Partitions Numériques de Contemporary New age pour Saxophone et Orgue

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Contemporary New age
Non classifié 2 451

Piano & claviers
Piano seul 10 341
Piano Facile 758
Piano, Voix 750
Piano, Voix et Guitare 739
Orgue 275

Instruments en Do 217
1 Piano, 4 mains 81
2 Pianos, 4 mains 59
Piano Trio: piano, violon, violoncelle 29
Piano grosses notes 26
Piano Quintette: piano, 2 violons, alto, violoncelle 12
Accompagnement Piano 12
Piano Quatuor: piano, violon, alto, violoncelle 10
Clavecin 8
Orgue, Piano (duo) 6
Piano (partie séparée) 5
Piano Quatuor: piano, 2 violons, violoncelle 3
Ligne De Mélodie, Piano 3
Orgue, Trompette (duo) 2
Accordéon 1
2 Pianos, 8 mains 1

+ 16 instrumentations

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Guitares
Guitare notes et tablatures 243
Guitare 176
Guitare Pedal Steel 97
Ligne De Mélodie, (Paroles) et Accords 92
Piano, Guitare (duo) 35

Ukulele 25
Basse electrique 15
2 Guitares (duo) 12
Paroles et Accords 11
Dulcimer 8
Guitare (partie séparée) 7
4 Guitares (Quatuor) 5
Mandoline 4
Ensemble de guitares 4
Mandoline, Guitare (duo) 3
3 Guitares (trio) 3
Banjo 1

+ 12 instrumentations

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Voix
Chorale SATB 1 008
Chorale 2 parties 306
Chorale 3 parties 294
Voix duo, Piano 175
Chorale TTBB 159

Chorale Unison 129
Chorale SSAA 80
Voix duo 40
Voix Soprano, Piano 15
Voix seule 9
Voix moyenne, Piano 6
Voix Soprano 5
Voix haute 5
Voix Tenor, Piano 4
Voix Alto, Piano 4
Chorale 4
Voix Tenor 3
Voix Baryton, Piano 3
Voix, Guitare 2
Voix Mezzo-Soprano, Piano 2
Voix basse, Piano 1
Chorale SSATB 1

+ 17 instrumentations

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Vents
Flûte traversière et Piano 493
Clarinette et Piano 331
Hautbois, Piano (duo) 307
Saxophone Alto et Piano 199
2 Saxophones (duo) 168

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 148
Quatuor de Saxophones: 4 saxophones 144
Saxophone Tenor et Piano 124
Flûte, Hautbois, Clarinette, Basson 124
Clarinette 110
Quintette de Saxophone: 5 saxophones 90
Flûte traversière 87
2 Clarinettes (duo) 85
2 Flûtes traversières (duo) 80
Saxophone Alto 77
Saxophone (partie séparée) 74
Saxophone, Clarinette (duo) 68
Clarinette, Harpe (duo) 62
Saxophone Soprano et Piano 52
Clarinette, Violon (duo) 52
Cor anglais, Piano 51
Saxophone Baryton, Piano 50
Quatuor de Clarinettes: 4 clarinettes 47
2 Flûte à bec (duo) 44
Quatuor de Flûtes : 4 flûtes 43
Clarinette, Trompette (duo) 42
Flûte, Clarinette (duo) 36
Flûte et Guitare 33
Ensemble de Clarinettes 32
Flûte, Violon 31
Ensemble de Flûtes 29
Hautbois (partie séparée) 29
2 Hautbois (duo) 28
Clarinette Basse, Piano 28
Hautbois, Basson (duo) 28
Hautbois, Flûte 27
Hautbois, Clarinette (duo) 27
Flûte, Alto (duo) 26
Flûte, Violoncelle, Piano (trio) 25
Flûte, Saxophone (duo) 22
Saxophone Tenor 22
Clarinette et Alto 21
3 Saxophones (trio) 20
Flûte, Harpe et Violoncelle 19
Flûte, Trompette (duo) 18
3 Clarinettes (trio) 18
Ensemble de saxophones 18
Quintette de Clarinettes: 5 clarinettes 15
Quintette de Flûte : 5 flûtes 13
Trio de Flûtes: 3 flûtes 13
Clarinette, Trombone (duo) 9
Hautbois, Clarinette, Basson (trio d'anches) 9
Saxophone et Guitare 9
Saxophone Soprano 8
Clarinette, Guitare (duo) 7
Flûte, Clarinette, Piano (trio) 7
Flûte, Hautbois, Clarinette (trio) 6
Clarinette (partie séparée) 6
Clarinette, Violoncelle, Piano (trio) 5
Flûte à Bec 5
2 Clarinettes, Piano 5
Hautbois 5
Cor Anglais 5
2 Flûtes traversières, Piano 4
Flûte, Violoncelle 4
Flûte, Clarinette et Basson 4
Saxophone Baryton 4
Instruments en Mib 4
Flute (partie séparée) 3
Flûte, Violon, Piano 3
Flûte, Hautbois (duo) 3
Harmonica 2
Flûte, Hautbois, Piano (trio) 2
Quatuor de Flûtes à bec 2
Saxophone et Orgue 2

