arranged by Kevin Keller. 20th Century,A Cappella,Barb...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1041746 By Glenn Miller. By Harry Warren and Mack Gordon. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 5 pages. Kevin Keller #646524. Published by Kevin Keller (A0.1041746). SSAA a cappella chart in the barbershop style (melody in S2) - suitable for contest in HI and BHS.
$2.99 ≈
2.72€
I Know Why (and So Do You)
I Know Why (and So Do You)
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Chorale SSAA
#
Jazz
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Glenn Miller
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Ig Jakovac
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I Know Why
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Ig Jakovac
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.977501 By Glenn Miller. By Harry Warren. Arranged by Ig Jakovac. Jazz. Octavo. 3 pages. Ig Jakovac #5891003. Published by ...
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Choral Choir (SSAA) - SKU: A0.977501 By Glenn Miller. By Harry Warren. Arranged by Ig Jakovac. Jazz. Octavo. 3 pages. Ig Jakovac #5891003. Published by Ig Jakovac (A0.977501). Beautiful swing number - really fun to sing. Learning tracks available at Queen Anne Recordings
$1.99 ≈
1.81€
Don't Know Why
Don't Know Why
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Chorale SSAA
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Jazz
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Norah Jones
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Liz Garnett
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Don't Know Why
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Helping You Harmonise
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SheetMusicPlus
Choir, SSAA, female barbershop - By Norah Jones. Arranged by Liz Garnett. 4 pages. Published by Helping You Harmonise...
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Choir, SSAA, female barbershop - By Norah Jones. Arranged by Liz Garnett. 4 pages. Published by Helping You Harmonise
Norah Jones won 3 Grammy awards in 2003 for her cover of this gentle yet poignant ballad. The arrangement follows the original very closely in its form and harmonic choices, but builds it into the more intense emotional arc expected by barbershop contest audiences.
It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)
Vocal Ranges:
Tenor: F4 - F5
Lead: B flat 3 - C5
Bari: B flat 3 - E flat 5
Bass: D3 - F4
$2.99 ≈
2.72€
who knows if the moon's a balloon - SSAA (Children) & Piano
who knows if the moon's a balloon - SSAA (Children) & Piano
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Chorale SSAA
#
INTERMÉDIAIRE
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Charles Griffin
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who knows if the moon's a ball
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Coriolis Press
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Publis...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Published by Coriolis Press (A0.1000875). SSAA with piano accompaniment (1999 rev. 2020) ca. 3’e.e. cummings, Text.Commissioned by the Piedmont Choirs, for use in the International Choral Olympics in Linz, Austria, July, 2000.The MP3 recording is of the original composition. A handful of small tweaks were recently made, all of which simplify the performance challenges.Text:who knows if the moon’sa balloon, coming out of a keen cityin the sky-filled with pretty people?(and if you and I shouldget into it, if theyshould take me and take you into their balloon,why thenwe’d go up higher with all the pretty peoplethan houses and steeples and clouds:go sailingaway and away into a keencity which nobody’s ever visited, wherealwaysit’sSpring)and everyone’sIn love and flowers pick themselves
$2.99 ≈
2.72€
What Was I Made For?
What Was I Made For?
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Chorale SSAA
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FACILE
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Pop musique
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Billie Eilish
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Dylan Tran
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cap...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00 ≈
5.46€
Joy to the World
Joy to the World
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Chorale SSAA
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FACILE
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Isaac Watts
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Susan C Smith
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Joy to the World
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Susan C Smith at Dusty Guitar Music, LLC
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1278348 By Isaac Watts. By George Frideric Handel and Lowell Mason. Arranged by Susan C Smith. A Cappella,Christ...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1278348 By Isaac Watts. By George Frideric Handel and Lowell Mason. Arranged by Susan C Smith. A Cappella,Christian,Christmas,Holiday,Traditional. Octavo. 8 pages. Susan C Smith at Dusty Guitar Music, LLC #870066. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1278348). NON-TRADITIONAL MELODY: A great favorite, and a most well-known song among Christmas carols, Joy to the World was not originally written to be a Christmas carol. There were several melodies attached to the poem by Isaac Watts. The traditional version, which has become the most popular, is attributed to Lowell Mason, and is the fourth revised version. The first part of the tune in the popular version is similar to pieces by George Frideric Handel, and the melody for the second part is Lowell Mason's. Presented herein is a fifth version (maybe there are more!). If one of Handel's rousing pieces could be used for the first part of the song, why not another? I have used the Handel's Overture to the Music for the Royal Fireworks for the first part of the song, and have kept Lowell Mason's rousing ending. Please enjoy. Also available for SATB. ASCAP.
$2.00 ≈
1.82€
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