Partitions Numériques de Number of Pages: 8 pour Harpe

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Number of Pages: 8
Non classifié 64

Piano & claviers
Piano seul 86
Accompagnement Piano 36
Piano, Voix 16
Piano Facile 13
Instruments en Do 7

Accordéon 5
Orgue 4
1 Piano, 4 mains 2
Piano, Voix et Guitare 2

+ 4 instrumentations

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Guitares
Guitare 10
Guitare notes et tablatures 9
Basse electrique 3
Ukulele 2
Ligne De Mélodie, (Paroles) et Accords 1

Ensemble de guitares 1

+ 1 instrumentations

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Voix
Chorale SATB 21
Voix Tenor, Piano 12
Chorale TTBB 7
Chorale 3 parties 5
Chorale Unison 3

Chorale SSAA 3
Voix Baryton, Piano 1
Chorale 2 parties 1

+ 3 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 11
Flûte traversière et Piano 11
Clarinette et Piano 6
Quatuor de Clarinettes: 4 clarinettes 6
Quatuor de Saxophones: 4 saxophones 5

Hautbois, Piano (duo) 5
Saxophone Alto et Piano 4
Flûte, Hautbois, Clarinette, Basson 4
Quatuor de Flûtes : 4 flûtes 3
Saxophone Tenor et Piano 2
Saxophone Baryton, Piano 2
Clarinette 2
3 Saxophones (trio) 2
Flûte, Violoncelle 1
Cor anglais, Piano 1
Clarinette, Guitare (duo) 1
2 Clarinettes (duo) 1
Clarinette, Basson (duo) 1
Saxophone Soprano et Piano 1
3 Clarinettes (trio) 1
Trio de Flûtes: 3 flûtes 1
Clarinette Basse, Piano 1
Quintette de Saxophone: 5 saxophones 1

+ 18 instrumentations

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Cuivres
Trompette, Piano 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
Trombone et Piano 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Trombone 2

Cor et Piano 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trompette 2
2 Cors (duo) 1
Cor anglais, Piano 1
Ensemble de Trombones 1
Trompette, Trombone (duo) 1
Euphonium, Piano (duo) 1
Quatuor de cuivres: 4 cors 1
Ensemble de Tubas 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 16
Violon, Violoncelle (duo) 15
Violon et Piano 8
Alto, Piano 6
Violon, Alto (duo) 4

Violoncelle, Piano 4
Harpe 3

Violon 3
2 Violons (duo) 2
Contre Basse 1
Violoncelle , Guitare (duo) 1
2 Violoncelles (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle (partie séparée) 1

+ 9 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 12
Cloches 7
Orchestre à Cordes 4
Orchestre 3
Ensemble de cuivres 3

Ensemble Jazz 1
Orchestre de chambre 1
Jazz combo 1

+ 3 instrumentations

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Number of Pages: 8

intermédiaire

Harpe

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3 partitions trouvées

Don't Stop Believin' (Journey) for Double-strung Harp

Don't Stop Believin' (Journey) for Double-strung Harp #Harpe #INTERMÉDIAIRE #Rock #Journey #Karen Peterson #Don't Stop Believin' #SheetMusicPlus

By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson ...(+)

By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience?s memory of this Eighties rock anthem by Journey will be playing along in their head?from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they?ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it?s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with ?R? or ?R#? when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with ?L? or ?L#? when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in ?Don?t Stop Believin?: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what?s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don?t worry: it?s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00?5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin

$6.99 ≈ 6.45€

Interludes

Interludes #Harpe #INTERMÉDIAIRE #Contemporain #Barbara Semmann #Interludes #SheetMusicPlus

Harp - Intermediate - Digital Download Composed by Barbara Semmann. New Age. 23 pages. Published by Afghan Press Music for the Harp...(+)

Harp - Intermediate - Digital Download Composed by Barbara Semmann. New Age. 23 pages. Published by Afghan Press Music for the Harp
Eight original compositions for harp, all two pages in length. This edition contains an eighth interlude found in Mrs. Semman's files after her passing. Some people have told us that Number Eight is the loveliest of all. The pieces in this collection are a representation of the various moods and colors of daily experiences, which inserted in the fabric of gifts and challenges, weave together the essence of life itself. 1 in F in �. 2 in Bb, 6/8 rhythm. 3 in 4, key of G minor, 4 in �, key of Bb, 5 key of G minor, in 4, 6 in G major, mostly single notes with some parallel 3rds. 7 in G minor-ish.

$9.00 ≈ 8.31€

Crazy

Crazy #Harpe #INTERMÉDIAIRE #Country #Patsy Cline #Karen Peterson #Crazy #Karen Peterson #SheetMusicPlus

Harp - Level 3 - SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Publishe...(+)

Harp - Level 3 - SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you canâ€™t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If youâ€™ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesnâ€™t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.

$5.99 ≈ 5.53€

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