Hautbois, Violoncelle et Piano 2
Hautbois, violon (duo) 2
Clarinette, Violoncelle (duo) 2
Clarinette, Basson (duo) 2
Flûte, Violon, Violoncelle et Piano 1
3 Hautbois 1
Clarinette, trompette et piano 1
Flûte, trombone et piano 1
Flûte à bec Alto 1
Hautbois, Harpe 1
Saxophone et Piano 1
Flûte, Basson et Piano 1
Saxophone et Harpe 1
Flûte, Hautbois, Violon 1
Flûte à bec Soprano 1
Flûte à bec Tenor 1
Hautbois, Clarinette et Piano (Trio) 1
Flûte à bec Soprano, Piano 1
Cor anglais, Guitare (duo) 1
Flûte à Bec, Piano 1
Flûte, Alto et Piano 1
Saxophone 1
2 Saxophones, Piano 1
Flûte, Hautbois, Basson 1
Flûte, Violon, Guitare 1
Ensemble de Hautbois 1
Flute, harpe et violon 1

+ 97 instrumentations

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Cuivres
Trombone et Piano 166
Trompette, Piano 152
Cor et Piano 129
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 118
Quatuor de Cuivres : 2 trompettes, trombone, tuba 114

Trompette 88
Trombone 59
Tuba et Piano 57
Trompette, Saxophone (duo) 52
Cor anglais, Piano 51
2 Trompettes (duo) 50
2 Trombones (duo) 50
Euphonium, Piano (duo) 44
Cor 44
Ensemble de Trompettes 32
Trompette, Trombone (duo) 29
Quatuor de Cuivres: 2 trompettes, Cor, trombone 28
Trompette (partie séparée) 23
Trombone (partie séparée) 21
Quatuor de cuivres: 4 trombones 16
Tuba 16
Ensemble de Trombones 12
Quatuor de Cuivres 12
2 Euphoniums (duo) 11
2 Cors (duo) 11
Ensemble de Cors 7
Euphonium 7
Quatuor de cuivres: 4 cors 7
Cor Anglais 5
Quatuor de cuivres: 4 trompettes 4
Euphonium, Tuba (duo) 4
Trompette, Cor (duo) 4
Instruments en Sib 4
Bass Clef Instruments 3
Cor et Harpe 3
Trombone basse et Piano 3
Cor (partie séparée) 3
Trio de Cuivres 3
4 Tubas 2
Clarinette, Cor (duo) 2
Tuba (partie séparée) 2
Trombone, Tuba (duo) 2
2 Tubas (duo) 2
3 Trombones (trio) 2
Trombone basse 2
Quatuor de cuivres: 2 trompettes, 2 trombones 2
2 Trombones, Piano 1
3 Trompettes (trio) 1
Trompette, Violoncelle et Piano 1
Trompette, Orchestre 1
3 Cors (trio) 1
Trompette, Basson (duo) 1
Trombone et orchestre 1
Cor, Tuba (duo) 1
Cor, Violoncelle (duo) 1
Trompette, Tuba (duo) 1
Cor anglais, Guitare (duo) 1
Trompette, Harpe 1
Cor et Orgue 1
Trombone, Orgue 1

