Partitions Numériques de AIR FROM SUITE IN D pour Harpe

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AIR FROM SUITE IN D
Non classifié 95

Piano & claviers
Piano seul 23
Piano Facile 18
Orgue 3
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1

Piano, Voix 1
Piano grosses notes 1
Piano, Voix et Guitare 1
Piano Trio: piano, violon, violoncelle 1
1 Piano, 4 mains 1
Instruments en Do 1
Orgue, Trompette (duo) 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 4
Guitare 2
2 Guitares (duo) 1
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 3
Chorale 3 parties 1
Chorale 2 parties 1
Chorale SSAA 1

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 13
Flûte traversière et Piano 11
Quatuor de Saxophones: 4 saxophones 9
Clarinette 9
Hautbois, Piano (duo) 8

3 Saxophones (trio) 7
Quatuor de Clarinettes: 4 clarinettes 7
2 Saxophones (duo) 6
Flûte, Hautbois, Clarinette, Basson 5
Quintette de Saxophone: 5 saxophones 5
Flûte traversière 5
Clarinette et Piano 4
Ensemble de saxophones 3
Saxophone Tenor et Piano 3
Cor anglais, Piano 3
Hautbois, Violoncelle 2
Flûte, Hautbois, Clarinette (trio) 2
Trio de Flûtes: 3 flûtes 2
Saxophone Alto et Piano 2
Hautbois 2
Saxophone Baryton, Piano 2
Quintette de Flûte : 5 flûtes 2
Quatuor de Flûtes : 4 flûtes 2
2 Clarinettes (duo) 2
Ensemble de Flûtes 2
Saxophone Alto 1
Flûte à bec Alto, Piano 1
Flûte et Trio à cordes 1
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
2 Flûte à bec (duo) 1
Saxophone Soprano et Piano 1
2 Flûtes traversières (duo) 1
Clarinette, Harpe (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone (partie séparée) 1
Hautbois, Harpe 1
Flûte, Basson et Piano 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1
Flûte, Violoncelle 1
Clarinette Basse, Piano 1
Harmonica 1
3 Flûtes à bec (trio) 1
3 Clarinettes (trio) 1
Clarinette, Basson (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette, Violoncelle (duo) 1
Quatuor de Flûtes à bec 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Clarinette (duo) 1
Ensemble de Hautbois 1

+ 45 instrumentations

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Cuivres
Cor et Piano 9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6
Trompette, Piano 6
Trompette 5
Trombone et Piano 5

Tuba 3
Cor anglais, Piano 3
Tuba et Piano 3
Cor 2
2 Trombones (duo) 2
Trompette, Trombone (duo) 2
Trombone 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Quatuor de cuivres: 4 trombones 1
3 Trombones (trio) 1
Ensemble de Cors 1
3 Cors (trio) 1
2 Cors (duo) 1
2 Trompettes (duo) 1
Trompette, Cor (duo) 1
Euphonium, Piano (duo) 1
Quatuor de cuivres: 4 trompettes 1
3 Tubas (trio) 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violon et Piano 10
Violoncelle, Piano 6
Violon 5
Trio à Cordes: violon, alto, violoncelle 4

Violoncelle 4
Alto, Piano 4
Harpe 3

Quintette à cordes: 2 violons, alto, violoncelle, basse 3
2 Violons (duo) 2
Contrebasse, Piano (duo) 2
Alto seul 2
Violon, Alto (duo) 2
2 Violoncelles (duo) 2
Harpe, Flûte (duo) 2
Violon, Guitare (duo) 1
Violon, Violoncelle (duo) 1
Alto, Violoncelle (duo) 1
Trio à cordes: 3 violins 1
Trio à Cordes: 2 violons, violoncelle 1
Violoncelle , Guitare (duo) 1
2 Altos (duo) 1
Harpe, Violon (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 67
Orchestre de chambre 10
Orchestre à Cordes 9
Ensemble de cuivres 8
Cloches 2

Orchestre 1

+ 1 instrumentations

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AIR FROM SUITE IN D

Harpe

Partitions à imprimer

3 partitions trouvées

The Celtic Solo-Duo Book

The Celtic Solo-Duo Book #Harpe #INTERMÉDIAIRE #Celtique/Irlandais #Folklorique/Traditionel #Darhon Rees-Rohrbacher #The Celtic Solo-Duo Book #Afghan Press Music for the Harp #SheetMusicPlus

Harp - Level 3 - SKU: A0.797278 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score. 45 pages. Afghan Press Music for the Harp #4797261. Published by...(+)

Harp - Level 3 - SKU: A0.797278 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score. 45 pages. Afghan Press Music for the Harp #4797261. Published by Afghan Press Music for the Harp (A0.797278). Revised collection (the original version of this book contained only six selections) with 12 familiar melodies from the folk tradition of the British Isles for two lever and/or pedal harps. The harmonies are lovely! Harp 1 carries melodic material and principal harmonies and can be played alone as a solo harp arrangement. Melodies have been arranged and placed in an order so that the entire book may be played as a continuous suite of music. Includes chord symbols, fingerings, and well-marked lever/pedal changes. Contains: The Delight of Gruffyd ap Cynan key of Dm, Megan's Daughter key of F, Londonderry Aire (Danny Boy) key of F-C, Galway Piper key of C, The Last Rose of Summer leys of C-G, Eileen Aroon (Robin Adair) keys of G-C, Annie Laurie keys of C-G, The Queen's Marsh key of Em, English Country Garden key of G, Maids of Mourne Shore (Salley Gardens) key of D, Loch Lomond/Red is the Rose keys of D-G, Ye Banks and Braes keys of G-C.

$15.00 ≈ 13.74€

Old French Song

Old French Song #Harpe #FACILE #Classique #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderst�ck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.

On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.

P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.

The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.

A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.

I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.

May be the staccatos suites you best, and you should try it.

The score was written on Finale.

The sound file was produced with samplers from Garritan,

intended as an audio support for the presentation of the score.

A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you enjoy the music.

$4.99 ≈ 4.57€

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