+ 55 instrumentations

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Cordes
Harpe 1 921
Violon et Piano 541
Quatuor à cordes: 2 violons, alto, violoncelle 424
Violoncelle, Piano 346
Alto, Piano 286

Harpe, Flûte (duo) 173
Violon 162
2 Harpes (duo) 134
Violon, Violoncelle (duo) 77
Contrebasse, Piano (duo) 70
Violoncelle (partie séparée) 66
Alto seul 58
2 Violons (duo) 56
Trio à Cordes: violon, alto, violoncelle 54
Harpe, Violon (duo) 50
2 Violoncelles (duo) 49
Violoncelle 46
Violon, Alto (duo) 39
2 Altos (duo) 31
Contre Basse 21
Violon (partie séparée) 21
Quintette à cordes: 2 violons, alto, violoncelle, basse 20
Violon, Guitare (duo) 19
Alto (partie séparée) 18
Trio à Cordes: 2 violons, violoncelle 17
4 Violoncelles 12
3 Harpes 10
Alto, Violoncelle (duo) 10
Contrebasse (partie séparée) 8
Violoncelle, Contrebasse (duo) 8
Quatuor à cordes: 4 violons 7
Ensemble de Violons 6
Violoncelle , Guitare (duo) 6
Piano Trio: Violon, Alto, Piano 5
Trio à cordes: 3 violins 5
Quintette à cordes: 2 violons, 2 altos, violoncelle 5
Ensemble d'Altos 4
Quintette à cordes : 2 violons, alto et 2 violoncelles 4
Harpe et Piano 4
Trio à cordes 4
Harpe, Violoncelle (duo) 3
Trio à Cordes: 3 violoncelles 2
Alto, Guitare (duo) 2
4 Contrebasses 2
Harpe, Orchestre 2
Trio à Cordes: 2 violons, alto 2
2 Contrebasses (duo) 2
Violon, Clarinette, Piano (trio) 2
2 Violoncelles, Piano 1
Flûte, Contrebasse (duo) 1
Violon, Orgue 1
Alto et Harpe 1
Violoncelle, Orgue 1
Quatuor à cordes : 4 altos 1
Harpe et mandoline 1

+ 50 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 490
Orchestre 264
Orchestre à Cordes 185
Ensemble de cuivres 109
Ensemble Jazz 80

Orchestre de chambre 65
Cloches 40
Fanfare 30
Ensemble de Percussions 28
Jazz combo 25
Marimba 12
Vibraphone 12
Xylophone, Piano 12
Batterie 10
Percussion (partie séparée) 7
Batterie (partie séparée) 3
Xylophone 2
Orchestre, Violon 1

+ 13 instrumentations

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Contemporary New age

Saxophone et Orgue

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2 partitions trouvées

What Would Nina Simone Say? For Soprano Sax & Organ (9'50")

What Would Nina Simone Say? For Soprano Sax & Organ (9'50") #Saxophone et Orgue #AVANCÉ #Contemporain #Judith Cloud #What Would Nina Simone Say? Fo #Judith Cloud #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...(+)

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940â€™s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think sheâ€™d be mad as hell and screaming about revolution, probably still advocating for the use of violence. Iâ€™ve used some of Simoneâ€™s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Lukeâ€™s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.

$15.00 ≈ 13.86€

David Hurd: Sonata for Alto Saxophone and Organ

David Hurd: Sonata for Alto Saxophone and Organ #Saxophone et Orgue #AVANCÉ #David Hurd #David Hurd: Sonata for Alto Sa #Musik Fabrik Music Publishing #SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and pa...(+)

Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.ï»¿

$25.95 ≈ 23.97€

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